configuration: artillery
O N L I N E
carrd [ rules / about ]

roma★
$LAYYYTER

Andulka
Xuebing Du
occasionally subtle
let's talk about Bridgerton tea, my ask is open

tannertan36
we're not kids anymore.

Product Placement

Discoholic 🪩
No title available
NASA

祝日 / Permanent Vacation
YOU ARE THE REASON

⁂

Kaledo Art

pixel skylines
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin

seen from T1

seen from United States
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seen from Malaysia
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@configuraticn
configuration: artillery
O N L I N E
carrd [ rules / about ]
𝐒𝐇𝐈𝐍𝐈𝐍𝐆 𝐀𝐑𝐌𝐎𝐑 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
i rewatched the etern.als. and then i got thinkin. and now you guys are on the receiving end of more protective prompts, but these little beauties are aimed more for the act of actually saving a life! bon appetit!
DIALOGUE PROMPTS.
“ what the hell were you thinking?! you could’ve been killed! “
“ hey! get away from them! “
“ if you wanna hurt them, you’re going to have to get through me, first. “
“ you underestimate how much you mean to me. i wasn’t about to let them hurt you. and i certainly wasn’t about to let them even consider killing you. “
“ i told you before. i’m not gonna let anything in this world nor the next harm you. “
“ you need to get out of here! go! i’ll buy you some more time! “
“ what are you doing?! i told you, get out of here! now! “
“ get it through your head, i’m not gonna just leave you here! “
“ now’s not the time to play the martyr, got it? you’ve got a good long life ahead of you, and i intend to keep it that way. “
“ you need to go now, okay? don’t worry. i’ve got this. they’ll want to be trying a lot harder if they want to keep me from protecting you. “
“ don’t worry about me; are YOU okay? “
“ damnit, [NAME]! i TOLD you not to play the hero! “
“ i can look after myself, you know. but… i do appreciate you stepping in back there. you saved my life. “
“ why are you so invested in keeping me alive? “
“ that was for saving my life. “
“ it’s alright, they’re gone now… are you alright? hey, look at me; are you hurt at all? “
“ are you insane?! run! “
“ were you preoccupied, or did you just really want a dramatic heroic entrance before you saved my ass? “
“ are you okay? “
“ yeah, yeah, i’m okay… are you okay? “
“ hey! why don’t you try picking on someone your own size! “
“ hurry! take my hand! “
“ get in the car! now! “
“ i’m sorry i was late… are you alright? they didn’t hurt you too badly, did they? “
ACTION PROMPTS.
add a “+ REVERSE” to switch the roles around!
[ SHIELD ]: sender uses their own body to shield the receiver from an attack.
[ EMBRACE ]: sender quickly wraps the receiver in a protective hug and turns so the sender’s back might take on the brunt of an on-coming attack.
[ SHOVE ]: seeing the receiver is in immediate danger, the sender runs to them and shoves them out of the line of fire.
[ YANK ]: seeing the receiver is in immediate danger, the sender hastily grabs them and pulls them against them, out of harm’s way.
[ TACKLE ]: sender physically tackles the receiver out of the line of fire.
[ THROW ]: sender throws themselves between the receiver and an on-coming attack, taking on an injury that might have been fatal to the receiver otherwise.
[ DISTRACT ]: sender causes a distraction to draw the receiver’s attacker/s away from them.
[ FIGHT ]: just as the receiver is about to be attacked, the sender arrives suddenly and begins to physically fight off their assailant.
[ CATCH ]: sender manages to intervene and catch the falling receiver before they fall to their death.
[ SACRIFICE ]: sender sacrifices themselves, either fatally or otherwise, in order to save the receiver’s life.
[ HIDE ]: sender quickly pulls the receiver into a hiding place, hiding them from their pursuers.
[ KILL ]: sender, seeing the receiver in immediate and intentionally fatal danger, intervenes by killing their assailant before they can kill the receiver.
[ INCAPACITATE ]: sender, seeing the receiver in immediate danger, intervenes by knocking out their assailant before they can harm the receiver.
[ AFAR ]: sender, having been watching the receiver’s interactions with a threat from afar, saves them from an impending attack while remaining distant from them.
[ SECRET ]: sender, having been secretly following the receiver, saves their life from an immediate threat while remaining hidden from the receiver.
[ REVEALED ]: sender, having been secretly following the receiver, reveals themselves in the process of saving the receiver’s life from an unexpected threat.
[ REUNION ]: after spending a considerable length of time apart, the sender reunites with the receiver after saving their life from an immediate and potentially lethal threat.
[ KISS ]: after having been saved from immediate danger by the receiver, the sender, in a state of intense emotion and relief, kisses them to express these feelings.
[ HUG ]: sender, having just saved the receiver’s life, pulls them into a tight hug out of relief and a need to steady and support both themselves and the receiver.