THE TESTAMENT OF ANN LEE | Behind the scenes via Thomasin McKenzie's Instagram
Stranger Things
ojovivo
I'd rather be in outer space 🛸
Cosmic Funnies

祝日 / Permanent Vacation
todays bird
Sweet Seals For You, Always

Discoholic 🪩
d e v o n

Janaina Medeiros
2025 on Tumblr: Trends That Defined the Year

Love Begins

Product Placement
Xuebing Du
Show & Tell
Lint Roller? I Barely Know Her
Monterey Bay Aquarium

Origami Around

★

blake kathryn
seen from T1
seen from United States

seen from France

seen from United States

seen from Bolivia
seen from Bolivia

seen from United States
seen from Mexico

seen from United States
seen from United States
seen from United States
seen from United States
seen from Brazil
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seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from South Korea
@cuuuuuteeeee
THE TESTAMENT OF ANN LEE | Behind the scenes via Thomasin McKenzie's Instagram
the testament of ann lee (2025) dir. mona fastvold
simone rocha large egg embellished bag w/ pink accent
Two Armenian Musicians, French School, 19th c.
Dana Douglas & Michele Hicks @ Oliver by Valentino Spring/Summer, 1996 Ready-to-Wear
“I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are. “We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.” Is that like the “pillow words” that separate phrases in Japanese poetry? “I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.””
—
Rogert Ebert, on Hayao Miyazaki
(Also applicable for improv.)
Electric Fetus (1982) via Hennepin County Library
much ado about nothing 1993
dir. Kenneth Branagh
rui zhou fall winter 2024 in guadalajara, mexico by daniela ruiz de e
Divine Mugisha by Andrew Vowles for W Magazine China July 2024
Styled by Katie Shillingford. Makeup by Anmy Drammeh. Hair by Kiyoko Odo.
Jamón Jamón, 1992
Ever After: A Cinderella Story (1998)
Peng Chan, Ajak Dhieu, Signe Michaelsson by Elizaveta Porodina for Atmos June 2024
Flooded Forest
Photo by Konsta Punkka
gaspard et lisa x hello kitty official art