PERIOD DRAMA APPRECIATION WEEK 2023 | Day 3 (July 5th): Favorite Costume Design ā Miss Fisher's Murder Mysteries (2012-2015) [Costumes by Marion Boyce]
Keni
One Nice Bug Per Day
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Mike Driver

Origami Around
d e v o n
let's talk about Bridgerton tea, my ask is open
No title available
"I'm Dorothy Gale from Kansas"

Game Changer & Make Some Noise

Jar Jar Binks Fan Club
I'd rather be in outer space šø

@theartofmadeline
Fai_Ryy
ojovivo
šŖ¼
occasionally subtle
Color Me Curious

if i look back, i am lost
RMH
seen from Cambodia
seen from Brazil

seen from Türkiye

seen from Brazil
seen from Türkiye
seen from Spain

seen from Philippines
seen from India

seen from India

seen from Germany
seen from Ecuador
seen from Bangladesh

seen from Malaysia
seen from Pakistan
seen from United States

seen from South Korea
seen from Malaysia

seen from Germany

seen from United Kingdom
seen from Belarus
@costumefashions
PERIOD DRAMA APPRECIATION WEEK 2023 | Day 3 (July 5th): Favorite Costume Design ā Miss Fisher's Murder Mysteries (2012-2015) [Costumes by Marion Boyce]
Essie Davis as Phryne Fisher in Miss Fisherās Murder Mysteries (2012)
SINGIN' IN THE RAIN (1952)
dir. gene kelly and stanley donen
Beaux Arts de Modes - 1927
Beaux Arts de Modes - 1923
Beaux Arts de Modes - 1924
Evening Dresses, from The Delineator; November 1922
Beaux Arts de Modes - 1921
The Tubular Twenties from The Delineator in 1923
The Delineator magazine offered up paper patterns including these which are part of the Metropolitan Museum of Artās Costume Instituteās Fashion Plates Collection. I am always impressed at the complexity of garments offered up to the home dressmaker, although professional dressmakers would have used them too when they liked them.
These are typical of the early 1920s. The skirts are still long, just a big above the ankle. That would change by the mid-1920s when they soared upward, even above the knee, only to drop in 1928 when Jean Patou showed longer skirts again and short skirts suddenly went out of style. The other typical 1920s trend is the tubular look which ignored the waist entirely and instead dropped belts to the hips.Ā Which must have looked quite flirty when a woman walked, as every step would send the belt and its bow or tassels swinging. Tunics over long skirts became popular. Notice how even the simplest of dresses would have tiers or belting or embroidery and the home dressmaker bought the pattern for the embroidery to do herself. āThe red, beige, black and blue ensembles all feature hand embroidery patterns. Such a lot of needle skill was expected. You can see why wardrobes would have been smaller than today, but each dress or coat carefully chosen for long wear and style persistence.
Dressmaker hats were offered too, see the turban at top, which remind me of something from Paul Poiret, as well as the more typical daytime crushed hat on the woman in black. I take so much satisfaction from making simple dressmaker hats, I can imagine women did so too in the 1920s.
For more from the Costume Institute: go here:https://www.metmuseum.org/art/libraries-and-research-centers/watson-digital-collections/costume-institute-collections
selections early 20s catalogues, 1920-22
Beaux Arts de Modes - 1927
Beaux Arts de Modes - 1926
The Cloche, 1920s Style
Tancrède Synave (French, 1870-1936) ⢠Au coin de café-le soir ( At the Corner of Café-le soi) ⢠Unknown date
Chapeau de Marthe Collot (milenary advertisement) ⢠1920s
In Style - 1920s - Robe de Style | 1920-1929 - From my second pageĀ @flitteringflounces
āLa Femme Chic Ć Parisā, 1922
A Selection of 1920s Fashion Plates