Deleting this blog seeing as I've got access to my old one, so follow me on - pa-roxsym.tumblr.com and I'll most likely follow back :3
official daine visual archive

bliss lane
Misplaced Lens Cap

if i look back, i am lost

#extradirty
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Jules of Nature
RMH
$LAYYYTER
he wasn't even looking at me and he found me

Origami Around
Sade Olutola
Xuebing Du
PUT YOUR BEARD IN MY MOUTH

gracie abrams
cherry valley forever
sheepfilms
Interview Vampire Daily

izzy's playlists!
Not today Justin
seen from Ecuador
seen from Colombia
seen from Italy

seen from Bulgaria
seen from Canada
seen from United States
seen from Brazil
seen from United States

seen from Panama
seen from United States

seen from Spain
seen from Malaysia
seen from United States
seen from Indonesia
seen from Türkiye
seen from United States
seen from Bangladesh
seen from United States
seen from Bangladesh

seen from Pakistan
@cumbustinu
Deleting this blog seeing as I've got access to my old one, so follow me on - pa-roxsym.tumblr.com and I'll most likely follow back :3
Jesper Christiansen
Ryan Hewett (b. 1979, Kwazulu Natal, South Africa) - The Pawn, 2013 Paintings: Oil on Canvas
The reapers’ repast. Palestine c. 1890-1900
"Come Home" from the "I Command" Series - Iranian Artist GITA MEH
In “I Command”, Gita Meh reconstructs Michelangelo’s marvelous Sistine Chapel fresco, to deliver images and scenes that she as a middle eastern multicultural migrant woman has encountered throughout her life. Dedicating more than 30 years of her life immigrating between nations for the sake of art and encountering cultures and events from all over the world, resulted in her garnish of a set of genuine emotions that complimented her artistic ability into forming this magnificent series, which took more than 28 years. In the series, she tries to bridge our modern political and social atmosphere to that of renaissance Italy, by drawing and painting over the imagery that was depicted by Michelangelo 500 years ago. She infuses the work of Michelangelo with the pure elements and beauty of Middle Eastern art throughout different approaches.
I exist here, now. I’m not much interested in the future. Or, more precisely put, I do not believe in the future. To exaggerate a little, I have no faith that I will still exist tomorrow or the day after. What is more, I absolutely detest retrospection. That dislike is balances only by my desire to make my way back home as quickly as possible.
Yohji Yamamoto
Manuel Estheim
Sean Mundy
by weilian
Excel, 2014
Hedi Slimane Musac Contemporary exhibition
David Hammons, How Ya Like Me Now? (1988), Washington DC
Hyungkoo Lee