@closet-sociopathh - Tumblr Blog

John Watson + jealousy (½)

theseee are hiiis actinnng choooiiiiicessss. now we all know that martin gives like a thousand options every time they shoot. so here is the thing. how da fuck they always go for the uber jealous take every,.fuckin,,time if johnlock isn’t da real? huh? huhhhh?

antitaxie

you swing your head high, and don’t you worry.

closet-sociopathh

I DIDNT KNOW I SHIPPED THIS UNTIL NOW FUCK

callmehass

do u ever have a drama high…… like after a fight or petty drama u feel rejuvenated and clean. like everything feels so surreal and ur heart is so calm and u feel so good

closet-sociopathh

i feel like some people experience the world in a better way than i do

deducingbbcsherlock-deactivated

I have this stupid idea that Stamford is supposed to represent Cupid in the series (metaphorically). That's why he wasn't at the wedding, because there's no love there.

the first thing you said

the second thing you said

in conclusion:

adamngoodbuck

never forget

stunningpicture

closet-sociopathh

okay so the story behind this is really cute, apart from what it says on the packet. The parents were so worried because they didn't want to be 'those parents' so they made a lolly bag, but nobody at all complained and and some even thanked the parents uwu

only1600kids

a video of people running backwards put in reverse is like they’re being chased by someone mildly intimidating

buckypupbarnes

The Marvel Gif Challenge: buckypupbarnes vs. klarkents

↳Round 3 | Bucky Barnes + favorite quote.

weloveshortvideos

allhailsauron-deactivated201506

UNMUTE

marshmallowscream

his little gasp

closet-sociopathh

enD ME

thewordsyouneverunderstood

In this story, he leaves me for what he already knows. He stops holding my hand and he opens the door to a house that he thought had burned down in flames and it’s painful to be the one who waits but I wait because maybe it won’t feel like home. Because maybe the walls will be a different color and because maybe it’s not welcoming anymore. Maybe the love isn’t there anymore. And so I wait. I wait outside beneath a tree with broken limbs and I feel sad because all things must come to an end and this is the end. I stand on the outside and he is dancing in the kitchen with her. She is spinning beneath that old light fixture that needs fixing but they’re too engulfed in their happiness to notice the broken things and so they don’t notice me. They don’t notice me and I understand. Familiarity in love feels easier and I’m not angry and I’m a little bit sad but I understand. He’s loved her for quite some time now, he hasn’t ever stopped.

- Broken Light Fixture / thewordsyouneverunderstood (via thewordsyouneverunderstood)

fhume

Fuck him. Get someone that wants you enough to give you a fucking text back. You know?

cafai (via fhume)

secretlesbians

Depictions of Lesbianism by Henri Toulouse Lautrec

During his life, Lautrec spent a lot of time in Montmarte, the bohemian centre of 19th century Paris and home to artists, philosophers, writers, performers, and prostitutes. He spent a lot of time with the sex workers there, and discovered that many of them had intimate relationships with one another.

Lautrec’s depiction of lesbianism is particularly notable because it doesn’t fetishise sexual intimacy between women or present it as spectacle for the male gaze. Lautrec was trying to capture small, tender moments in the lives of the women he met, and he did so with humanity and sensitivity. In a world of constructed sexuality and fantasy, he finds the real relationships, and reveals to us the hidden lives of queer women in the 19th century.

Fin-de-siècle Paris was the capital of lesbianism. However, until the mid century, and despite the acknowledgment of male homosexuality, female homosexuality had been considered absurd. This scepticism was grounded in the fact that many nineteenth-century psychologists and medical professionals did not believe in female sexual impulse. Thus, when instances of lesbianism were reported in Alexandre Parent-Duchâtelet’s 1836 study of prostitution in Paris, lesbianism came to be understood as an activity associated with the Montmartre counterculture and, in particular, with prostitution. Indeed, deluxe houses of tolerance often functioned as specialty brothels that catered for a clientele with particular fetishes, such as tableaux vivants where ‘inmates, entirely naked, abandon themselves to homosexual practices on a large black velvet carpet or in rooms hung with black satin to bring out the whiteness of their bodies’. This was lesbianism as commercial spectacle, performed within a closed environment for male consumption.

Lesbianism in the public realm was a sexual preference that, while common, was negatively judged by French conservative society and for this reason was conducted with subtlety and partially obscured. In fact, many of the biggest stars of the Parisian circuses, dance halls and café-concerts were lesbian or bisexual, including Jane Avril and May Milton (whom, it is generally agreed, had a short-lived love affair), Sarah Bernhardt, Cha-u-ka-o and La Goulue. Whilst these Montmartre celebrities were depicted on multiple occasions by Lautrec, the artist chose to represent them as skilled professionals, never exploiting their sexual preference as the main focus of his compositions. So subtle was Lautrec in his treatment of these themes that art historians such as David Sweetman have gone so far as to argue that ‘It comes as something of a shock to realise that most of the women … were in fact lesbians and that quite a few were lovers. So many, in fact, that it is possible to argue that lesbianism is the hidden subtext of much of the art of Henri’s mature years.’

- from nga.gov.au

Images shown:

1. At the Moulin Rouge: The Women Dancing

2. In Bed

3. The Kiss

4. Two Friends

5. Les Deux Amies