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Kaledo Art

if i look back, i am lost
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Aqua Utopia|海の底で記憶を紡ぐ
Monterey Bay Aquarium
cherry valley forever

titsay

#extradirty
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oozey mess
NASA
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Keni

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d e v o n

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@connectatron-blog
mocs_maker 😱😱😱 1920 - detail by adnorrell7580
space_glove Knights of the Krill Mysterious and vengeful.
space_glove Rotor 🦐 Shrimp Twin-blade crustacean menace.
mocs_maker "Warpig" Heavy Battlesuit by @DaneErland
jerac.lego Ripped and Torn! Today, Mortally Challenged win!
Got The Goods by Mr. Lovenstein, who can be found regularly updating at
www.instagram.com/mrlovenstein
www.reddit.com/r/mrlovenstein
Introduced by Apple in 1984, the original Macintosh created a revolution in computing.
Instead of being developed as the typical utilitarian box whose interface relied on a relatively deep knowledge of computer hardware and programming commands, the Macintosh team instead decided to focus on the user, and through that created an interactive experience that embraced how people actually work in the real world. By changing the interface paradigm to one that used the analogy of a real-world office represented by interactive iconography, the user was free to use and explore the computer in a way that was much more natural and understandable to them. And even more importantly, that lower entry point allowed users to focus on the projects they wanted to accomplish and without the need of complex and intimidating software commands.
The ease of use of the Macintosh brought a democratizing spirit to computing, giving people who would not otherwise think they had the ability to use a computer a simple to use tool by which they could actualize their ideas.
It’s difficult to understate the importance the Macintosh had on changing the course of computing. After its release, most computing moved to the user oriented, ease of use model of the Macintosh. Even today, the interaction we have on our computing devices still relies on the concepts the Macintosh pioneered.
The Acorn is a tri-level, tiny home treehouse available for booking from Honey Tree Farms out of Fredericksburg, Texas. Photos courtesy Levi Kelly and Honey Tree Farms.
Harambe knew the truth.
What a Gibson Explorer might look like if it had been designed by National Guitars. This is the Sturner Guitar Hazard model. 25.5″ scale with 24 frets.
The Jack Kirby Fourth World character “Overlord”, from Mister Miracle #2.
“My Demon”, 1999 by Giorgio Comolo.
The Nirvana Of Skeletor. Drone jam with inspiration from the Buddhator figure created by @extratruckestrial on Instagram.
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About this drone jam:
This is really a session of playing effects pedals.
Unseen but an integral part of this piece is the Bastl Instruments Kastle. It provides the basic repeating drone used throughout. The Alesis Guitar FX, with its unrefined effects, and general lo-fi graininess is the perfect compliment to the Kastle. Those are fed into a Zoom A1 Four which initially is used for the increasing tremolo and vibrato effects, and then switch to some deep reverbs and slow phasing.
The Zoom MS-50G is then slowly brought in to expand the reverbs, the phasing and add some pitched down sub-frequencies to the mix.
From there the Alesis Guitar FX switched between presets to accentuate and manipulate the Kastle drone, filtered and masked by the Zoom pedals.
Full drone piece on Youtube that follows the story below.
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The Nirvana of Skeletor
Continually thwarted in his quest to dominate Eternia, Skeletor becomes increasingly frustrated with the inability to manifest his desire. He has heard rumors of a portal located in the Ancient Ruins that is said to be the key that bridges the divide between occult and material magic.
Skeletor ventures into the Ancient Ruins, and after a search of many years, he eventually discovers the location of the fabled portal. Once inside the deep, timeworn recesses that hold the apparatus and its machinery, he sets about to understand what he seeks to control. Decades pass, and following much study, contemplation and experimentation, he believes he has finally unlocked the secrets that will allow him to unleash the true power of the device.
After programming the apparatus to open a dimensional bridge, Skeletor seats himself upon the portal gateway.
Initially, Skeletor can feel the power emanating from the alternate dimension as it begins to fill his body. But as that power begins to radiate through him, he has the uneasy sense that what he craves to control cannot be dominated. And as the process continues, he is engulfed by the realization that he has fundamentally misunderstood the true purpose of the portal. But it is too late. He fights against the will of the energy now pouring through portal, but his efforts are in vain. The process has initiated, and he is now powerless to escape it. The mantle he sought as his trophy, has now become a yoke that will guide his journey beyond the confines of his reality. The pulsating waves of energy now engulf his body, mind and even his soul. His very essence begins to be transformed.
The energies of the whole of the universe begins to manifest into Skeletor’s form. The transformational energies begin to replace his perception of self. He is freed from the shackles that were his desires, his machinations, his perception of purpose. His mind is released from the confines of a singular reality, and he is opened up to the entirety of all things. Micro-cosmos embed themselves into the subatomic particles that compose his material structures. He lets go of his fading grip that confines him to physicality, and embraces the journey into the astral plane.
Skeletor is projected through the portal and into the vast reaches of both space and time. His journey is traversed in a blinding instant, and also simultaneously through the achingly slow aeons of linear time. He travels from the eternal beginning of the universe to its infinite ends. He observes all — the explosive creation of universes, the primordial formation of matter, the congregation of solar systems, and the eventual entropy of all things. His corporeal body dissimilates. The very fabric of his matters diffuses and is spread throughout the emptiness of space and time that was the universe. And he, with it, decomposes into non-existence.
The being that was once Skeletor ceases to perceive. Ceases to be burdened by all realities. His essence is assimilated into all super and sub dimensions, both known, and heretofore unknown; and he in turn absorbs them. He becomes an incidental, and yet also integral, component to all things. He ceases to be “he”, or “they”, or “it”, or anything discernible. The being once known as Skeletor simply ceases to be. And that emptiness is cradled by all existence.
That emptiness is now all things, all at once. And that emptiness is nothing, and never was.
The Buddhator has arrived.
KWATZ!
Stunning baphomet-space-jockey cover art by David Mattingly for the book “The Rape of the Sun”.
David Mattingly is a sci-fi and fantasy artist who has created art for numerous book covers, including several Star Trek novels. But he is probably best known for his covers on the children/tween Animorphs series of books. If that’s your jam, check out the gallery (which you can see buy prints from) right here.
Japanese Macintosh ad circa 1987. This illustration is often credited to Naoyuki Sato (or sometimes Kato). It is uncertain if that correct artist. Still a wonderful piece.
art image computer apple macintosh 1980s illustration postmodern architecture postmodernism postmodern japan japanese art naoyuki sato
All around digital renaissance person inkydigit captured rare footage of this trans-dimensional craft passing through our space-time.
via inkycraft’s instagram:
https://www.instagram.com/p/CNCUDfFhsu5/
Fire Dragon festival in Macau, Hong Kong. Photo by Chi Hung Cheung.
Staged photo by Dutch photographer Cor Jaring in support of the Provo movement of 1960's Amsterdam.
Forest Chapel, Bohmian Forest, Czech Republic from photographer Kilian Schoenberger's series entitled Brothers Grimm.
A "Living Bridge" in Meghalaya, India. These bridges are created by coaxing a network of roots and branches across the river bank. The bridges take generations to complete.