Book Marketing Buzz Author Interview: Camille Marchetta
Camille Marchetta, author of the new literary novel, The River, By Moonlight, was kind enough to answer a few questions about book marketing, virtual book tours and other facets of book marketing in general.
Her credits include: Staff Writer for the television series Dallas, producer of Nurse and Dynasty, co-executive-producer of Falcon Crest, and story consultant on the television series, Central Park West.
Welcome, Camille. I am very impressed with your television credits. How did you land those fantastic writing positions?
Thatâs nice of you to say
Honestly, I do feel very lucky to fax lists been associated with so many of televisionâs landmark shows. Looking back, it can all seem easy enough, but the truth is that two years after I arrived in Los Angeles wanting to write, I had only one assignment to my credit, and a lot of projects getting nowhere fast. I was working temp jobs to earn money. But then a producer, who was hoping to make one of my spec scripts into a film, introduced me to an agent named Lynn Pleshette, an untiring powerhouse of a person, and still a good friend.
At the time, she represented (and still does, I believe) a writer named David Jacobs to whom she sent a sample script of mine. David wasnât able to get me a job on the show he was then story-editing, but he promised that as soon as he could, he would hire me. And he came through on that promise, big time. Soon after, he created the series, Dallas, and gave me a script assignment for the mini-series. Then, in the first full season, I joined the staff of the show as a story-editor. Dallas was such a huge hit. My career was launched. The other work just followed naturally in its wake.
I remember, as the rest
Watching the final season of Dallas in which everyone was glued to their sets to find out Who Shot JR? Did you have people trying to get you to tell you who really shot JR before the rest of the world found out?
Itâs hard to keep track, but that episode was actually the last in the second season (the show lasted 13). And all of us â the cast, the crew, the production staff â had people trying to pry the answer out of us. Friends were calling me from London, where the bookies were taking odds, begging me to tell them whoâd done it. Our offices were broken into. Scripts were stolen. Bribes were offered. But weâd had the foresight to write (and film) different endings. Only a handful of us knew which was the real one. And none of us told. Not even those of us who could really have used a little extra money. Iâve always thought that was amazing, and a real tribute to the spirit of the show.
The least rewarding?
I suppose the most rewarding was watching first Dallas and then Dynasty climb to #1 in the ratings while I was working on them. Success is very thrilling. As for the least rewarding, well, failure really hurts. I wrote a couple of pilots for series that I thought had great potential, and when the networks didnât agree, I was crushed. I still think they were wrong.













