this is one of those videos that has some of the most heartbreaking youtube comments ever. fucking awful.
we're not kids anymore.

@theartofmadeline
KIROKAZE
𓃗
almost home
Cosimo Galluzzi

★
Jules of Nature
Today's Document
todays bird
hello vonnie
🩵 avery cochrane 🩵

⁂
Lint Roller? I Barely Know Her
Peter Solarz

roma★

❣ Chile in a Photography ❣
d e v o n
"I'm Dorothy Gale from Kansas"
Not today Justin
seen from Kyrgyzstan
seen from Russia

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seen from Nepal

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seen from United States
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@coloredrobs-blog
this is one of those videos that has some of the most heartbreaking youtube comments ever. fucking awful.
time for songs that are stuck in green rob's head 2014
ALBUM REVIEW: THE ACTIVE INGREDIENTS, TIDES (2013)
Before any of you say anything, shut up. I know it's been a while LET'S START THE PARTY Y'ALL The Active Ingredients Tides
FFO: Surfer's Blood, Everyone Everywhere, Restorations
What do you think of in regards to emo music when you hear Connecticut? The World Is, right? Yeah okay they're amazing and everything, but I really feel like The Active Ingredients are a band that might be a little under the radar when they are good enough to be waaaay over said radar. My first impression of this album is the mixing. It's so fucking good. Whoever mixed this knew EXACTLY what they were doing. I guess that's the beauty of a two piece? Not a lot to mix so you can make what's there really good. And god DAMN they did. The guitars sound warm and fuzzy, the vocals are simple enough to sing along and distant enough to sound borderline mystical. This is the kind of music that puts you in a really good place and I recommend just laying on the hood of your car and pumping this shit. Take it all in cause if you don't this album will make you. The Active Ingredients also make a point of being really versatile. A lot of bands in the emo/indie/whatever genre tend to stick to all chords or all slow jams or all happy songs or whatever. This band does all of that: happy songs, noodly songs, four chords songs, the whole package. And it's always super catchy. Every single time. I like when a band isn't piss scared to write the same song 30 times with the same progression in the exact same key. It's good to branch out and figure out what sounds really good. Admittedly usually you know what to expect when listening to a band from a certain genre. You know what the sound is. But it's how you implicate that sound and make it your own that actually like...matters. And these guys do a good job. That being said, music is a two way street. Lyrical quality is just as important. And I don't really think it's here. I mean I guess in some cases it's not my place to say someone didn't emulate a feeling right or whatever, but I wouldn't describe people I don't like as "The ones I hate, the ones that drive Mercedes Benz / The ones I love, and the ones didn’t think to find". They're a little younger so I guess with time and with newer songs they'll grow up and write some cooler stuff with time. I chalk it up to inexperience.
DA VERDICT The Active Ingredients are on their way to being real awesome. Awesome guitar parts coupled with calm soothing vocals make this release. Doctor up their those lyrics a little and you're golden! GRADE: B- Favorite tracks: Ahhh (Dinosaur Book), Yacht Club Party, Strikings Check out the Active ingredients at their bandcamp page here: http://theactiveingredientsct.bandcamp.com/
ALBUM REVIEW: TYLER, THE CREATOR, WOLF (2013, ODD FUTURE RECORDS)
It's been a long time coming, but finally we're here with Tyler The Creator's third album. And we decided to wait until two months after it's release to talk about it. Tyler, The Creator Wolf FFO: I don't even fuckin know dude
While being indirectly responsible for ignorant white people claiming they listen to hip hop, Tyler the Creator is notorious for dropping bombs on the hip hop community and turning the game on its head, and Wolf is no exception. Long gone are the verses about chopping up bodies and rape, Wolf gets on a more personal level lyrically. You'll hear a lot more songs about girls, Tyler's tongue-in-cheek lines on suddenly becoming successful, and the prevalent bashing of his dad. From getting famous in what seemed like only a year (was it? i don't remember), in my opinion this is the album that Tyler needed to make, with full production, some of the most astronomical beats out there right now, and some pretty awesome appearances from Erykah Badu, Pharrell, Frank Ocean and the rest of Odd Future.
Another noteworthy thing to mention when listening to this album is that you're not going to hear the same 18 year old you heard on Bastard. You're hearing a Tyler who has toured internationally, been to a thousand parties, got a gigantic house, and experienced the death of his grandmother. Behind the ambient beats you'll hear lines that you can tell cut deep as he wrote them. "Answer" is probably the most honest song Tyler has ever written, covering everything from his father and how his leaving changed him for the better ("You Nigerian Fuck, now i'm stuck with this shitty facial hair / Also stuck with a beautiful home with a case of stairs / So you not being here fucking fire-started my damn career"), to his grandma dying ("I would tell my grandma, but she's just nostalgia"). But that doesn't mean he still can't fuck around and be a dub teenager with a song like "Trashwang", a parody to all the shitty trap rap shit out there and probably the most hilarious hip hop track you'll ever hear. One of the best things about the album is Tyler's reflection on fame in general. While most artists of any medium would just roll around in the dough and change completely, Tyler took that money and still kept his image and ethos and just expanded on it. You'll hear him not being able to get used to being famous in "Colossus", which is a monologue from a crazed fan who leeched onto him like a fad. Anybody would think that's weird. Tyler sees fame and money fro the views of a normal person, and he won't let it change him. And that's merely an iota of what sets him apart from any other rapper out there right now. DA VERDICT With an all star cast and all the access to the tools he needed, Tyler crafted a godsend of a hip hop album. It's something that hip hop heads and post rock fans alie can get into, and that's really fuckin cool. Favorite tracks: Answer, Cowboy, Collosus, Treehome
GRADE: a no-bullshit A+ check out what tyler and the rest of the OF gang is doing at the OF website
colored robs schedule
here's some albums we're gonna review: Tyler, The Creator - Wolf
The Exploration - Demography
milo - things that happen at day/night Dollar Signs - Don't Be Yourself Tawny Peaks - S/T
Nicknames - lowball also gonna start doing album of the week things, "song for ______" stuff, and MAYBE a weekly playlist you'll be able to download (probably monthly).
Do you want us to listen to your band? Send us an email at [email protected] and we'll probably write some stuff about you. Peace out.
-Green
new World Is/Tigers Jaw/Code Orange Kids/Self Defense split on the way
pretty excited about this one. topshelf is putting out a split with these really awesome bands. you can hear the songs in this youtube playlist: http://www.youtube.com/watch?v=t8TmhLeBGjs&list=SPCOgX8TW9tS-dD6snwnNK95zSjt1lZxjV. the code orange kids song is private (good riddance anyway hyuckhyuckhyuck), but you can hear one more Tigers Jaw song before they peace out forever, and a new World Is track too! GET INTO IT!
ALBUM REVIEW: TITLE FIGHT, FLORAL GREEN (2012, SIDEONEDUMMY RECORDS)
Aight, aight. I know you all got your freakin run for cover preorders and your posters and your whatnot and you've all heard it either on vinyl or leaked on internetland. Let's see how the new Title Fight record stacks up with us.
Title Fight Floral Green FFO: More Than Life, The Great Explainer, Basement, I don't know man if you like punk music just listen to it So for a record label that has doled out punk rock that hasn't been cool since you were 13 (see The Casualties and Flogging Molly (I didn't know Restorations was on this label so I take some of that back cause Restorations fucking rules)), it's really nice to see a band changing the pop punk game like Title Fight in the ranks, like that episode of Hey Arnold where Big Bob wants to cut down Mighty Pete to make a beeper emporium. In layman's terms Title Fight is an awesome treehouse and the rest of Sideonedummy sells BEEPERS.
It seems like Title Fight is going the same way The Wonder Years did with this one. It's the Suburbia I've Given You All to The Upsides, aka Shed 2.0. And a lot of people get mad at that but I really don't understand why. If it ain't broke, don't fix it. They have a great thing going so keep on keepin on blah blah blah. So let's talk about this album a little bit. It's a little (huge emphasis on little) more poppier than Shed. Shed was like a big hot mess of sad feelings and noise and it was awesome. They got a lot louder and more raw with Floral Green and it's pretty cool. While they have pop songs like "Secret Society" (arguably the best track), they can bring it back down in an instant with a track like "Head In The Ceiling Fan" without a hitch. I lied, that right there is probably my favorite song. They never fail to have this undeniable energy that shines through every song. It's obvious that is this honest and that these thoughts and feelings are real and that these songs to forever to get them just right. Not to mention the lyrics have enough feels to sink a freakin cruise ship. Check this shit out: "I'm boring No fun at all I put my head right through the wall I tried to make myself feel No luck this time Try again next year" - Sympathy That's some rough stuff, but completely relatable and easily singalongable. I think that's what people look for not only in punk music, but music in general. Everybody wants a song they can sing with their friends and have it ring true. Do other bands do this? Of course! But Title Fight is just...something else. It's actually surprising people coming from bands like The Wonder Years and Man Overboard are into this. It's a lot more sophisticated in its presentation and a lot more intricate lyrically. Granted it's still a punk record but still. I guess it just has so much to offer to everyone by screaming at the top of its lungs with its head in its hands. I really have nothing else to say this album is just fuckin' mint. DA VERDICT Unlike almost every band i've ever known, Title Fight is one band that just keeps getting better over time. They keep honing their claws and writing better songs and i'm honestly just speechless. From the simple honest imagery in the words down to the well-written and thought out songs, this is one of the best records of the year. Period. Grade: A Pick up Floral Green and all the other good bands sideonedummy has to offer here: http://sideonedummy.com/ And don't forget Title Fight's going on tour through November. You can check out the dates HERE: http://sideonedummy.com/tour/title-fight
Plz reblog and spread the word
do kids still listen to asking alexandria? are snakebites still cool? what the fuck is going on with this world? i'm watching some short film they made or something...and this CAN'T still be cool. do these guys still have a niche audience? i don't understand anymore. i'mma go cut my wrists and black my eyes.
-green
I tried your 5 simple steps and I got A.I.D.S.
You fucking suck at music.
Dude, you're arrogant to the extreme. You don't know the first thing about succeeding in music, let alone making a living out of it which to me, gives you know room to speak and tell any musician what to do. You both are a put down to musicians and should stop criticizing on how someone should do their art.
And you should do your art however you want. You don't have to listen to us. In our eyes this is just a couple little footnotes to help you get taken seriously by grown ups. I'm not saying you're gonna get a freakin record deal by following our five step program tomorrow. This is just the way we see this and the conclusions we've drawn based on the antics of the hooligans in our "local music scene". We're not saying anything that hasn't been said a million times over.
green and blue's guide to get people to take your band seriously (in hamilton or anywhere)
1. It's not 2006 and we're not on Myspace anymore The fact is, no one wants to see facebook statuses about what you guys are up to unless it's related to your actual band. No one wants to watch videos of you doing handstands or eating burritos. And nobody wants you heckling them about how psyched they are about your new release. You need to be adults about this. I mean sure it's cool to crack a joke (or seven) every once in a while. Everybody likes a good laugh. But don't post shit like "700 LIKES AND WE POST 3 SECONDS OF OUR NEW SONG" or "WHO DOESN'T WANNA GO TO SCHOOL TOMORROW?!". Save the stuff about your personal lives for your diary because the reality is no one really cares and anybody actually credible (i.e. producers, record label people, promoters, us) are just gonna shake their heads and move on if they see dumb bullshit like that. We all grew up, and now it's your turn. 2. Make your music available to everybody and anybody (in other words, get a Bandcamp) This should go without saying. If you have something that's really great and that you're proud of, SHARE WITH EVERYONE POSSIBLE. Put it on Bandcamp and put it everywhere. Send it to your friends in other bands, post it on Tumblr, Facebook, whatever. But don't make people like your Facebook page or buy it. No one's gonna pay a dollar to hear your song when they don't know who you are, what kinda music you make or why they should even care. If you're building from the ground up, don't start from the sky (ORIGINAL QUOTE DO NOT STEAL). You don't have a soap box, and until you act like a normal person, no one's gonna care. Just be a nice guy or gal and make your music easy to access. It's that simple. Just like ya iPad 3. 3. Everybody's gotta grow up sometime aka just because your band was the shit in high school doesn't mean anyone cares now Lemme provide you with a real life example with this one. I was once in a sceney weenie band in high school, and so were these other kids that everyone liked. Everybody has differences or whatever and both of our bands broke up. However there was ONE person in particular who no matter what would not let it die. And this band had a "reunion" at least three or four times and thus anybody who used to like them got altogether sick of them. The point is, friends, there's a time and place for everything. And once you graduate, if your band that you've been in since freshman year has broken up (or even if they're still together), you have to either give it up and move on or put up your big boy pants and start acting like a real group people trying to get something done. Sure those shows you played at the bowling alley were awesome and all the kiddies thought you were cool, but if you're going into a bigger music scene (aka anywhere outside of your hometown) with more established (aka better) and not easily swayed promoters and other guys who book shows, don't cop the same mic-swinging swaggercock attitude from forever ago. You're basically back to square one and you have to be humble and respectful. You will play shows to no one, shows where you only have a 20 minute opening set with a big band on the bill. That's part of being a musician, whether alone or with other people. You have to bite the bullet and deal with it and as long as you don't whine and pout when the going gets tough, you might have the cajones you need to actually make progress in this world. 4. Haters will always exist You gotta learn that no matter what band you're in, I don't care WHO you are, there will always be people who don't approve of what you're doing. There will always be two or three guys in the back of a show with our arms crossed snickering and whispering to each other. It's kinda funny how even when you're out of high school, some scenes are even more high school than high school. Don't get all whiny and pouty because someone wrote a bad review (hintity hint hint) or said something snarky on your facebook page or made fun of you. When you get down to it, music is art. And if you're content with what you've created, then there is no reason for you to bat an eye at haters. They exist, they're everywhere, and if enough people like you they will defend you (like pop punk, remember? \m/). Do what you want and fuck the rest. 5. Never forget where you came from So you shot out of high school, you formed a new band, and everybody thinks they're the best. DON'T BE AN ASSHOLE. Don't let it change who you are, who you hang out with or which bands you play with. Most likely the lesser known bands that you're treating like shit are the ones that genuinely support you. Don't act like your king of the freakin universe just because you made front page on AbsolutePunk. Remember that you didn't get where you are overnight, so don't be afraid to help out other people. Never EVER turn your back on the people that either a. helped you get where you are or b. are trying to get where you are (unless they're assholes in which case fuck that). Just be a friend to the people who deserve it. Basically, if you haven't yet, drop the hairdo and the mic swinging and the leopard print pants and join the rest of us at the adults table. All people want is a good band with good guys in a basement. No one's gonna facebook like you if you talk about all that dumb crap anyway. So just be normal people and above all, have fun and don't be a dick.
- blue and green
CEREMONY - INTO THE WAYSIDE PART I/SICK
graceinplace replied to your audio post: nmattea: i never knew you | avett brothers
by far my favorite album [of theirs] yet!
mmmm i wouldn't go that far. emotionalism is top freakin notch.
-green
i never knew you | avett brothers