Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripheral
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@cwmossholder
Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripheral
“Haptic Clouds” was written entirely on the Elektron Digitone as an experiment exploring the instrument's capabilities. Without MIDI interfaces or external sequencing, I focused on the Digitone's potential, and embraced its limitations. The Digitone is a beautiful instrument, full of flexibility, and power. The instrument has its own unique workflow, and very specific limitations. Working within that framework, and those limitations unlocks a well of creativity.
I spent a good amount of time hand crafting hundreds of custom FM patches. Once I had a good collection of diverse sounds, I moved into production, meticulously composing the 8 tracks that make up the album.
The album is designed for headphones. I hope you enjoy listening to it as much as I enjoyed creating it.
Loving the Elektron Octatrack + Digitone combo:
A nice write up of my new album - Lighghthouse - from Igloo magazine. New album out now on Schematic Music. https://igloomag.com/reviews/chad-mossholder-lighghthouse-schematic
High-frequency electronic tone fragments seamlessly elide with crotales and sizzling phantoms, mingling with brisk tempo fragments.
12 track album
OUT NOW!
Chad Mossholder Lighghthouse (Runtime 51:00) Chad Mossholder of Twine (Ghostly, Hefty, Komplott, BiP_HOp) is a sound designer for video games like Everquest, DC Universe Online and Doom. The “Lighghthouse “ album is a DSP journey with hints of Trevor Wishart and Curtis Roads and dashes of Graeme Revell and Zoviet France. Not since the early days of Richard Devine’s “Aleamapper” or Phoenecia’s “Brownout” have we released an album this rich in Max/MSP and Kyma explorations.
While listening to these tracks one has to wonder if they are the receiver in the title or the transmitter of these tones and moods therein. Each song, while separate, uses an impressive sonic arsenal which overlap into one another in a continuous stream like the abrupt changes of scenes and partici
Igloo magazine reviews: Chad Mossholder :: Receiver
10 track album
I have a new album coming out Oct. 2. Pre-order went up to day. Please stop by and take a listen. Thanks in advance!
Published on Sep 5, 1818ANALYTICSEDIT VIDEO(̘̝͉͈っ̫̯̫̥̰͌ͭ̐ͅ◔͈̲̒̿ͫ͂◡͌̌̾◔͕̒̑ͯ͒͗̂̿)ͣ̂̾̇っ̣̣̙͍ ̪̽̿ͧ͑̂♥͕̯͉̟̿͆̌̑ͬ̚ ̲͕͈̣̹̣̍ͬ̀̂̆̚ͅĪ̌̉̑ ̰͙Ș͓͖̫͈̈ͭ̈́a͇̯̝̣̪̦w͕̟̱͓ͧ̃̐ͫ̅ ̀̌ͭͨHͮ̆̅̈́ͣ̔ͪệ̠̍͑r͉͔̝̾̾ ̖̼̩̞͎̓̽ͩ̂S̙̻̞̬̬̮̰̓ͭ̈̽t̹̱͉̩̬̯̑ͮ͆a̤̖̬͆̑̎̐̒n̘̪͖̗͕̻͍ͧ̆ͮ́̉̚d͉̩ͮ̏i̭̝͍n͉͉̣̏͋ͯ͋͒̄͐g̳̥̖͆́ͮ̃̽ ̜̣͉̞͔ͩT̝̜̹̲ͭ̇̓ͭͦ̓͊h͈̳̼̰̪̔ͫ̎ẽ̤̞̥r͙̎ͣͧͧ̚e͔̙̓̉͛̀̌ͮ̓ ♥̓ Modularr: C.W.Mossholder
F͓̭͎̻͎̦̦̘̘̊̔̍ͫͬ͋̔̄i̭̮̣͉ͣ̑̋̒͛̐̏ͩ̾͊͗ͥ̉͌̏̍̚xing A Hole ̶̵̝̠͉̭̺̖̥̲͓͖̣̮̹̻̦̠̫̔̈́̊̿̉́ͩͫͅe̢͙͚̙̗̺̐̇̄̑͋̌͗ͭ̄ͦͦ́͘ Modular: C.W.Mossholder
Proud to have worked on the Video Game, PREY. Amazing game!!!
Proud to have a track on the official DOOM 2016 soundtrack. Pressed on Beautiful blood red vinyl. Mastered at Abbey road studio.
~̡̝̥̍̌͒Wפ 08Ɛ0 Modular 01_02_2018 C.W.Mossholder
B̵̭̝̅ͨͭ ̡e̴̶̛͓͉͔̯̦̥̝̘̺̫̓ͨ̂ͪ̒ͬ̆͆͟ ͘c͟ ́a ͏u̸ s̴̢̢̯̳̳͇̰ ḙ͈̹̮̙̀̏̈̌ͮ̀
Proud to have shipped Doom (2016)!
http://doom.com/en-us/
The minimalistic take on IDM here is, if anything, a frank reminder of the power of subtlety and a delight to the ears at the same time. Chad Mossholder’s
Non-Site Specific now available on Spotify.
12 track album
My new solo album was released today! If you are a fan of Twine and electronic music/sound design check it out! The album includes an awesome remix by Richard Devine! Thanks for listening! --Chad