You don’t have to go back to the original key.
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@composingstrategies
You don’t have to go back to the original key.
Chromatic voice leading is the coolest.
What would Chopin do?
Modulate up a major third.
A common-tone modulation might be in order at this point.
Maybe it’s time to write a slow piece in the altered Dorian mode.
Unit A in the Dorian mode Unit B in the Aeolian mode Repeat
The Andalusian cadence always makes them cry.
(for example: Am G F E7, repeat)
Write down or record even the tiniest idea. You'll find a way to develop it someday.
Don’t get too obsessed with finding a clever chord progression.
Less is more, sometimes.
Circle of fifths, no major chord.
Improvise in related keys. For example: 4 bars in C major, 4 bars in G major, repeat; or: 4 bars in A minor, 4 bars in D minor, repeat.
Everything has been done before, but don’t let that stop you.
Always steal from the best.
“How strange the change from major to minor.”
Time for a secondary dominant.