@ CORPSEWRITTEN
A RESOURCE BLOG FOR PERSONAL USE, PEOPLE MAY FOLLOW AND REBLOG BUT NO REQUESTS ARE BEING TAKEN AT THIS TIME. IT RUNS ON MY TIME AND MY TERMS.
FROM ROT (HE/HIM, LATE 20s)
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@corpsewritten
@ CORPSEWRITTEN
A RESOURCE BLOG FOR PERSONAL USE, PEOPLE MAY FOLLOW AND REBLOG BUT NO REQUESTS ARE BEING TAKEN AT THIS TIME. IT RUNS ON MY TIME AND MY TERMS.
FROM ROT (HE/HIM, LATE 20s)
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 : 23 .
an assortment of lyric/dialogue and action prompts taken from and inspired by Dashboard by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, references to death and suicide, and maladaptive coping mechanisms.
“half as drunk as I thought I'd be by now.”
“that’s good!”
“I can still see the people around me change shape.”
“they speak their minds and pretend they were misunderstood.”
“even when you're not here, it becomes about you.”
“they all want me to tell 'em your story.”
“you broke in and stole china from our livin' room.”
“it kinda makes all the other parts boring.”
“you stand over half a foot taller than me.”
“I was naïve to believe you would come back and see if I could finally take you.”
“I'd beat your ass 'til the morning.”
“you know I've been running all this time.”
“I sprint my way past your bedroom.”
“I try to take the weight of you off my mind.”
“If I never see you again you could be anything I want.”
“won't you stay gone?”
“there ain't nothing else here worth catching up on.”
“I hope that it's warm wherever you sleep.”
“I've got a feeling that won't go away.”
"they’re calling it "just moving on"."
“I still ball up my fists when they mention your name.”
“no one gets to talk shit but the ones you've shit on.”
[BROKE IN] : One muse gets caught breaking into the house of the other muse. [specify reason!]
[SPRINTING PAST] : One muse avoids a place like the plague. The other notices and decides to ask why they’re so avoidant.
[LIFT THE WEIGHT] : One muse works out to deal with the tension of a situation. The other muse walks in on them and reluctantly interrupts.
[MOVING ON] : Our muses meet on the anniversary of a bad situation and discuss how things have changed, and who hasn’t.
[RIGHT ARM] : Our muses are out at a bar. One points out a tattoo on the other and asks for the story behind it.
[ASS BEATING] : Our muses haven’t seen each other in some time after leaving on bad terms. One takes a swing at the other instead of greeting them.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 : DASHBOARD .
an assortment of lyric/dialogue and action prompts taken from and inspired by Dashboard by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, references to death and suicide, and maladaptive coping mechanisms.
“you always went lookin' for an easy way out.”
“you leave the pain you can't solve with the folks you let down.”
“you act like the world just restarts, like the clock just resets.”
“you act like we all just move on, like we all just forget.”
“you tell yourself lies and disguise them as facts.”
“it’ll hurt half as much if you drive twice as fast.”
“just when you think that the road's straight ahead is when the devil shows up.”
“look at you go, crossing state lines with your shadow.”
“'tryna run away?”
“turns out that you're still an asshole.”
“all your new friends look a lot likе your last.”
“I wonder why.”
“douche!”
“it ain't our fault that you aren't suddenly somebody else.”
“you worked on yourself. you got a dog.”
“you're an asshole after all.”
[WORKED ON] : One muse seeks forgiveness from the other, promising that they've worked on themself and the past should be forgotten.
[SOMEBODY ELSE] : Our muses run into each other after some time. One of them acting like all of their past struggles are water under the bridge despite the other still being actively hurt.
[RUN AWAY] : One muse disappeared without warning and left the other in a bad spot. They run into each other by coincidence, leaving the first nervous and stumbling for justifications.
[TWICE AS FAST] : Our muses sit and chat in a public space, one being upset with the other but unable to voice it any way but passive aggressively as they're unwilling to make a scene.
[EASY WAY] : One muse tells the other about their plan to fix all their problems. The other can only glaringly see how much it'll damage people in the first's life.
[DEVIL SHOWS UP] : Having known each other for a long time, one muse notices the other is tempted to repeat a destructive pattern of behavior.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 : WILLING AND ABLE .
an assortment of lyric/dialogue and action prompts taken from and inspired by Willing And Able by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, religion, references to death and suicide, and maladaptive coping mechanisms.
“when my weight left the room, did you take a deep breath?”
“I stole a beer. there was only one left.”
“I wrestle the feeling you're still thinking about that.”
“wide awake in your room, just seethin' about that.”
“I'm willing and able.”
“if you wanna kick this rock around.”
“if you've got a bone to pick with me.”
“if you've got a flag, plant it in the ground.”
“I'll stay here 'til morning.”
“we can fight like we used to fight.”
“look at you leavin' again, it's all you know how to do.”
“go ahead, the world belongs to you.”
“they all say you're a light, all I see is a shadow.”
“I'll see you again in six months.”
“'cause if I call you out, I'm an asshole.”
“I tell the truth when I drink.”
“so come home, let's fight.”
“we don't care what the other one thinks.”
“I wish you could know me.”
“I wish I could know you much more sometimes.”
“I could do nothin' with you.”
“I'll say, "I love you," and mean it this time.”
“I'm sorry for everything else.”
[DEEP BREATH] : Our muses both breathe a sigh of relief after a third party leaves. One having been tense from the presence and the other having been worried about them.
[SEETHING ABOUT] : One muse shows up late at night to be comforted by the other after a 3rd party acts in a way that's just another disrespect in a string of many.
[KICK AROUND] : Our muses don't get along but are left alone together waiting for someone. Aimless conversation slowly turns into a willing confrontation of their dislike of each other.
[STAY THE NIGHT] : One muse comes for a visit and ends up staying late. With no choice as the sun sets the other offers them to stay the night, with little plans on ending their conversation to actually sleep.
[COURAGE TO LEAVE] : Our muses talk about what they would do if not in their current situation. One like they actually have the means and conviction to do it.
[TEARY-EYED]: Our muses are arguing, with one quickly devolving to tears and trying to turn it from words to thrown fists.
[CALL OUT] : Our muses are drunk and in the haze of the alcohol one starts telling the other what they really think. Losing their usual polite silence in favor of a hard truth.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 :
THE GREAT DIVIDE .
an assortment of lyric/dialogue and action prompts taken from and inspired by The Great Divide by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, religion, references to death and suicide, and maladaptive coping mechanisms.
“I can't recall the last time that we talked."
“we got cigarette burns in the same side of our hands"
"we ain't friends."
“we're just morons, who broke skin in the same spot."
“I'm high enough to still care if I die."
“I tried to read the thoughts that you'd worked overtime to stop."
“you said, ‘Fuck off.’”
“you know I think about you all the time and my deep misunderstanding of your life."
“how bad it must have been for you back then and how hard it was to keep it all inside."
“I hope you settle down, I hope you marry rich."
“I hope you're scarеd of only ordinary shit."
“the world is scared of hesitating things."
“they only shoot the birds who cannot sing."
“I'm finally aware of how shitty and unfair it was to stare ahead like everything was fine.”
“rage, in small ways.”
“did you wish that I could know?”
“some place I wasn't brave enough to go.”
“I hope you threw a brick right into that stained glass.”
“I hope you're with someone who isn't scared to ask.”
“I hope that you're not losing sleep about what's next.”
[LAST TIME] : Our muses meet again tensely after not having seen each other for a long time and having last been on bad terms.
[JUST MORONS] : Our muses end up in trouble together after breaking the rules and share their punishment.
[STILL CARE] : One muse acts recklessly in a way that endangers both of them. The other confronts them out of rage and concern.
[THINK ABOUT] : One muse writes a letter to the other after a prolonged period of silence between the two.
[MISUNDERSTANDING] : Our muses both reveal something to each other that changes their understanding of a prior interaction.
[STAINED GLASS] : Our muses meet up somewhere to destroy something holding one of them back.
[TO ASK] : One muse asks the other about a sensitive topic, very directly and unafraid to face the other’s problems with them.
[YOUR SOUL] : Our muses meet outside a religious building, one having a crisis of faith and the other lending an ear and trying to comfort them.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 : HAIRCUT .
an assortment of lyric/dialogue and action prompts taken from and inspired by Haircut by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, religion, references to death and suicide, and maladaptive coping mechanisms.
“storm took the lines down.”
“you're bouncing off the walls.”
“I stretched my arms real wide, tried to break your fall.”
“you got up, mad as hell, and told me that I had it all.”
“I tried to heal your wounds just to say I helped.”
“just to say that some small fame ain't made me someone else.”
“it ain't a high road now, it's just uneven ground.”
“I ain't even around to slow your speedin' down.”
"if a lie turned true, a lie it would still be."
“you ain't a goddamn hero now 'cause you cry.”
“at least I got a soul still, even if I'm in a bad placе.”
“I'm glad you got your act clеan.”
“you're showin' up like bad news and leavin' like a bad dream.”
“help me if it helps you sleep.”
“don't need your cosign now.”
“we get along just fine.”
“you grew your hair out long, now you think you're Jesus Christ.”
“there ain't nobody mistakin' your guilt for some great sacrifice.”
“you stumble around like a ghost, tellin' people how you died.”
“help me if it helps you write.”
“help me if it helps you leave.”
“help me if it helps you lie.”
“you’re cryin’ in the bathroom.”
“you walked into a haunted house and got angry at the ghosts.”
“we were fine without you.”
“spare us all the pity."
[SOMEONE ELSE] : One muse attempts to convince the other that they haven’t changed, leading to an argument/tense conversation.
[HIGH ROAD] : One muse, while being confronted, starts to walk away from the situation to ‘take the high road’ despite being in the wrong.
[UNEVEN GROUND] : Our muses find the tension hasn’t left the morning after an argument and try to go about their day with pains still flaring.
[GODDAMN HERO] : One muse attempts to help the other without prompting, only for the other to turn and confront them about their true intentions.
[FINE WITHOUT] : One muse comes home unexpectedly after a long time away to a less than warm welcome from the other.
[BAD PLACE] : Our muses are skating by on next to nothing together but find peace in each other’s company over cheap food.
[ACT CLEAN] : Our muses meet again after one starts to get better, metaphorically leaving the other behind in a misery they used to share.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 : PAID TIME OFF .
an assortment of lyric/dialogue and action prompts taken from and inspired by Paid Time Off by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, references to death and suicide, and maladaptive coping mechanisms.
“I called you, but I'd run out of words.”
“I prepared for the warfare with the voice in my head.”
“I thought it was strange how the letters were placed.”
“how the sign seemed to laugh in my face.”
“if you were here, you'd make a joke of it.”
“I'm alone, gettin' lost in the scope of it.”
“your love is like an open flame.”
“I'm a runnin' car, and you're a closed garage.”
“someone once told us there's a world out thеre.”
“it's been a damn near-perfect day.”
“you don't care, and I don't mind at all.”
“I got the car, you got the bag. a handwritten note left for mom and dad.”
“such simple lines they drew to make this place.”
“in the interest of time, we've got a whole lot to waste.”
[OUT OF WORDS] : After answering the phone, one muse is met by the other’s concerning silence.
[OPEN FLAME] : Our muses realize they’re not good for each other, but consider staying together anyways as they see no other option.
[NOTE LEFT] : Our muses leave on a spur of the moment trip together deciding where to go as they travel and leaving little for the people who’ll be worried for them.
[OUT THERE] : One muse tries to convince the other to leave home with them to chase their big ideas and dreams.
[MOVE AWAY] : Our muses work together to pack one’s belongings up. The other is still trying to convince them not to go.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 :
DOWNFALL .
an assortment of lyric/dialogue and action prompts taken from and inspired by Downfall by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, and maladaptive coping mechanisms.
“I think that we had everything, until now I just didn't know it.”
“I'm leanin' towards a subject change.”
“we'll be strangers in the mornin'.”
“you know you never really could quite place when I'm angry and I'm jokin'.”
“I’m hopin' you might change your mind, and to hatin' you for goin'.”
“how sad. Left to rot alonе like that.”
“you state a feelin' like a fact.”
“I'm glad you lеft, but you'll be back.”
“so call me when it goes to shit.”
“I won't rub your face in it.”
“I swear I won't tell anyone.”
“I don't mind being your dead end.”
“I think it's fine to never move on.”
“I'll keep rootin' for your downfall.”
“tell me when you miss the climb from a hole that has no bottom.”
“I'm hoping that the view ain't nice, that the streetlights bleed into your bedroom.”
“I’m hoping that you open up to someone kind, and they hold it all against you.”
[RIDE AWAY] : One muse gives the other a lift somewhere, tense knowing they have no idea when they’ll see each other again.
[MIGHT CHANGE] : One muse holds on to hop til the last second that the other wont leave and acts out in anger when they go.
[KEEP THE HOUSE] : One muse comes to a place they used to live finding the other kept their room in tact.
[WONT TELL] : Late at night, one muse arrives discretely and picks the other up after things go south.
[DEAD END] : Our muses lament one’s recent failures over a quiet evening and a warm cup of tea.
[EAR UP] : One muse eavesdrops on the other’s conversation with a third party. Only to be caught right after.
[LIKE AUTUMN] : One muses curses the other, wishing them the worst out of fear of losing them.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 :
AMERICAN CARS .
an assortment of lyric/dialogue and action prompts taken from and inspired by American Cars by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, drug/alcohol use, mental health issues, and maladaptive coping mechanisms.
“I was workin' on a plan to disappear completely.”
“I never take a day off, and I'm always sellin' somethin'.”
“'cause if drinkin' was a day job, I'd be askin' for more money.”
“you're here and we're so grateful you are.”
“'cause you're gonna fix it, you're gonna patch it up.”
“'cause [honey] we're fragile, you've always been so tough.”
“you know that I miss you.”
“you always come runnin' back whenever I ask.”
“I hate to drag you back here.”
“I think he's really lost it.”
“he's been sittin' on the porch ranting like a prophet.”
“I can't stand the nights.”
“I cut the tension with a knife.”
“I pray you started drivin'.”
“make him talk. make it stop.”
“I've gotta stay for mom. make the house a home.”
“you know how to talk. well, you did.”
“back then, we would talk so much. and it's fine we don't.”
“can you come home?”
[DISAPPEAR] : One muse realizes the other quietly took off a while ago and tries to search for them.
[DAY OFF] : One muse listens to the other rant and complain about their problems during a long awaited quiet moment.
[ALL DAY] : After a long day of travel one muse finally makes it home to the other and gets a warm welcome.
[DIDN’T KNOW] : One muse is surprised by something new in the other after not having seen each other for some time.
[SO GRATEFUL] : One muses shows up in the knick of time to help the other with a problem and is met with the other’s immense relief.
[FIX IT] : One muse begs the other to come help them with a tense situation.
[RUNNING BACK] : One muse arrives without warning to help with an issue, having dropped everything to help unasked.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 :
DOORS .
an assortment of lyric/dialogue and action prompts taken from and inspired by Doors by Noah Kahan. heavy on angst, friendship/familial/platonic relationships, isolation, mental health issues, and maladaptive coping mechanisms.
“'cause God forbid I hurt someone.”
“I'd hurt anyone I could.”
“anyone who got too close, and anyone who wouldn't look.”
“in that dark, and in that frost, a heart was formed malcontented and unwarm.”
“you were unsuspectin', not unwarned.”
“I’m the trouble ahead.”
“you're puttin' money on red, I'm a sure bet at a losin' streak.”
“I keep showin' you doors, but you can't open them up.”
“'cause it gеts harder to see me the closеr you try to look.”
“I just live here, babe, but you're the one who decided to knock.”
“have you ever stared directly at the sun?”
“have you ever shared some closeness, so exposed to have it spit back by someone?”
“so, forgive me if I jump.”
"oh, are you leavin'?"
"no, babe, I'm just wakin' up."
“I'm left starin' at the ceilin', listin' reasons you should pack all your shit up.”
“I'll be gone so long before the anger comes.”
“I'll be only what you've known of me 'til now.”
[PRETENDING] : One muse pretends to shoot the other with a [stick/toy/finger] gun.
[GOD FORBID] : One muse scolds the other for a reckless action that could have been worse.
[NOT UNWARNED] : One muse bitterly explains how they’re viewed by people to the other.
[CAN’T OPEN] : One muse does their best, yet fails, to get the other to open up.
[YOU KNOCKED] : Showing up unexpectedly, one muse attempts to make the other let them into their home to check on them.
[SO EXPOSED] : One muse withdraws after a serious rejection and the other attempts to show up for them.
[LISTING REASONS] : One muse tries to convince the other to leave them out of fear of the relationship falling apart later.
[FORGIVE ME] : One muse startles the other doing something mundane, causing a moment of concern over the other’s well being.
𝐆𝐑𝐄𝐀𝐓 𝐃𝐈𝐕𝐈𝐃𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒 :
END OF AUGUST .
an assortment of lyric/dialogue and action prompts taken from and inspired by End of August by Noah Kahan. heavy on angst, drug/alcohol use, mental health issues, and maladaptive coping mechanisms.
“they don't say a lot.”
“if these trees started talkin', I bet you they'd only talk shit.“
“'cause we never do anythin' real, we just talk about it.”
“I thought gettin' older meant knowin' it's too late to try.”
"I tried gettin' sober, I swear I did bettеr this time.”
“everythin' you see out hеre will die. it's a matter of time.”
“and anythin' you need, I will provide.”
“I'm goin' off my medicine.”
“the feelin' of being alive for the first time in a long time.”
“It's a place where most kids just grow up and have kids.”
[ALONG FOR] : Our muses ride quietly in the same car, having run out of polite small talk, leaving only heavy history.
[THIS TIME] : One muse does their best to justify a lapse in sobriety to the other, again.
[WILL PROVIDE] : One muse calls the other for help under the promise the other will do anything for them.
[GOING OFF] : One muses discovers the other has stopped taking their medication and confronts them about it.
[LONG TIME] : After a prolonged period of struggle our muses stop to take in the moment.
[OUR TOWN] : Our muses lament their childhood [villages/towns/cities] together.