a girl and a boy meet in the owlery.
— “i like you.”
— “i’m datin-”
— “n-no—i-i know! i just wanted you to know.”
…i just wanted you to know.
( you will always fall in love,
and it will always be like having your throat cut,
just that fast. — C. VALENTE )
the cast of characters remain the same. tale old as time. boy and girl. winter wonderland backdrop. castle in the mountains. blue and green. sydney jung and elliott baek. perhaps, two names that are hardly ever entwined.
boy and girl—and she, like mother and father, bastardizes the age old love story all too easily.
it is astounding the amount of change (and naught) that has occurred since her confession. astounding how quickly hollows of her chest fills up to the brim with love (soft touch, tender heart, candy kisses) and how quickly it leaves her depleted with a crushing loneliness (she has never known heartbreak till she pushes her heart in the hands of woobin, till he crumbles their love to nothing).
how quickly, since then, had elliott baek exited her thoughts, out of sight out of mind, determined not to ache after something that evades her so. what’s not hers will never be hers.
how quickly, now, he enters her mind. living, breathing, hurting. more relatable in this very moment than she could ever think someone to be.
sydney could see it in his eyes. feel it in the unyielding tenderness he speaks her name in. tenderness formerly held for another. tenderness that makes her bones shake, insides churn. it is not her tenderness to hold, to press against the crux of her chest, but sydney (the fool, the softhearted, the hurting) teases herself with the prospect of it being just that anyway.
just for her. only for her.
is it so wrong to want that for once?
his question shakes her core. she doesn’t know. hasn’t ever known. that is, the folly of a girl loving, girl bore of disarming smiles and foolish beliefs.
does she still like him? she isn’t sure.
does her heart ache from biting cold, from daunting loneliness? yes, a million times yes.
“i—” she tortures her lower lip, eyes lowering in thought before she speaks again, meek. “w—why?” why, me? elliott’s popularity knows no bounds. the ravenclaw is willing to bet her life on it. why she’s the one he stands before completely baffles her.
“are you—uh—still in love with her?” sydney retorts with an edge that her mother would be proud of, a rare peek of courage from an otherwise compliant girl. “…e-eunice, i mean.” even then it doesn’t stop the seed of guilt that roots itself at the base of her spine. the way she whispers her name, as if hesitant to commit a crime.
is this a crime? what she does. what he’ll do.
sydney doesn’t wait for an answer (the silence is thick, heavy, telling).
“don’t.” don’t love her. is he not deserving of someone that’ll love him back? is she not? “i-i mean—you—i—i just think you can do a lot better, elliott.” sydney whispers, dollish eyes rolling all over, the floors, her boots, the ceiling; unable to even set themselves on the slytherin’s robes.
what kind of demand is this?
what kind of right does she think she have?
her grip tightens on the herbology textbook pressed against her chest.
“t-that’s just my opinion, anyway… you don’t have to take it.”
are you still in love with her?
don’t.
you can do a lot better, elliott.
it’s not that he doesn’t believe her, doesn’t trust that her words hold the purest of intentions (is well-aware that sydney jung, of all people, was the least likely to lie for her own benefit). that he doesn’t know that she knows---that everybody knows---that his love of five years has done nothing but pull and tug and cut at his heartstrings, one after the other, for the past three.
has done everything but give him what he desires the most, closure.
because, see, that’s what elliott’s problem is; not the fact that he still loved eunice eom, but that he loved her too much. that’s what’s wrong with love; for once you love someone, no matter who they are---no matter what they’ve done---you’ll always let them destroy you. every single time.
because the memories, the hope is enough to let him endure the pain, grit his teeth and tighten his jaw if it means being together. for a life with eunice eom---a life he has long remembered and forgotten so easily---was lovely; and when he says lovely, he means doves and lilies, and velvet, and that soft pink ‘v’ in the middle of the word coupled with the way tongue curves up to the long, lingering ‘l’ right afterward. their life together was alliterative, and when he thinks of all of the little things which will die---now that they can no longer share and nurture them---he feels as if they are dead, too.
elliott and eunice.
elliott, and eunice.
can she see it in his eyes? in the way his body tenses and breath holds at the mention of her name? can she sense it---the mourning, that is? for the passing of something that was all too long yet all too short at the same time (has not received a proper burial, let alone any recognition)?
you’re the one who can do a lot better, sydney.
and he relents, folds to the fact that this isn’t fair to her as she, a figure of warmth and bright, deserves better than this, deserves someone who would pick her first.
could elliott baek love sydney jung? he’s not certain.
but he sure as hell is going to try.
“syd--” he starts, voice hoarse yet steady. he steps closer to her, hesitantly, eyes searching for hers as his lips part in anticipation. “i know i don’t deserve it, but all i want is for you to give me a chance---four years ago, i may have made the biggest mistake of my life by rejecting you, and all i’m asking for is for you to let me make it up to you, to let me fix it.”
doesn’t he deserve this, too?
doesn’t his own misery warrant this affection they’re both willing to give and receive?
“i know i’m a little late, but i’m standing here---in front of you---to tell you that i should’ve chose you, syd. i like you.”