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KIROKAZE

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Cosmic Funnies
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Three Goblin Art
Alisa U Zemlji Chuda

izzy's playlists!
YOU ARE THE REASON

祝日 / Permanent Vacation
Show & Tell
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PUT YOUR BEARD IN MY MOUTH
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

Origami Around
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@criterioncollected
who’s up thinking about the quiet world
yeah
Maria Callegaro - Serie di soli: il filtro celeste - 1995
JOAN JONAS / "MIRROR PIECE: I" / 1969 PERFORMANCE @ ANNANDALE-ON HUDSON
sobs forever
Toni Morrison. (2001)
the fire sermon, transistor by Joshua Clover
John Baldessari | Green Kiss/Red Embrace (Disjunctive) | 1988
BOTH/AND - CHANGE (IN THE HOUSE OF FLIES)
black sails and industry on betrayal
Interiors of Barrington Court, Somerset, an unfurnished Tudor house, built mostly in the 1550s. It was one of the first properties to be acquired by the National Trust (in 1907).
Helen Frankenthaler (1928-2011) [USA] — ‘Untitled’, 1979. Acrylic on canvas (54 x 43.8 cm).
Gabriel Orozco [Mexico] (b 1962) ~ 'Untitled', 2023. Tempera + gold leaf on linen canvas (45 x 45 x 2 cm).
The girl didn't dare ask why she was always being punished. One doesn't have to know everything and not knowing became an important factor in her life. Not knowing sounds awful, but it was not so awful for the girl knew lots of things just as a dog knows how to wag its tail or a beggar how to feel hungry: things happen and you suddenly know. No one would teach her how to die one day: yet one day she would surely die as if she had already learned by heart how to play the starring role. For at the hour of death you become a celebrated film star, it is a moment of glory for everyone, when the choral music scales the top notes.
clarice lispector, the hour of the star
source
Haverst on Instagram