Hans Vandekerckhove (Belgian, b. 1957), Franky’s Greenhouse, 2005. Oil on canvas, 200 x 160 cm.

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Hans Vandekerckhove (Belgian, b. 1957), Franky’s Greenhouse, 2005. Oil on canvas, 200 x 160 cm.
Brendan George Ko
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Victor Mosquera
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Patom Organic Living in Bangkok
Tucked away in Thonglor’s prime residential neighborhood, the newly constructed building serves as a shop/showroom for Patom body care products, a small 25-seat café and a place for raising ecological awareness and sustainable living through a series of workshops and farmers market held in the garden, selling fresh produce from the local network of organic farmers.
The small wood-framed glass building designed by NITAPROW sits on a slightly raised mound covered by wild grass and ferns that naturally soften its rectangular footprint while carefully preserving an existing line of fruit trees. The building’s transparency and its modest size set out to unveil the expanse of the lush garden around and beyond its volume, which in turn create a setting where passersby can catch a clear glimpse of the livelihood inside the glass enclosure alongside the garden’s natural surroundings.
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Gustav Klimt, The Dancer (1918) | Rihanna, Met Gala (2017)
Mikalojus Konstantinas Čiurlionis (Lithuanian, 1875-1911), Raigardas II, 1907. Tempera on paper, 61.5 x 72 cm.
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Joshua Hagler (American, b. 1979), “I am a false prophet. God is a superstition”. 2014. Oil on panel, 48 x 36 in.
The bad news is the print store is closing for the season next Friday. The good news is I’ll be selling some pins while it’s on break! They’ll be debuting at Gallery Nucleus’s PinPalPalooza 2017 tomorrow May 6. So if you’re in LA go check it! If not, the pins will be up on my website next Friday.
Illustrations by Ori Toor
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Source
Wolfgang Laib, Sin Principio Sin Fin, Palacio de Cristal Madrid, 2007