...........

[dare-g]

The Cat of the Worm's Green Realm (1997)

[filmgifs]

Memoria (2021) dir. Apichatpong Weerasethakul

[ungrandvide]

Julien Tiberi

[creaturely-poetics]

[archiveofaffinities]

Gerhard Richter, Grün-Rot-Gelb, 1982

[atrizbea]

"Novas Lacunas Certas". Colagem em papel e edição digital. 2025

[vispostal]

John M. Bennett & Thomas M. Cassidy.

[alephcinema]

Partitions

[creaturely-poetics]

[hersadexistence]

Mothlight, Stan Brakhage, 1962

[funeral]

In the cinema I have always distinguished a quality peculiar to the secret movement and matter of images. The cinema has an unexpected and mysterious side which we find in no other form of art. Even the most arid and banal image is transformed when it is projected on the screen. The smallest detail, the most insignificant object assume a meaning and a life which pertain to them alone, independently of the value of the meaning of the images themselves, the idea which they interpret and the symbol which they constitute. By being isolated, the objects obtain a life of their own which becomes increasingly independent and detaches them from their usual meaning.

Antonin Artaud, "Witchcraft and the Cinema"

[ortut]

Mark Tobey - Evocation (aquatint printed in colors), 1970

[ortut]

Danh Vo - Take My Breath Away, 2017 (Marble fragment from a standing male statue "Leg and Feet", Western Europe, Roman Empire, 2nd century A.D.)

[mmg62ui35gyu24-deactivated20170]

For [Osamu] Okuda, the pen and watercolour drawing Angelus Descendens of 1918 is a “key work” for understanding the Angelus Novus, since it contains significant motifs that Klee omitted in the latter image: “In his work on the Angelus novus, Klee concentrated on the rather strange design of the angel itself and eliminated the other details in order to let the figure of the angel float, isolated and decontextualized, in a vague, atmospheric pictorial space.” For Okuda, the clue that points to the Angelus Novus is the central pictorial motif in the works The Yellow House, 1914 and Yellow House, 1915. The “yellow house,” derived from Vincent van Gogh’s house in Arles, forms the upper body of the angel in Angelus Descendens; it represents an “imaginary bastion of the avant garde” and serves as a “metaphor of artistic fertility in the midst of war.” 

—Reto Sorg, ’The Angel of Angels: Paul Klee’s Angelus Novus’ in Paul Klee: The Angels

[snailspng]

Nepalese fungus mask (made from the Lingzhi mushroom) PNGs.

(1. 2. 3. 4. 5. 6. 7. 8. 9.)

[mybeingthere]

Shane Drinkwater

[psikonauti]

Micah Ofstedahl

Fruitless Invitation, 2019

Acrylic on canvas