INVALIDSLUT
cherry valley forever
Peter Solarz
TVSTRANGERTHINGS

Kaledo Art

PR's Tumblrdome

Discoholic 🪩
Sade Olutola
Cosimo Galluzzi

Kiana Khansmith
No title available
Sweet Seals For You, Always
KIROKAZE
we're not kids anymore.
I'd rather be in outer space 🛸

No title available

#extradirty
taylor price
macklin celebrini has autism
todays bird

ellievsbear

seen from Australia
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@cooostela
INVALIDSLUT
Marcelo D2 e Bezerra da Silva
Eu fui astronauta até ontem, até que me bateu esse medo de distância. Hoje eu sou jardineiro, pés na terra em segurança. Estou pensando em amanhã ser outra coisa, pois não quero jardinar no outono. Quero ser férias, abraçar a preguiça e namorar o sono. Fecha a janela e deixa eu dormir, até às doze eu sou criança. Mês que vem eu sou bagunça - misturo meias, brinquedos, romance e esperança. Queria mesmo era ser seu, e deixar de ser poeta, pois andei amando demais, e amar demais também cansa. Não sou bom em esperar, troco o dia pela noite. Vivi de sonhos muito tempo, fui astronauta até ontem.
One of 7 billion.
One of 7 billion.
One of 7 billion.
The Art of Quintessenz
Hanover and Berlin-based art duo Quintessenz recently completed a large-scale installation for the newly funded Paxos Contemporary Art Project, which is currently taking place on the island of Paxos in the Adriatic sea. Although designed to be appreciated and enjoyed in person, the images of their intervention created inside of a 400-year-old ruin are quickly becoming viral due to the work’s strong contrast against the historic setting. Similar to the Paradis Perdus piece, their latest intervention in Greece used the architectural structure to emphasize the effect of their creation. Like digital abstract images somehow transferring into the real world, both these pieces employ color shades and different size layers to create depth and perspective illusion. Appearing bigger and smaller depending on the observer’s movement, they leave room for individual experiences of these interfaces between analog and digital worlds. Although exceptionally photogenic, the artists’ idea is to enjoy these works in person. “We hope that the visitors of our work leave their mobile phone cameras in their pockets for a moment and simply enjoy the light and the translation of the wind in the material,” Quintessenz explains.