‘Funeral’, Queens, 2015
wallacepolsom
$LAYYYTER
almost home
Sade Olutola
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tannertan36
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祝日 / Permanent Vacation
we're not kids anymore.

oozey mess
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#extradirty
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Origami Around
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let's talk about Bridgerton tea, my ask is open

ellievsbear

★

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@conchproducts-blog
‘Funeral’, Queens, 2015
I will be at a stall at Cult Milk tomorrow selling the Big Phil Tee shirt and many other original drawings. Come down if your about :)
Joel, Rotterdam 2015
www.florianbraakman.nl
Alex Knudsen
conchproducts.co.uk
conchproducts.co.uk
conchproducts.co.uk
conchproducts.co.uk
Head on over to conchproducts.co.uk - A lot of new drawings up and a new T-shirt is also available! https://www.facebook.com/conchproducts/
“…[h]e is describing, in the image of a dense black cloud hanging over the city, the human and moral consequences of an indifferent and ‘unnatural’ society. It is an image to which he often returns: the obscurity, the darkness, the fog that keeps us from seeing each other clearly and from seeing the relation between ourselves and our actions, ourselves and others.”
- Raymond Williams on Charles Dickens, The Country and The City (1973)
…
Photographs from Raymond Meeks’s Erasure, Paul Graham’s American Night, Karin Apollonia Müller’s On Edge, Heikki Kaski’s Tranquility, and Gregory Halpern’s A.
Relatedly
Golden Light, 2015 Shredded photographs, on paper. 30 x 22 inches. On view @ Roq La Rue Gallery in Seattle, WA
Squash and peppers, 2014
Nic Cage - oil
How did I learn to despise myself so much and look at others with spite thinking they don’t go through this
Rose Cross, Broadway, 2015