cybergrotesque

[cybergrotesque]

Contractor I, 2025 Welding helmet, filigree, moneybag, 60 × 35 × 28 cm. Photo: Marjorie Brunet Plaza. Courtesy Galerie Molitor, Berlin 

[cybergrotesque]

Lee Bul, “Monster: Black” (1998/2011), fabric, fiberfill, stainless-steel frame, sequins, acrylic paint, dried flower, glass beads, aluminum, crystal, metal chain, on view in Monstrous Beauty (2025) at the Metropolitan Museum of Art (© Lee Bul; photo by Jeon Byung-cheol, courtesy BB&M, Seoul)

[cybergrotesque]

(via (41733) The Old Reader)

[cybergrotesque]

(via (41049) The Old Reader)

[cybergrotesque]

[cybergrotesque]

Romuald Hazoumé (Beninese, born 1962). “Fiegnon” (2011). Source: Brooklyn Museum

[cybergrotesque]

Galli, Monster v. Firenze, 1990. Courtesy the artist and Kraupa-Tuskany Zeidler, Berlin

[cybergrotesque]

(via (38211) The Old Reader)

[cybergrotesque]

Anne Imhof, Untitled (Silas), 2024. Courtesy Sprüth Magers e TEFAF

[cybergrotesque]

(via (37918) The Old Reader)

[cybergrotesque]

(via (37942) The Old Reader)

[cybergrotesque]

courtesy the International Center of Photography); right: Ken Light, “Sandblaster with makeshift mask, Berkeley, California” (1979) (© Ken Light/Contact Press Images; image courtesy the International Center of Photography)

[cybergrotesque]

Victimae, Anibal Bley, St. Chads Penton Rise, London

[cybergrotesque]

Insatiable Parasitic Agitator Infests Gray Area Gallery

[cybergrotesque]

[cybergrotesque]

[cybergrotesque]

Lost and Found, Groupshow curated by The Community and Milliony Arlekina @Circolo UltraFiorucci, Milan