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Two Shades Ombre Doily by Raji’s Craft Hobby

Free Crochet Pattern Here

Baby Dragon Amigurumi Pattern

Abbreviations (US terms) ML = Magic Loop SC = Single Crochet ST = Stitch/Stitches DEC = Decrease, single crochet two stitches together INC = Increase, single crochet in the same stitch two times BLO = Back Loops Only 2DCBOB = Two Double Crochet Bobble Stitch FO = Finish Off/Fasten Off

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dynamicsymmetry

Good stuff.

eerian-sadow

This. This is good fiction writing advice. I really appreciate how it was formatted as “this is a common problem, here is a solution to try in your own work” and not “oh god, don’t do that!” without any extra help. And I extra appreciated the “don’t rely on adverbs” bit, because they do have their place but they aren’t the only way actions can be emphasized.

nokku-auto

Character development thing.

Plot points on this chart to represent how important these different aspects of a character’s life are to them. By doing that you can help determine what type of things your character deems to be most meaningful in their life, especially compared to others aspects.

A brief explanation of each aspect is below in case you’re confused about the meaning of any.

Physical Aspects

Strength: to have physical power and strength

Sex: to have sexual gratification and satisfaction

Possessions: to have objects and tangible things

Health: to have physical health and stability

Appearance: to have a good external appearance

Emotional Aspects

Love: to love and be loved, romantically or otherwise

Appreciation: to be appreciated by others

Attention: to be paid attention to

Security: to feel secure emotionally

Approval: to be approved by others

Social Aspects

Respect: to be respected

Friendship: to have friends

Intimacy: to be intimate with a partner or partners

Belongingness: to feel needed and belonged

Family: to be on good terms with/have a family

Spiritual Aspects

Inner peace: to be content with themselves

Purpose: to feel as though they are fulfilling a purpose

Self-sufficiency: to feel that they are able to provide for themselves

Growth: to feel as though they are growing and changing

Acceptance: to be able to accept themselves without consequence

promptsandpointers

This is an absolutely amazing exercise and I certainly recommend doing it.

nouveauweird

i dare you to try the “rubber duck debugging” method to try and fix your plot holes or any issue you’re having with your story. get a stuffed animal or an action figure with a face, or a whole audience and just start telling them the problem you’re having. i guarantee it will feel silly but your brain knows how to fix those problems your story is having

conleches

some fucking resources for all ur writing fuckin needs

body language masterlist

a translator that doesn’t eat ass like google translate does

a reverse dictionary for when ur brain freezes

550 words to say instead of fuckin said

638 character traits for when ur brain freezes again

some more body language help

bellero

REBLOG TO SAVE A WRITER

rhiannonfrater

The redirect to these links aren’t working, so here they are for your convenience.

http://translation.babylon-software.com/

http://www.bryndonovan.com/2015/04/10/master-list-of-gestures-and-body-language-for-writers/

http://www.onelook.com/reverse-dictionary

https://owlcation.com/humanities/400-Alternative-words-for-said (The article says 550 words)

http://ideonomy.mit.edu/essays/traits.html

https://writerswrite.co.za/cheat-sheets-for-writing-body-language/

thehikingastronomer

What are the stages of drafts? I'm trying to write my own book but I dont know how to draft properly and I feel like I'm gonna be stuck in a gutter if I don't know

Yesssssssssssssss someone finally asked it!!!

I’ve been waiting for the perfect opportunity to explain this and show everybody my inverted pyramid :D :D :D

I present, The Inverted Pyramid of Revising a Book

Now I’ll explain each section of the inverted pyramid:

THE FIRST DRAFT

This should be self-explanatory. You write the first draft. For novels, 75-150,000+ words of the world inside your head.

PLOT, CONTENT, SCENES, AND MAJOR CHARACTERS

Go back and fix it all up. Did you tell the story you wanted to tell? Did you include scenes and events that add up to the conclusion you present?

Are there any unnecessary scenes you could delete, or scenes that are redundant to other scenes? Get rid of them. If this means entire chapters have to go, wave bye-bye.

Do your main characters have believable back stories and arcs, and do they act appropriately in character at all times?

Is there any point in time when your characters do something that they literally WOULD NOT DO? Change that up.

WORLD-BUILDING, CHARACTERIZATION, HONING IN PLOT POINTS

Now pay attention to the deeper aspects of the story. Delve into the world your characters live in. Do they react appropriately? Does any part of society influence them more than others?

What does your world look like? Delve into the setting. The cultures, the technology, the history.

Work with your secondary characters and how they interact with your main characters. What role do they serve overall? Does the main character’s journey affect them at all, or vice versa?

Tighten up plot points. Stay concise if possible.

SENTENCE STRUCTURE, FLOW AND PACING OF SCENES

Now that the major parts of your story have been patted down, you can begin focusing on the technical stuff. Start broad.

Do you have redundant sentences? Do you start multiple sentences the same way?

Throw in short sentences.

Drop the pronoun from the beginning of a sentence every now and then.

Use commas instead of ‘and’ if you find you use ‘and’ a lot.

Does the flow of sentences and paragraphs fit with the tone of the scene?

Chop sentences apart. Use quick, sharp words.

Or combine sentences and flowery language and soft words.

BETA READER CRITIQUES AND SUGGESTIONS

Now that you’ve really patted this thing down, find people willing to read your work (hopefully for free).

Ask them to point out inconsistencies. Are they confused by anything?

Beta readers can tell you when things are boring or exciting. They’ll laugh. They’ll fangirl. They’ll beg you for more chapters.

Your brain is soft from so much revising. Beta readers are fresh, and will pick out things you’ve glossed over from seeing it so many times.

Shake things up and host a video chat for you and your betas! It’s a great way to make friends :)

PUNCTUATION AND MISSING WORDS

NOWWWWW you’ve finished all the major revisions and your story makes sense!!! All that’s left to do is get the broom and sweep it up (or the vacuum cleaner, or generate a black hole from the Large Hadron Collider to suck out all the errors because that’s super-effective**).

This is the nitty gritty stuff, and I highly recommend either forcing yourself to read really, really slow, or better yet, read your book out loud, start to finish.

You’ll trip up over misplaced commas and periods.

You’ll literally hear when a sentence is awkward.

Your brain will get confused when there’s a missing word.

Fill in the gaps, hammer down the boards, tidy up the place like you’ve got guests coming over.

THE FINAL DRAFT

OMG

OMG IT’S FINISHED AND YOU CAN SHARE IT WITH THE WORLD AND BUY PHYSICAL COPIES THAT YOU CAN HOLD AND SMELL AND RUB ALL OVER YOUR FACE AND DRAW IN AND DOG-EAR AND TOTE AROUND TO SHOW PEOPLE AND SIGN AUTOGRAPHS AND BECOME YOUR OWN LITTLE CELEBRITY!!!

Email the newspaper (I’ve appeared multiple times).

Email the local TV station (I’ve appeared on live TV).

Email book talk radio shows (I’ve had a Q&A for an hour on live radio).

……..Marketing is hard.

I hope that helps!

N.B. **please do not ask CERN for permission to use the Large Hadron Collider to create black holes that suck out all the errors in your book. You’ll look silly, and you might destroy Earth in the process.

highlandvalley

abandonedshops

stop it youre SCARING him!!

berrybird-blog1

Helpful things for action writers to remember

Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.

Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.

Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.

Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.

Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.

ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.

Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.

Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.

A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.

If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.

ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)

If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.

People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.

Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)

If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.

ave-aria

How to apply Writing techniques for action scenes:

- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.

Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.

If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)

Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.

uccelletto-di-kokuyo

More for martial arts or hand-to-hand in general

What a character’s wearing will affect how they fight. The more restricting the clothes, the harder it will be. If they’re wearing a skirt that is loose enough to fight in, modesty will be lost in a life or death situation.

Jewelry can also be very bad. Necklaces can be grabbed onto. Bracelets also can be grabbed onto or inhibit movement. Rings it can depend on the person.

Shoes also matter. Tennis shoes are good and solid, but if you’re unused to them there’s a chance of accidentally hurting your ankle. High heels can definitely be a problem. However, they can also make very good weapons, especially for someone used to balancing on the balls of their feet. Side kicks and thrusting kicks in soft areas (like the solar plexus) or the feet are good ideas. They can also (hopefully) be taken off quickly and used as a hand weapon. Combat boots are great but if someone relies more on speed or aren’t used to them, they can weigh a person down. Cowboy boots can be surprisingly good. Spin kicks (if a character is quick enough to use them) are especially nasty in these shoes.

If a character is going to fight barefoot, please keep location in mind. Concrete can mess up your feet quick. Lawns, yards, etc often have hidden holes and other obstacles that can mess up a fighter. Tile floors or waxed wood can be very slippery if you’re not careful or used to them.

Likewise, if it’s outside be aware of how weather will affect the fight. The sun’s glare can really impede a fighter’s sight. A wet location, inside or outside, can cause a fighter to slip and fall. Sweat on the body can cause a fighter to lose a grip on an opponent too.

Pressure points for a trained fighter are great places to aim for in a fight. The solar plexus is another great place to aim for. It will knock the wind out of anyone and immediately weaken your opponent.

It your character is hit in the solar plexus and isn’t trained, they’re going down. The first time you get hit there you are out of breath and most people double over in confusion and pain. If a fighter is more used to it, they will stand tall and expand themselves in order to get some breath. They will likely keep fighting, but until their breath returns to normal, they will be considerably weaker.

Do not be afraid to have your character use obstacles in their environment. Pillars, boxes, bookshelves, doors, etc. They put distance between you and an opponent which can allow you to catch your breath.

Do not be afraid to have your character use objects in their environment. Someone’s coming at you with a spear, trident, etc, then pick up a chair and get it caught in the legs or use it as a shield. Bedsheets can make a good distraction and tangle someone up. Someone’s invading your home and you need to defend yourself? Throw a lamp. Anything can be turned into a weapon.

Guns often miss their targets at longer distances, even by those who have trained heavily with them. They can also be easier to disarm as they only shoot in one direction. However, depending on the type, grabbing onto the top is a very very bad idea. There is a good likelihood you WILL get hurt.

Knives are nasty weapons by someone who knows what they’re doing. Good fighters never hold a knife the way you would when cutting food. It is best used when held against the forearm. In defense, this makes a block more effective and in offense, slashing movement from any direction are going to be bad. If a character is in a fight with a knife or trying to disarm one, they will get hurt.

Soft areas hit with hard body parts. Hard areas hit with soft body parts. The neck, stomach, and other soft areas are best hit with punches, side kicks, elbows, and other hard body parts. Head and other hard parts are best hit using a knife hand, palm strike, etc. Spin kicks will be nasty regardless of what you’re aiming for it they land.

Common misconception with round house kicks is that you’re hitting with the top of the foot. You’re hitting with the ball. You’re likely to break your foot when hitting with the top.

When punching, the thumb is outside of the fist. You’ll break something if you’re hitting with the thumb inside, which a lot of inexperienced fighters do.

Also, punching the face or jaw can hurt.

It can be hard to grab a punch if you’re not experienced with it despite how easy movies make it seem. It’s best to dodge or redirect it.

Hitting to the head is not always the best idea. It can take a bit of training to be able to reach for the head with a kick because of the height. Flexibility is very much needed. If there are problems with their hips or they just aren’t very flexible, kicks to the head aren’t happening.

Jump kicks are a good way to hit the head, but an opponent will see it coming if it’s too slow or they are fast/experienced.

A good kick can throw an opponent back or knock them to the ground. If the person you’ve hit has experience though, they’ll immediately be getting up again.

Even if they’ve trained for years in a martial art, if they haven’t actually hit anything before or gotten hit, it will be slightly stunning for the person. It does not feel the way you expect it too.

Those yells in martial arts are not just for show. If done right, they tighten your core making it easier to take a hit in that area. Also, they can be used to intimidate an opponent. Yelling or screaming right by their ear can startle someone. (Generally, KHR fans look at Squalo for yelling)

Biting can also be used if someone’s grabbing you. Spitting in someone’s eyes can’t hurt. Also, in a chokehold or if someone is trying to grab your neck in general, PUT YOU CHIN DOWN. This cuts off access and if they’re grabbing in the front can dig into their hand and hurt.

Wrist grabs and other grabs can be good. Especially if it’s the first move an opponent makes and the character is trained, there are simple ways to counter that will have a person on their knees in seconds..

Use what your character has to their advantage. If they’re smaller or have less mass, then they’ll be relying on speed, intelligence, evasion, and other similar tactics. Larger opponents will be able to take hits better, they’re hits may be slower depending on who it is but will hurt like hell if they land, and size can be intimidating. Taller people with longer legs will want to rely on kicking and keeping their distance since they have the advantage there. Shorter people will want to keep the distance closer where it’s easier for them but harder for a taller opponent. Punching is a good idea.

Using a person’s momentum against them is great. There’s martial arts that revolve around this whole concept. They throw a punch? Grab it and pull them forward and around. Their momentum will keep them going and knock them off balance.

Leverage can used in the same way. If used right, you can flip a person, dislocate a shoulder, throw out a knee, etc.

One note on adrenaline: All that was said above is true about it. But, in a fight, it can also make you more aware of what’s going on. A fight that lasts twenty seconds can feel like a minute because time seems to almost slow down while moving extremely rapidly. You only have so much time to think about what you’re doing. You’re taking in information constantly and trying to adjust. Even in the slow down adrenaline gives you, everything is moving very rapidly.

Feelings will be your downfall even more so than adrenaline. Adrenaline can make those feelings more intense, but a good fighter has learned not to listen to those feelings. A good fighter may feel anger at being knocked down or in some way humiliated - their pride taken down. Yet they will not act on the anger. Acting on it makes a fighter more instinctive and many will charge without thinking. Losing control of anything (adrenaline rush, emotions, technique, etc) can be a terrible thing in a fight.

Just thought I’d add in here.

bamonnineties

YES. YES.

masterofenthropy-blog

Thank you so much for this list. It’s totally what me and many potential writers need. I’m actually copying this in a word document and reblogging it just in case I lose the list.

studysection

Hey guys! As a writer myself, it’s hard to have a lot of resources for writing in one place. That’s why I decided to create this masterpost, and maybe make more if I find future resources. I hope you like it, and expect to see more masterposts like this in the future!

Generators

Character

Appearance Generator

Archetypes Generator

Character Generator

Character Traits Generator

Family Generator

Job/Occupation Generator, (II)

Love Interest Generator

Motive Generator

Name Generator

Personality Generator, (II)

Quick Character Generator

Super Powers Generator

Names

Brand Name Generator

Medicine Title Generator

Name Generator

Quick Name Generator

Vehicle Generator

Town Name Generator

Plot

First Encounter Generator

First Line Generator, (II)

Plot Generator, (II), (III)

Plot Device Generator

Plot Twist Generator

Quick Plot Generator

Setting/World-Building

City Generator

Fantasy Race Generator

Laws Generator

Pet Generator

Setting Generator

Species Generator

Terrain Generator

Prompts

Subject Generator

”Take Three Nouns” Generator

Word Prompt Generator

Misc

Color Generator

Decision Generator

Dialogue Generator

Journey Generator

Title Generator, (II), (III)

Some Tips

Just a few I found from the writing tips tag!

Writing action / @berrybird

How to create a strong voice in your writing / @collegerefs

How to plot a complex novel in one day! / @lizard-is-writing

8 ways to get past writer’s block / @kiramartinauthor

psa for writers / @dasakuryo

”Write Using Your 5 Senses” / @ambientwriting

How People Watching Improves Your Writing / @wherethetransthingsare

Writing Science Fiction: Tips for Beginners / @fictionwritingtips

Creating Likeable Characters / @authors-haven

Vocabulary

Descriptive words / @somekindofstudent

Words to replace “Said” / @msocasey

Obscure color words / @mintsteelpeachlilac

Words to spice up your stories / @busyibee

Words to describe someone’s voice

Words to Use Instead of Very / @gaybybirth

Touchy Feely Words / @gaybybirth

Some Advice

Stephen King’s Top 20 Rules for Writers

”But my plot isn’t UNIQUE or BIG enough!” / @youreallwrite

8 Things Every Creative Should Know / @adamjk

(How To) Get Over Comparing Yourself to Other Creatives / @adamjk

How to Get Over Common Creative Fears (Maybe) / @adamjk

14 Tips From Stephen King On Writing / @i-can-give-you-prompts

Playlists

Electronic Thoughts / @eruditekid

“Mix About Writing” An Instrumental Mix / @shadowofemirates

Shut Up, I’m Writing! / @ninadropdead

Chill / @endlessreveries

Breathtaking Film Scores / @tweedskirts

Music to Write to Vol. 1: Starlight / @crestadeen

Music for Written Words / @ghoulpatch

Dead Men Tell No Tales / @scamandersnewt

Fatale / @dolcegf

All These Things that I’ve Done / @referenceforwriters

Feeling Soaking into Your Bones / @verylondon

I Can Feel Your Pulse in the Pages / @rphelper

Morally Ambiguous / @scamandersnewt

Wonderwall / @wheelerwrites

Pythia / @mazikeene

Ballet: To Dance / @tanaquil

Websites and Apps

For Writing

ZenPen: A minimalist writing website to keep you free of distractions and in the flow.

The Most Dangerous Writing App: A website where you have to keep typing or all of your writing will be lost. It helps you keep writing…kind of. You can choose between a time or word count limit!

Evernote: An online website where you can take notes and save the product to your laptop and/or smartphone!

Writer, the Internet Typewriter: It’s just you and your writing, and you can save your product on the website if you create an account.

Wordcounter: A website to help check your word and character count, and shows words you’re using frequently.

Monospace: An Android app for writing on the go when you feel the inspiration, but you don’t have your laptop on you!

For Productivity

Tide: An app that combines a pomodoro-esque timer with nature sounds and other noises! (Google Play / Apple Store)

ClearFocus: An Android app with a pomodoro-type time counter to let you concentrate easier and stay productive.

Forest: An app with a time counter to keep you focused and off your phone, and when you complete the time limit, a tree grows in your garden! (Google Play / Apple Store)

SelfControl: A Mac downloadable app that blocks you from distracting mail servers, websites, and other things!

Prompt Blogs

@writeworld

@dialouge-prompts

@oopsprompts

@prompts-for-the-otp

@creativepromptsforwriting

@the-modern-typewriter

@theprofessionalpromptmaker

@writers-are-writers

@otp-imagines-cult

@witterprompts

@havetobememes

@auideas

@putthepromptsonpaper

@promptsonpaper

@fyotpprompts

@otpisms

@soprompt

@otpprompts

@ablockforwritersblock

@awritersnook

Writing Tips Blogs

@writeworld

@anomalously-written

@awritersnook

@clevergirlhelps

@referenceforwriters

@whataboutwriting

@thewritershelpers

@nimblesnotebook

@slitheringink

tinysidestrashcaptain

Reblogging to save a writer

ohbytheangel

Hey fellow writers! Enjoy!

queenshipper63-deactivated20190

Thank you

all-the-horses

Shakhid

Dorkush x Shokhle

Akhal Teke, Stallion

15.3hh

Born 2000

samurots-deactivated20160616

i just found this website that can randomly generate a continent for you!! this is great for fantasy writers

plus, you can look at it in 3d!

theres a lot of viewing options and other things! theres an option on-site to take a screenshot, so you don’t have to have a program for that!

you can view it here!

somethingdnd

Totally gonna use this for making my worlds

hackmydungeon

This is the future

12drakon

Can they 3D print me a new planet? This one has been disappointing lately.

castleblue92

New Link: http://www-cs-students.stanford.edu/~amitp/game-programming/polygon-map-generation/demo.html

probablygoodrpgideas

oh my god, I needed this

turing-tested

“How arw you paying for photoshop” im not LMAO

moonpaw

link

👀

moonpaw

you know what heres a sai link too fuck the system

moonpaw

im back with clip paint studio

setup crack

download these two then setup paint studio right click one of the icons after its done and click “file location” copy the crack files into the main paint studio file then click on the crack.exe till it says ok open paint studio

good 2 go 👌

wet-paiint

REBLOG TO SAVE AN ARTIST’S LIFE

goluckydanny

@faun-songs @jeongmihyo

end0skeletal

The northern spiny-tailed gecko is a lizard endemic to Australia. These geckos are nocturnal and their diet is relatively unknown, but they have been observed eating arthropods. Spiny-tailed geckos also have the ability to squirt a harmless, smelly, fluid from their tails. This is used as a deterrent for birds and other predators. This species can vary from a uniform grey color, with few black or orange scales, to rich brown, with a mottled pattern of grey, white, and orange scales. (x x x x x x x)

sheodraws

Attention ALL artists!

You sure have seen this post. It has spread like wildfire over the past few days so I doubt there is any artist out there who hasn’t seen it. But even if you didn’t, you should read on because I’m about to tell you a handy little thing that can help you to protect your art from such assholes as the anon who submitted this bullcrap, as well as art thieves in general.

The magic word is Metadata.

Metadata is like an invisible signature that is embeded into a file. It can contain all kinds of information, like Title, date, keywords for online seach engines, and copyright information. And the best thing is, since this information is “hidden” in the code of your picture, it’s hard to remove it.

There is a nice basic tutorial on how to add Metadata, or “additional file information” to your images in photoshop. It’s really, really easy so check it out!

“Adding Your Contact And Copyright Info To Your Photos With Photoshop” on PhotoshopEssentials.com

I’m not sure if you can do the same with any other art program. If you know how to do this in other programs / can confirm that it works the same way there, please tell me so I can add the information to this post.

Adding the Metadata will not stop idiots from taking and reposting your art. It also won’t make them stop editing out your signature. It WILL however, help you prove that you are the original artist whenever you have to. Always remember my friends. You, the artist, are protected by law. No one has the right to take your intellectual property and hard work and repost, use or edit it without your permission. Ever.

infinipede

art thief: well how can you prove its yours??

me: /opens metadata

swevenfox

I spread the word as it is important to all artist who ever suffered from art thieving or so.

miss-lillipants-deactivated2021

You guys, metadata is super important, you guys. In an everday and legal sense. People legitimately look at and rely on metadata to know the basic, but important bits of information about a digital product (paintings, photographs, exe files, etc.), ESPECIALLY the source.

Don’t underestimate it!

clementive-deactivated20150318

In Which Diversity Isn't a Myth

Ok. I’m tired of the typical vampire, werewolf and fairy.I’m also tired of the occidental-centrism in mythology. Hence, this list.

I tried to included as many cultural variants as I could find and think of. (Unfortunately, I was restricted by language. Some Russian creatures looked very interesting but I don’t speak Russian…) Please, add creatures from your culture when reblogguing (if not already present). It took me a while to gather all those sites but I know it could be more expansive. I intend on periodically editing this list.

Of note: I did not include specific legendary creatures (Merlin, Pegasus, ect), gods/goddesses/deities and heroes.

Dragons

The Chinese Dragon

The Japanese Dragon

The Korean Dragon

The Vietnamese Dragon

The Greek Dragon

The Indian Dragon

The Polish Dragon

The Austrian Dragon

The British Dragon

The Ancient Dragon (Egypt, Babylon and Sumer)

The Spanish Basque Dragon

Of the Cockatrice (creature with the body of a dragon)

Alphabetical List of Dragons Across Myths (Great way to start)

Little creatures (without wings)

The Legend of the Leprechauns, The Leprechaun

Chanaque /Alux (the equivalent of leprechauns in Aztec/Mayan folklore)

Elves

Elves in Mythology and Fantasy

Elves in Germanic Mythology

Kabeiroi or Cabeiri (Dwarf-like minor gods in Greek mythology)

Norse Dwarves

The Myth of Loki and the Dwarves

Ten Types of Goblins

Goblins

Tengu: Japanese Goblins

Gnomes

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