Georgia O'Keeffe by Alfred Stieglitz
styofa doing anything

if i look back, i am lost
ojovivo
$LAYYYTER

izzy's playlists!
will byers stan first human second
Lint Roller? I Barely Know Her
NASA

roma★
No title available
TVSTRANGERTHINGS

Origami Around
Show & Tell

❣ Chile in a Photography ❣
"I'm Dorothy Gale from Kansas"
noise dept.
Misplaced Lens Cap

No title available

祝日 / Permanent Vacation
trying on a metaphor

seen from Germany

seen from Spain

seen from Türkiye

seen from United States
seen from United States

seen from Greece

seen from United States
seen from Malaysia

seen from United States

seen from Germany
seen from Germany

seen from Spain

seen from United States
seen from Philippines
seen from Italy

seen from T1

seen from T1

seen from United Kingdom

seen from Germany
seen from Canada
@continuities
Georgia O'Keeffe by Alfred Stieglitz
Georgia O'Keeffe by Alfred Stieglitz
Georgia O'Keeffe by Alfred Stieglitz
Verblist by Richard Serra
Yucatan Mirror Displacement by Robert Smithson
Corner Mirror with Coral by Robert Smithson
Empire by Andy Warhol (film)
"Empire consists of a single stationary shot of the Empire State Building filmed from 8:06 p.m. to 2:42 a.m., July 25–26, 1964. The eight-hour, five-minute film, which is typically shown in a theater, lacks a traditional narrative or characters. The passage from daylight to darkness becomes the film’s narrative, while the protagonist is the iconic building that was (and is again) the tallest in New York City. Warhol lengthened Empire's running time by projecting the film at a speed of sixteen frames per second, slower than its shooting speed of twenty-four frames per second, thus making the progression to darkness almost imperceptible. Non-events such as a blinking light at the top of a neighboring building mark the passage of time. According to Warhol, the point of this film—perhaps his most famous and influential cinematic work—is to "see time go by."
The work on view is a two hour, twenty-four minute excerpt. The film will be screened in its entirety in the Museum theaters during the run of this exhibition."
If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There's nothing behind it.
Andy Warhol
A Bigger Splash by David Hockeny
Shooting Picture by Niki de Saint Phalle
"I shot because it was fun and made me feel great. I shot because I was fascinated watching the painting bleed and die. I shot for the moment of magic. It was a moment of scorpionic truth. White purity Sacrifice. Ready. Aim. Fire. Red, yellow, blue--the painting is crying, the painting is dead. I have killed the painting. It is reborn. War with no victims."
Literaturwurst (Literature Sausage) by Dieter Roth
Each book was made using traditional sausage recipes, but replacing the sausage meat with a book or magazine. The cover of the edition was then pasted onto the skin of the sausage and signed and dated.
Marxist Girl (Irene Peslikis) by Alice Neel
Alice Neel
Andy Warhol by Alice Neel
Self Portrait by Gwen John
Nude Girl by Gwen John
Self Portrait With Aprons and Brushes by Anna Bilinska-Bohdanowicz