clusters along the countertop

words+images in between

[joansdidion]

Maybe in a year I could write something. There is something in me maybe someday to be written; now it is folded, and folded, and folded, like a note in school.

Sharon Olds, from “September 2001: New York City,” in Stag’s Leap (via a-pair-of-ragged-claws)

[thepoetryofmaterialthings]

[neunzehn73-deactivated20190326]

neunzehn73 | Grass, Germany (2015)

>> Colorful October 2015, Part 8 of 31 <<

Dedicated to Shinji.

[shinjiaratani]

Beautiful and gentle light in colour, and what a surprise, thank you so much Jörg! Very nice of you. I wish I would visit such a place. Happy autumn to you! Shinji  

[dappledwithshadow]

Untitled, Georgia O’Keefe

1958

[ka-milica-deactivated20171223]

[cinoh-deactivated20180826]

Kim Gordon

[delta-breezes]

Daniella Witte

[artspotting]

Otto Piene, Ohne Titel 1962, Öl und Feuerspuren auf Karton. 70 x 100 cm.

[theimpossiblecool]

“I never painted dreams. I painted my own reality,”

Frida Kahlo.

[design-is-fine]

Wenzel Hablik, Gewitter an der Stör, 1910. Germany. Wenzel Hablik Museum

[theimpossiblecool]

Mick. 

[shihlun]

[cinoh-deactivated20180826]

shihlun: Brighton, 2015.

[with-grace-and-guts]

Billy Jack Brawner3 // Instagram

[semioticapocalypse]

Sergey Maximishin. Varanasi, India. 2013

[::SemAp FB || SemAp G+::]

[theshallowdepths]

[rickstevensart]

Abbot Handerson | Landscape at Bontinebleau Forest

[wetreesinart]

[cinoh-deactivated20180826]

wetreesinart:

Joseph Beuys (All. 1921-1986), Gespräch über bäume. Wein, 1983, print on paper, 83.8 x 58.7 cm, Edinburgh, National Gallery of Scotland

[salonduthe]

[amalgammaray]

Ellsworth Kelly, “Sunflower” (1957). Watercolor on paper (24 x 19 “)