JM - Portrait de F, mine de plomb et gouache, (détail)
(c)jean mineraud
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@contemporary-drawing
JM - Portrait de F, mine de plomb et gouache, (détail)
(c)jean mineraud
D-L Alvarez The Reconstructive Era, as illustrated in 1961, 2012 graphite and ink on paper 21 x 22 inches
D.L. Alvarez, Treehouse
Jenny Scobel, The taxidermist (III), 2006
109x61cm
Marcelo Moscheta, Mégalithes De Bretagne, charcoal and silk screen on paper, 66 x 50 cm each, 2007
Johannes Kahrs I finally accept fate, 2002 Pastel on paper 76 x 119.2 inches (193 x 303 cm)
Simon Benson, Untitled. 2002. pencil / c. print / paper. A4. collection: Teylers Museum, Haarlem.
Johannes Kahrs Untitled (figure with star), 2007 Charcoal and pastel on paper 100 3/4 x 61 5/8 inches (255.8 x 156.5 cm)
Troy Brauntuch, Untitled (Bathtub), 1983, Pencil on cotton, Diptych, 96 x 72 in.
Andrea Bowers, Non Violent Protest Training, Abalone Alliance Camp, Diablo Canyon Nuclear Power Plant (detail), 2004. Graphite pencil on paper, 38 x 49 ¾ inches. Photo by Hermann Feldhaus. Courtesy of the Whitney Museum of American Art, New York, NY, Gift of Steven Golding Perelman.
(via iconophages)
Claire Harvey, peeping, 2010
Troy Brauntuch, Untitled (Bag), 2008, drawing, 76.2 x 101.6 cm
Roy Lichtenstein - Alka Seltzer, 1966, Graphite pencil, pochoir and lithographic rubbing crayon, 76.3 x 56.7 cm, © The Art Institute of Chicago, © The Estate of Roy Lichtenstein.
via : thefiftyeight
Man Ray,Les Mains Libre : L'évidence, 1936.
Ethan Murrow, Foot is still cramping up, results otherwise positive, 2009. Graphite on paper.
Troy Brauntuch, Untitled (Woman in pool) 2012, conté on cotton.
Olivia Plender, The Masterpiece Part 4 - A Weekend In The Country, 2005, drawing on paper, 21 x 29.7cm