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Aqua Utopia|海の底で記憶を紡ぐ

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@classicjude-blog
comefourth.
it drifts forward, lazy like the morning fog; a palpable tension that envelopes dean in its cold, cold embrace. the beast on their heels pauses, its maw already stained with blood, just a mere foot from the entrance to their safe haven—- close enough that dean can smell the rusty crimson and sickly fresh hint of gravedirt every hellhound seems to bear. his mind blinks back to his pistol; to the amateur fuck-up that separated man and weapon ( not that such a weapon exists to extinguish what life flickers within the spawn of hell; it’s merely familiarity that longs for his arms, for the extension of himself, for a tool that has yet to let him down ).
the query registers, but dean willfully ignores it, more pressing matters than the intrigue of the boy grasping for his attention. ( he won’t admit he doesn’t know, that he somehow doubts he can survive this, memories of a past encounter and the ripping and tearing of tendons and flesh resurfacing in the darkness—- of his own piercing screams, his brother’s pleading cries, the inevitable blackness that faded into decades of torture brimming dramatically upon the borders of PTSD—– )
“don’t worry about it. go, now,” he commands, just as the dog begins to move— gently, softly, but luckily, in the opposite direction, an opportunity dean won’t expect again. he gestures towards their exit, eyes trained on the black mass prowling through the night, teeth grinding together, worry seeping into the furrow of his brow.
Jude’s body goes cold, he takes note of the hairs that stand at a frigid alert along his neck, goosepimple flesh popping up beneath his skin. It’s as if he’s being WATCHED, either by someone in his immediate vicinity or . . . something bigger than that. Something he can’t explain ( not that he has any explanation for any of this, merely a desire to discover. ) He registers the man’s instructions, this time, though finds trouble acting upon them -- instructing his legs to move from their stationary position.
“ I’m worrying about it, ” he says bluntly, the character rising in his throat, tension building over the unresolved curiosity at his CORE. ( Like trying to hold in a sneeze, he has so many questions but no time to ask any of them. ) His breath hitches . . . & something tells him to move, to follow the man’s instructions & get out now. But what’s the point of the mentor - padawan relationship if he’s just to evacuate instead of LEARN ? He asks himself this question as two separate forces pull at his limbs from different directions: his eagerness, the unwavering desire to explore & SEE . . . & the reinforced instinct ( one that needs the man’s abrasive encouragement to put into motion; almost as if it’s lacking in his person . . . ) a body should possess, the knowledge of when to RUN.
He casts a glance backwards, sees nothing, before finally breaking through the metaphorical wall between them putting two & two together. If his extensive, nigh OBSESSIVE, research serves him any benefit ( which it does ), he has a good idea what’s after them. He isn’t ignorant. You don’t get a HELLHOUND on your tracks for just anything. “ Dean, ” his voice is low beneath gently suspecting brows, eyes focused on the man’s state, over-analyzing his every breath. “ What did you do? ”
“Did you think the lion was sleeping because he didn’t roar?”
written by: emily
We should meet in another life, we should meet in air, me and you.
Sylvia Plath (via thelovejournals)
[ SKEPTICAL SIGHING ]
art credit.
STARTER CALL // @dreamcrboy
The boy is much older than him ( more of a man in comparison, really ), & experienced, too. Capable of bad influences & unsavory teachings should younglings cross his path. Such a youngling as ( smaller than average, but not lacking in his own form of spunk ) Jude Newman, fourteen years of age & quaking full of the wildest beliefs & the most sincere of heartaches one could imagine possessing at such an age . . . Inside of him is a hollow shell, such a sad, empty, yet determined & confident place for a boy as young as he. However, he perseveres, turns to the one thing he knows can pick him up when he’s feeling down, down, DOWN. And thus he found his place at the Cavern Club . . . and trouble found him rising in the alley towards the rear, dusting himself off, gathering his breath; face to face with someone he’d come to admire from a distance, with a quaint reverse-observation & drops of crimson on his lips.
“ Just got me teeth kicked in in this alley, I did. In case y’were wondering about th’blood, that is. ” Where is his shame? It seems he possesses none. Part of him wonders for lack of a better repertoire with this particular one of the four Silver Beatles, if he’s here to join in on the sadistic festivities that have just abruptly come crashing to a painful halt.
Reality is irrelevant; Perception is everything.
Terry Goodkind
give this a like for a short starter after i’m done w/ classwork !!
comefourth.
the glint of a knife in the darkness is the only warning he offers: keep quiet, or you will die. body pressed against the grimy wall of an alleyway, dean extends one arm to force the kid against the same stretch of brick; snarls and growls of creature that was once on his heels echoing throughout the quiet, abandoned streets. blood drips idly from a tear of skin along his shoulder blade — contact with broken glass that will burn in the morning ( when, if, they survive this. ) he aches for his gun: but it lies somewhere on the stretch of pavement between here and the impala, a silver bullet lodged in the chamber, useless.
“ —-when i say run,” he begins, soft, hushed urgency coating each syllable, “you go towards that fire escape. no argument. no looking back. got it?” | @classicjude
The seriousness of the situation isn’t lost on Jude. He feels it, in the way the man’s hand presses against his chest, forces him back, & in the chill of the air on his skin ( he hadn’t been prepared to be out this late . . . perhaps he should have brought a sweater, an idle thought swimming through a clouded, otherwise anxious mind ). He knows this is real, as real as his heart, pump-thumping blood through constricted veins. His palms are raw from a tumble in which he foolishly braced his fall, knee throbbing from impact of a similar circumstance; he finds his mind racing too fast to hear the man’s words before he realizes they’re gone, & he, having not latched on to any of them in extreme detail.
Jude shakes himself back to reality, hides the chill of reckless excitement clawing, fighting for a place to be acknowledged. “ Fire escape, ” he repeats the only words that successfully translated from an otherwise preoccupied train of thought. “ What’re you gonna do? ” a whisper, he’d worry about the man’s instructions later ( he wasn’t stupid, selective with his attention, sure, but not stupid ), for an intense curiosity burns in his chest, a fiery desire that overwhelms him & shuts out anything that might get in the way of it . . . even fear.
So please ask yourself: What would I do if I weren’t afraid? And then go do it.
Sheryl Sandberg, Lean In: Women, Work, and the Will to Lead (via thequotejournals)
@alderaanheir
“ You remind me of Stevie Nicks, ” a beat that separates an astute yet otherwise unsolicited observation from Jude’s mouth & an explanation from his socially delayed mind. “ That’s a compliment. ”
@0000000000011
“ I saw it once. Th’light. ” His stare separates the particles of air that separate him & nowhere; sight lost on his thoughts -- too absorbed in the ghosts of his past to distinguish between what he sees now & what he’s seen, what he speaks of with an accent that’s not from . . . here. “ It was . . . familiar. Though I couldn’t say why. ”
i dont have time for people that dont appreciate guitar solos, bass lines or drum solos
don’t carry the world upon your shoulders. written by Charlie ►
tag dump !!
so this blog is in the process of being revamped, just gonna take me a lil bit bc i’m . . . really fucking ill rn