Tadanori Yokoo, drawings for Genka (“Illusory Flowers”), by Harumi Setouchi, 1974
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Tadanori Yokoo, drawings for Genka (“Illusory Flowers”), by Harumi Setouchi, 1974
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Rooney Mara on the set of Mary Magdalene (2018)
Anaïs Nin modeling for a painter as Cleopatra, 1921
The older I get, the more I find that you can only live with beings who liberate you, who love you with an affection that is as light to bear as it is strong to feel. Life today is too hard, too bitter, too debilitating for us to suffer new bondages, new captivities from those whom we love. This is how I am your friend: I love your happiness, your freedom, your adventure, in a word - and I would like to be, for you, a companion you can be sure of, always.”
— Albert Camus, (to René Char, 1957) in "Camus-Char: Correspondence 1946-1959) (Gallimard, 2007) (via Alive on All Channels)
“The full meaning of a language is never translatable into another. We may speak several languages but one of them always remains the one in which we live. In order completely to assimilate a language it would be necessary to make the world which it expresses one’s own and one never does belong to two worlds at once.”
— Maurice Merleau-Ponty, Phenomenology of Perception
Charles Baudelaire, from Modern Poets of France: An Anthology; “Hymn to Beauty”
Paintings for the Temple - The Large Figure Paintings (De stora figurmålningarna), Hilma af Klint, c.1907
The Gorge (2025)
Wolves trekking through mud
Choose Me (1984)
Ki-duk Kim, “Bom Yeoareum Gaeul Gyeoul Geurigo Bom”. 2003.
May 6, 1925 Journals of Anais Nin 1923-1927 [volume 3]
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jennifer willoughby, the sun is still a part of me
Sonia Petrovna in La prima notte di quiete (Valerio Zurlini, 1972)
Morris Graves (American, 1910-2001), Stoat, 1954. Ink on paper, 45.7 x 66.7 cm.
what in the world are you?
Emily Dickinson, from a letter featured in The Selected Letters of Emily Dickinson