Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.
When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born.
Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards.
#SOME RANDOM FACTS: #MP100 IS THE FIRST EVER ANIME TO USE PAINT ON GLASS #BEFORE IT WAS ONLY DONE IN MOVIES AND RARELY EVEN THEN CAUSE ITS TOO TIME CONSUMING #ANOTHER FUN FACT: THE ENDING TOOK 1 WHOLE MONTH TO MAKE #FINAL FUN FACT: THERES ONLY 1 PERSON IN ALL OF JAPAN WHOS SPECIALIZED IN PAINT ON GLASS ANIMATION AND THATS MIYO SATO
