Daiken Valentine’s Day & White Day Drabble Exchange
Modeled after the Japanese tradition where one party confesses on Valentine’s Day and the other responds to the confession on White Day, this interactive Daiken event will work as a sort of give-and-respond exchange.
How to Participate
Valentine's Day
Participants can submit an unlimited number of short works for Valentine’s Day, to be emailed directly to Daiken Miracles at [email protected] any time before February 15th (feel free to use your own time zone as a gauge). These works will be anonymously displayed here for everyone to enjoy and react to.
White Day
Participants then have a month to pick and respond to any of the Valentine’s submissions. Participants can respond to an unlimited number of submissions, and multiple participants can respond to the same submission.
Participating in the Valentine’s half of the exchange is not required to participate in the White Day half and vice versa.
FAQs
What can I submit?
Submissions should be short, small, and simple so that they can be easily consumed and responded to.
Fics should have a minimum of 100 words; there is no maximum word count. Art/comics can be sketches, line art, or loosely colored drawings, either digital or scanned traditional artwork, but it does not need to be “finished.” Playlists, GIF sets, AMVs, graphics sets, edits, memes/shitposts, etc., are all acceptable submissions as well.
Does my submission have to be Valentine's and/or White Day-related?
Submissions do not have to be directly related to Valentine’s Day or White Day, but it is strongly encouraged, as we would like the majority be related to the holiday.
Can I submit anything NSFW?
All variation of submissions are accepted, but NSFW submissions will be posted in an explicitly labeled separate section.
Is there a form I need to fill out?
No, all you need to do is make your submission(s) and email them directly to Daiken Miracles.
How do I send in my submission for Valentine's Day?
Sometime before February 15th, 2022, email Daiken Miracles at [email protected] with your submission included either via email attachment or link. If you are submitting multiple works, you can include them all on the same email or on separate emails. Please also make sure to include a title for each individual submission so we can easily distinguish them on our website.
What do I do next?
We will post all the submissions anonymously on our website here. Each submission will be preceded by its title and any pertinent warnings/tags.
Your job is to read all the Valentine’s submissions and respond to any that stand out to you. Your response can be in the same medium as the submission (writing a fic in response to a fic) or different (drawing art for a fic, making a playlist for a fic, writing a fic for an AMV, etc.).
How do I send in my submission for White Day?
The submissions for White Day follow the same setup as for Valentine’s Day. Sometime before March 15th, 2022, email your White Day submission to Daiken Miracles at [email protected]. Make sure your submission or the body of your email includes the title of the Valentine’s submission you are responding to.
What happens after the exchange is over?
After White Day, we will post the responses on our website here. Each response will link back to the Valentine’s work it is in response to, and each Valentine’s work will link to the response(s).
A week after White Day, on March 21st, all participants are encouraged to post their submissions on their platform(s) of choice (AO3, Twitter, YouTube, Tumblr, etc.) and link back to the main gift exchange website. Those posting on Twitter are encouraged to tag our account @DaikenMiracles, those on Tumblr can tag us at @daiken-miracles, and when posting anywhere that uses hashtags, please tag your work with #DaikenValentinesExchange and/or #DaikenWhiteDayExchange.
How do I contact the mods for further questions?
Email us at [email protected] or talk to us directly on the Daiken Discord server.
The Hikarigaoka area is where the original eight Chosen Children saw their first Digimon in 1995, as shown in the Digimon Adventure movie. The battle between Greymon and Parrotmon took place on the main street, destroying part of the bridge, a phone booth, and some building sections. Many of the families moved away afterward, including those of all eight Chosen Children. Seven Chosen moved to Odaiba while Takeru moved to Setagaya until he too moved to Odaiba in 2002.
Upon their return from the Digital World, the Chosen Children stop at Hikarigaoka in episode 29 of Adventure and realize that they all lived there at the same time and had this experience. This is what makes them think that the Eighth Child most likely moved from Hikarigaoka to Odaiba as well. According to episode 45, this was the moment the original eight were Chosen.
In 02, Oikawa Yukio takes Ken and the Dark Seed children in episode 44 to utilize the natural Digital Gate (like the one at the campsite near Mount Fuji in Adventure), but everything is interrupted by Demon’s arrival. The younger Chosen fight him, and Ken taps into his Dark Digivice to open a gate to the World of Darkness, at which point Daisuke gives Ken a stirring speech about moving forward and not being afraid anymore. Although Demon can make his own Digital Gates between the Real World and the Digital World, he cannot escape the Dark Ocean. Oikawa tells the Dark Seed children to meet him there again on New Year’s Eve before escaping.
However, in episode 47 of 02, BlackWarGreymon seals the gate with his own body to prevent Oikawa, and the monster inside him, from entering the Digital World. Since Oikawa doesn’t know that, he gathers the Dark Seed children there and opens a gate, which leads to the World of Dreams instead of the Digital World.
The following artwork includes a variety of image types, including pieces made specifically for promotion and merchandise, images from the various card games, DVD/Blu-Ray and book covers, music album and audio drama covers, and miscellaneous artwork.
Official Images
General promo images
Character images
DVD/Blu-ray & manga images
Music & audio drama covers
Merch
Scans
Mook & book covers
15th Anniversary Blu-ray BOX (Much of this content is still in progress, so the images are limited)
Coloring books
DigiFes 2019 booklet
Episode 36 animation sheets
Kodansha TV picture books
Summer 2000 Toei Animation Fair
Spring 2001 Toei Animation Fair
Magazine scans
Settei/Model Sheets
Motomiya Daisuke
Ichijouji Ken
V-mon & Wormmon
Family members
Objects
Height charts
Full Season Settei
Digimon Adventure via Settei Dreams (Colored model sheets available via this Twitter thread by @_cherry_light_)
Digimon Adventure 02 via Settei Dreams (Colored model sheets available via this Twitter thread by @_cherry_light_)
Digimon Adventure tri. via Settei Dreams
Digimon Adventure: Last Evolution Kizuna via With the Will
There were in total seven Chief Animation Directors who worked on Digimon Adventure. To get this information I had to go through the Adventure episode pages on Digimon Wikia one by one and check the credits on the episodes- it was slow and painful, and I actually had to write down stuff to make sure I didn’t make any mistakes. It totally wasn’t worth it LOL, simply because I’m too lazy to properly finish this art style study/chart. It takes time and patience to get one good screenshot, and to finish thism I would’ve had to get 35 other screenshots. Sorry, I give up.
Anyway, here’s a list of the Chief Animation Directors and what episodes they worked on (so the next time you watch an episode of Adventure, you know who takes the blame on the animation goofs : D)
In Deguchi’s part about Sora, you can see that the animation style is vastly different. It is indeed drawn by Yoshihiro Takeda who is known as his fanservice-y style in Digimon series (especially in 02, Savers, and Xros Wars). Unfortunately, he only got the chance on small portion of Episode 52.
Thank you for the correction! Like I mentioned, my sources when making this were sort of very limited and their reliablity was questionable to some extent. When collecting these screenshots, often I did start to wonder if they actually did have multiple animators working on the same episodes because sometimes the artstyle could change radically within the same episode (Sora really did look odd in episode 52… those thick eyelashes.. yeesh). But, since my sources were indeed very limited, I decided to not make any guesses on my own. Anyways, thank you for that correction! : D
Adventure and 02 really make up an unusual series in many ways, and I think one of them is how kind it is to the human condition. One of its most consistent commitments is to portraying its kids as “real children” – as in, messy kids with some very deep nuances to their behavior, in ways that don’t reflect what you’d usually expect from media tropes. In some ways, it ended up backfiring (tropes are not inherently a bad thing, and it’s led to miscommunication that persists to this day because the audience has to fight a tendency to read the characters through the kinds of tropes we’re all expecting to find), but it also had the effect that these kids could be intimately relatable to the audience in ways that “textbook” portrayals of kids often wouldn’t be.
Adventure had eight main characters in its human cast, which was extended to twelve in 02 – a massive balancing act – and yet took the stance that none of these twelve characters’ very different ways of thinking or living life are fundamentally wrong. Rather, it celebrates the differences between them, and encourages them to embrace them about themselves. But it also does not shy away from the struggles those with each line of thinking might have in terms of communicating and interacting with the world. It’s easy to say words like “be yourself”, but what does “be yourself” really mean?
Fun facts and trivia about the Adventure/02 Japanese voice actors
For most of the people reading this post, watching Digimon in Japanese is probably a fairly recent prospect, and especially since we’re talking about a 20-year-old series! On top of that, Adventure/02 director Kakudou Hiroyuki deliberately wanted to have a mix of veteran and new voice actors, so you have an interesting mix of voice actors who’d already had their most prolific roles from anime made before most of us were even born, to voice actors who are currently incredibly popular now but were actually had just barely debut at the time. Let’s take a look!
The difference between the Adventure group’s and the 02 group’s respective relationships with their Digimon
Kizuna very prominently depicts a difference between the older six Adventure group members (Taichi, Yamato, Sora, Koushirou, Mimi, Jou) and the younger six 02 group members (Takeru, Hikari, Daisuke, Ken, Miyako, Iori) in terms of how they interact with their partners, and part of it is because of the strange relationship between Kizuna and 02′s themes, but, in fact, there had always been a rather subtle difference between said dynamics even since all the way back in 02, just exacerbated by the 02 group being the only ones to be able to open Digital Gates via their D-3s and the fact that the circumstances of the plot were a bit engineered to make the 02 group a bit more functional during its duration.
The image of “every human-Digimon partner pair hanging together all of the time even through mundane daily life events” is certainly romantic, but, in fact, the older Adventure group is not portrayed as a group that necessarily longs for such an arrangement, and the 02 group doing so is something they specifically do because of their own personalities. This is something very tied to the distinction between the Adventure and 02 groups’ respective ways of life and internal dynamics, and what it says about each individual group’s preferences of independence vs. mutual support.
The relationships between the Adventure group and the 02 group
As much as it would sound romantic to group the older Adventure six and the younger 02 juniors into one huge “group of twelve” all of the time, it’s undeniable that there’s a boundary between them, especially since there’s a different internal dynamic within each group as well – of course, for important events or incidents like Diablomon Strikes Back, they’re capable of getting together as a whole, and they hand off information and call on each other freely for support over the course of 02, but once we start getting into “social life relationships”, things get a bit more complicated. Overall, we all know that the juniors adore and respect their seniors, and the seniors are happy to mentor and support their juniors, but the way each of the older Adventure six approaches the younger kids has an interesting variance from person to person!
The difference between the friend dynamics in the Adventure and 02 groups
This is a point I’ve reiterated in a lot of my 02-based metas, but there is a fairly distinct difference between the Adventure Chosen Children having a tight, deep bond and yet not quite being friends in “social life”, whereas the 02 group was a much tighter group on a social level. I always feel that I need to be really careful about saying this, because if I don’t word it carefully, it sounds like I’m trivializing the Adventure group’s bonds (plus, a lot of Adventure diehards will get very upset at you for suggesting this no matter how you put it), so I thought I should write something a bit more in-depth about it.
I think a lot of of this ultimately ties into what each series was about. The fact that Adventure was meant to be a series about “self-recognition of the individual” whereas 02 was about “relationships with others” has been pointed out by many a fan (and official staff too, while we’re at it), and it naturally lends to how the characters and the relationships between them will have a fundamental difference.
You talk a lot about how the Digimon are born from the kids own souls, would you be interested into describing how the digimon partners reflect their humans' personalities?
Oh man, I love this topic! (You’ll have to forgive me in that my desire to do justice for it is why it ended up taking me this long to answer it.)
The part about the Digimon literally being part of the kids’ souls comes directly from official (it’s been mentioned several times, not only in what I just linked). This was never stated outright in the original Adventure or 02, and it took until Kizuna to really shove the link between the partner and the human’s inner self in your face and make it a huge part of the actual story, but fans had been catching onto it long before that, and even without reading what the staff had said. Kizuna throws a bit of a nail in this because it’s said to be a bit lore-noncompliant, but considering how much of the background lore it still goes out of its way to adhere to, and the fact it still does match the fundamental concept of “human heart = Digimon partner” regardless of detailed minutiae, we can still apply and analyze this concept with no problem, especially since Adventure and 02 always walked the line between sci-fi and fantasy, and there is undoubtedly a spiritual element to them no matter how you look at it.
(My personal comfort zone in analyzing Adventure and 02 comes moreso from a human behavior and mentality perspective, which is also why my meta on this blog tends to focus more on the human drama aspects of Adventure and 02 and especially the latter’s story being so heavily about human relationships, but if you’re interested in said spiritual elements, I heavily recommend @analyzingadventure‘s very comprehensive meta on Adventure background lore and themes, which also covers similar territory in detail. We’re different people, so our takes on it probably differ in some respects, but that’s the beauty of having different perspectives, after all.)
In any case, back to your question. I think it would be best to break this down piece-by-piece with the Adventure and 02 kids in detail, so more is under the cut!
...Well, okay, before we continue, I do want to touch on something briefly, and it’s regarding the fact that “evolution” in this series is generally a metaphor for human growth. That counts for when everyone gets their evolutions, but it also counts as a metaphor overall -- after all, Adventure is about self-assertion and pushing oneself as far as possible (the major evolution gimmick being tied to Crests), whereas 02 is about cultivating differing aspects of yourself and applying it to how you form relationships with others (the major evolution gimmick being tied to Digimentals and ultimately Jogress). The human self is quite a flexible thing, and the Digimon themselves quite often change personalities as they evolve. (I touched on this briefly in my discussion of honorfiics and first-person pronouns earlier, but in Japanese, the Digimon will often even change personalities and speech patterns as they evolve.) This also leads to a few other potential observations (not really corroborated by official, just my personal view of it):
Speaking from a meta perspective, the fact that only the “front protagonists” end up getting the highest level forms is pretty obviously so they don’t have to spend toy budget on allocating it to everyone, but from an in-story perspective, Adventure episode 50 adds an implication that not reaching as high of a form may also have to do with how inherently attuned one is to combat (Jou says that he believes that Gomamon will never reach Ultimate because he doesn’t have the sort of strength Taichi and Yamato do, and it contributes to his conclusion that his skills are more meaningfully applied as a healer instead of as a fighter). Of course, none of the Adventure or 02 cast is necessarily the belligerent type that inherently likes fighting in itself, but of course certain ones are less emotionally drained or more attuned to it, so you might be able to see a rough pattern there. (Again, I’m not going to sugarcoat how this still has a lot of dismaying issues on the meta level, but the difference between “how much this sucks on a meta level” and “whether this at least tracks in-story” is a common theme on this blog.) In a franchise sense, Digimon were of course conceptualized as fighting monsters, but within the narrative of Adventure, it probably stands to reason that having a manifested part of your soul or inner self shouldn’t necessarily mean they have to be fighting things all of the time unless it’s necessary.
It’s very often been pointed out that the 02 cast is at a sort of “combat disadvantage” compared to their seniors (well, and Takeru and Hikari, anyway) because their highest forms require two people/Digimon to be in play, so their overall combat power is rather low. My impression is that this is by design (and it’s a subversion of the usual expectation of shounen anime sequels where the sequel will often power creep everything to make the new guard outdo the first). That the 02 team is inherently dependent on each other for support, and to a degree far more than their seniors, is rather baked into its narrative, and moreover, from an in-story perspective, the 02 group doesn’t seem like the type to really care about being outflanked by their seniors (on the contrary, they’d probably take that as more proof that their seniors are amazing). Moreover, the forms you see their Digimon in most of the time tend towards the smaller Baby-level forms instead of the Child-level ones, and while this is partially due to plot logistics about being in the real world (and, admittedly, kind of inconsistently applied), it gives you a much stronger impression of the 02 kids and their partners in general being people who aren’t that individually imposing or strong and get more mileage out of flexibility and variety (see: the Digimentals and the huge number of lower-level forms the kids have access to).
With this kind of metaphor, I caution against taking it too literally as a 1:1 thing (especially since official has been generally quiet about it and there isn’t much in the series text itself to corroborate this), but I do think there is certainly some kind of relevance that’s worth thinking about.
Many people, including the official notes I just linked, refer to there being some Digimon partners that are "like-minded” with their partner, and some that are “opposite” in personality. This is roughly true, but I find this to be a very simplified description of the concept; it’s more like all Digimon partners are a reflection of the less easily exposed part of their human partner (and, most pertinently, the part that would allow them to express themselves in ways they wouldn’t normally), it’s just that the kids with more straightforward or less extreme personalities don’t have as much to hide or cover up in the first place, and so their partners come off as more “like-minded”. Even Urawa Megumi, voice of Iori and Armadimon (arguably one of the pairs of partners that seem “opposing” in personality), stated that she didn’t personally feel like the two characters are all that different, since humans have different sides to them, and Armadimon is functionally an expression of the side of Iori that isn’t apparent.
Because the Adventure narrative has the Digimon partners be linked to human mentality, this leads to the side effect that you won’t have a Digimon partner who ever truly denies the human partner (barring external factors like Evil Ring-induced brainwashing), which is something producer Seki Hiromi was quite insistent about. That said, this is a very Adventure and 02-specific thing, since other series go more into different angles about how one would approach partnership when this factor is not in play; half of Tamers’s drama regarding partners comes from the fact they are not necessarily mentally linked all of the time, and need to find a way to build a relationship by bridging that gap, and so non-Adventure universe entries are more freely able to explore the concepts of a Digimon partner more consciously entering conflict with their human partner. Well, that’s the beauty of having a multi-entry franchise, after all.
Taichi and Agumon
Taichi and Agumon immediately jump to mind as the first among the “like-minded” pairs, especially since the series shows them so often in sync and chilling together. Taichi himself is a straightforward person, so it stands to reason that his straightforward personality would also lend to Agumon coming off as being rather much like him.
However, there is one slight difference between the two, and it’s that Agumon has a somewhat stronger sense of “easygoing chill” than Taichi does, right down to using the more polite boku first-person pronoun in contrast to Taichi’s more assertive ore. He also lacks Taichi’s penchant for mild insensitivity -- in fact, very unlike Taichi, he has an incredible amount of emotional insight (02 spends quite a bit of time in 02 episodes 32 and 46 to showing off Agumon as someone who makes up for all of his lack of intellectual understanding with emotional and borderline poetic insight). And, really, while Taichi is a bit surface-insensitive, and while he seems to be impulsive, he actually is a conscientious person and is trying his best in his own way, and he isn’t the kind of person who cares about societal things like seniority, and he demonstrates multiple times that he’s easygoing and chill, and so you can say that’s a part of Taichi as well. Remembering that a Digimon partner’s presence helps their own human partner grow, Agumon being so openly friendly helps Taichi maintain good relations with others without running afoul of them.
One of Agumon’s most famous traits is that he likes food, which is not actually something that was in the original Adventure or 02 all that much but has been somewhat exaggerated since. That said, back in Adventure, while it was established that all Digimon regularly need food in order to maintain their evolutions, Agumon would usually be the first to complain “I’m hungry,” and whenever they did get food, Agumon would be one of the most prominently enjoying it. Food is, after all, one of the simplest and most universal of pleasures, and there’s a lot of visual framing of Taichi chowing down just as ravenously as Agumon is -- so, honestly, he probably got it from him.
Taichi also speaks a bit about his pain of being separated from Agumon in the space between Adventure and 02, and he directly refers to Agumon as “the other me”. The word “partner” was not actually used very much in the original Adventure or 02, and Taichi is not able to fully elucidate the sentiment of Agumon’s connection to his own self, but he still understands this much and why the loss cuts him so deeply, and by the time we get to Kizuna, it’s presumably why he uses similar language in his thesis proposal to refer to him. (I already covered the circumstances of Agumon’s relationship to Taichi’s existential crisis in Kizuna and how it led to their separation earlier, so I will omit it here for the sake of avoiding redundancy.)
Yamato and Gabumon
This might surprise some people to hear, but I would also pin this as one of the more ostensibly “like-minded” pairs. Gabumon is shy on the surface, but turns out to be quite passionate -- he uses the same assertive ore as Yamato, in contrast to Agumon’s boku, and he demonstrates his capacity for passion and action in that he’s arguably one of the most assertive in the cast. Note his taking initiative against Yamato’s frostbite in Adventure episode 9, or declaring his intent to stay with Yamato even if it means going against the others in Adventure episode 44, or singlehandedly dragging Yamato out of the hole of darkness in Adventure episode 51.
And, of course, Yamato himself is someone who initially seems a little awkward or detached around everyone, but is actually very passionate, so that’s all the same. And because Gabumon himself is so open about communicating with the otherwise closed-in Yamato, Yamato is able to express himself better over the course of Adventure.
Funny thing about that “shyness”, too -- the idea of Gabumon being particularly shy isn’t present in 02 much at all (we don’t get to see him very much, so it’s hard to say whether it’s completely gone, but it’s at least gone enough for the duration of his appearances). Which is funny, considering: guess who else stopped being shy and became naturally outgoing in 02? Yeah, so, as much as you might hear people (even official!) claim that the Digimon are static while their partners change, that’s not completely true -- the Digimon themselves develop in personality in the same way their human partners do. It’s just more subtle and less drastic, since they’re representing an abstract single part of their personality rather than being an exact match.
Sora and Piyomon
Sora and Piyomon have an interesting relationship in that they’re the only one where their relationship started off on a note of conflict -- mainly in that Sora was very put off by Piyomon at first and even looked down condescendingly on her (well, only for the duration of a single episode). In fact, Sora’s own surface behavior is very different from the kind and caring Sora we know -- Sora dislikes associating with the clingy and affectionate Piyomon for being “mushy”, and even declares that she doesn’t want to “take responsibility” for lugging her around.
Of course, Sora’s character arc later revolves around the fact that she has abysmally bad self-awareness and doesn’t even realize that she has a compulsive sense of responsibility to others. So Sora is affectionate and loving -- she just puts up a front of trying to act a little above that (well, at least, during this part of the series) and doesn’t even see herself as someone capable of being like that (again, purely during this part of the series).
Piyomon is also interesting in that she has one of the most dramatic personality shifts even as early as Child to Adult, where she suddenly switches from the casual atashi to watashi (sometimes even kono watashi, which is super regal), and becomes incredibly dignified and regal even as Birdramon, and you can certainly see why Sora immediately started taking her seriously thereafter. It also begs a lot to think about, considering Sora’s very convoluted character and the many layers of herself that even she isn’t consciously aware of.
The way Piyomon helped Sora shift her own mentality is pretty directly handed to you on a plate in Adventure episode 26 -- because Piyomon played the role of Sora in the metaphor of Sora’s behavior towards Piyomon correlated to Toshiko’s behavior towards Sora, Sora was able to re-adjust her position relative to her family and consider her both someone capable of love, and someone who is loved.
Koushirou and Tentomon
Koushirou and Tentomon are another pair that initially seem like they’re opposing types, with Koushirou being constantly curious and Tentomon being comparatively simple-minded, but the first key to figuring out where the similarity is ends up being a bit deceptive -- Tentomon says in Adventure episode 5 that he’s not particularly interested in himself. And, certainly, Koushirou is interested in Tentomon, but he, too, is not interested in himself -- in fact, he considers himself to be a topic he’d rather avoid instead of looking into everything else.
As far as language goes, while Tentomon does also use the stereotypically easygoing Kansai dialect, he also specifically uses the polite form, mirroring Koushirou’s own perpetual use of polite language. But unlike Koushirou, who uses it to keep distance from others, Tentomon is in fact very sociable, and is even portrayed as a Digimon who’s conscientious of others and “takes care” of them. And because Tentomon is so openly friendly, he manages to coax Koushirou out of his shell and allow him to think about more complicated things related to his own position in the world that he’d been avoiding.
As Koushirou’s character arc proceeds, we learn that he’s polite not only out of distance but also because he really is a very kind person, and moreover that he does eventually want to open up to others. And the payoff for this eventually comes in 02...
...when he ends up becoming one of the most visible members of the older Adventure cast to appear in the series, checking in on the younger kids and developing into someone capable of organizing and managing people. Hmm, seems familiar.
Mimi and Palmon
This one’s an easy one. Mimi is possibly the most straightforward person in the original Adventure cast -- well, that’s the point of her Crest after all -- and so Palmon is almost exactly like her, being a cheerful type who loves being cute. Any contrast between them is only really apparent in the very early episodes of the series, and that’s not even a contrast in theory as much as it’s just something that might intrigue audiences at first when Mimi spent a lot of those episodes complaining, but that’s also mostly because she was heavily under stress, and otherwise Mimi has always been kind and cheerful and indulgent in being cute.
Perhaps the only real difference is that Palmon, being a plant, is more willing to get involved with dirt and other things that Mimi ostensibly would rather not, but as the series progresses, Mimi manages to gain a higher sense of tolerance and get past her initial sense of materialism (which is something she’d had the capacity for the whole time).
Jou and Gomamon
Of the Adventure pairs, this one is probably the one that seems like the biggest contrast on its face, with the overly high-strung and constantly stressed Jou, and the more playful and relaxed Gomamon.
In the end, Jou is someone who’s defined by his desire to support others, and even admits at the end of the series that he’s better suited for a support role than for fighting, and that there’s nothing wrong with that as long as he continues to channel his desire to help people in a way he’s most comfortable with. So, in the end, he’s not actually an inherently aggressive type. And, meanwhile, Gomamon is the kind who’s constantly looking out for Jou, to the point of knowing (such as in Adventure episode 7) when he’s about to do something phenomenally stupid and minding him so that nothing bad happens to him, and so, this is probably why they’re ultimately able to settle down and end the series eye-to-eye (or perhaps hand-to-hand).
And, again, recall that Digimon partners generally reflect a part that’s vital to their own human partner’s growth; considering that Jou is most certainly one of the more extreme personalities in this cast, you get the feeling that he probably needs someone this chill to keep his massive stress tendencies in check.
Takeru and Patamon
Takeru and Patamon are an interesting case largely due to the two of them being so present for a whole two series. In Adventure, both of them seem to be largely like-minded, being playful, innocent, and childish -- although Patamon is more open about expressing the childishness that Takeru keeps trying to cover up. Patamon being roughly on the same playing field (no pun intended) as Takeru means that Takeru has someone he’s willing to be open with and let himself loose a little (such as in Adventure episode 12), because for the first half of the series, he’s almost entirely in the presence of elders and stifling himself for the sake of being “well-behaved”, and it starts his long journey of being able to understand his position and his actual sense of emotions over the course of Adventure and 02.
Patamon also has a striking personality change upon evolving, becoming the regal and dignified Angemon, and, interestingly, his appearances have a very “knight templar” vibe where he takes a no-compromise stance against dark forces and states that he’ll condemn all of them to oblivion. This is a stance that’s unnervingly similar to Takeru’s own no-compromise stance against the darkness in 02, and it’s interesting in that Takeru himself had been advocating for pacifism in Adventure episode 12, but this incident traumatized him enough to start taking a position that more resembled Angemon’s.
As we go into 02, Takeru’s contrast with Patamon initially seems like an increased mismatch, since Patamon is still ostensibly childish and playful while Takeru is ostensibly more mature. But for one, Takeru’s character arc is about the fact that he’s still pretending he’s more in control of his emotions than he actually is, and in some way you can also glean that there’s a sort of naivete present in his character that he keeps covering up with confident smiles. Patamon, for his part, does actually seem to have adopted a bit of a mentor role to the other Digimon, and we also learn that he’s capable of deliberately trolling people instead of just being generically playful -- much like Takeru himself, who’s a bit evasive and not entirely honest.
We do actually see Patamon reach HolyAngemon in 02 episode 34, but it doesn’t work out well, and while this is partially for plot mechanic reasons, it also says a lot that the “knight templar” stance that both Takeru and HolyAngemon have, with the full depth of no-compromise, isn’t going anywhere, and in the end, something more effective is only possible when Shakkoumon appears in 02 episodes 36-37 -- that is, Takeru is only able to better move on with Iori’s support.
Hikari and Tailmon
Hikari is the only of the Tokyo Chosen Children to have a Digimon who “defaults” to Adult instead of Child or lower, and it means that Tailmon herself comes with a certain amount of maturity -- on top of having been become a bit hardened due to her experiences being isolated. This is an ostensible contrast to the more pure-hearted and innocent Hikari, but note that Hikari’s own will can be pretty assertive when it comes down to it. On top of that, as much as Tailmon is a bit standoffish, Hikari is also “emotionally isolated” -- she has trouble vocalizing her negative feelings, and it’s difficult for anyone in Adventure or the first half of 02 to truly connect with her internal thoughts. Recalling that the Digimon partner reflects a side of the human partner that’s less easily exposed and allows the human partner to grow in ways they wouldn’t before, Tailmon’s sheer presence gives Hikari a route to action in ways she probably wouldn’t have beforehand.
In 02, Hikari becomes a little more mischievous and playful, and Tailmon also becomes a bit more willing to indulge (she even switches first-person pronouns in sync with Hikari, going from the more polite watashi to the more casual atashi). Both of them are now more able to enjoy themselves more openly. That said, Tailmon still has a certain degree of stuffy personal pride (she snarks at everyone quite easily for fussing over snacks in 02 episode 3), and Hikari herself remains emotionally elusive and repressive at the start of this series.
Tailmon evolves temporarily to Angewomon in 02 episode 13, which is the first time anyone (in this case, Takeru) makes some degree of headway to reaching out to her and allowing her to open up a bit more, but it’s not until 02 episode 31 when Hikari is fully reached out to via Miyako, which marks the first appearance of Silphymon.
Daisuke and V-mon
Now here’s a very like-minded pair, even more so than Taichi and Agumon -- and, after all, Daisuke is simple-minded, so painfully simple-minded that he’s practically incapable of hiding anything, and so V-mon is almost exactly like him, down to using the same ore pronoun and being feisty and mischievous (a point is also made that he plays soccer with Daisuke, something that Agumon didn’t necessarily do with Taichi), and, heck, in a rare show of Digimon-Digimon crushes, has a crush on Tailmon in the exact same way Daisuke has on Hikari. (By the time we get to Kizuna and its higher animation budget, a lot of attention is paid to having even their body language mirror each other.)
There is only one real functional difference between the two in disposition, and it’s that V-mon is very straightforward, friendly, and kind, without being prone to getting angry or spiteful at anyone, and in the end, it’s indicative of the fact that Daisuke’s tendency to lash out defensively at everyone is just a front -- at his core, he’s friendly, supportive, and kind. Daisuke’s experiences and banter with V-mon contribute to him getting the sort of validation he needed without having to worry about being on edge or lash out defensively, and because of that, he was able to form a healthier and more supportive relationship with the rest of the group.
Miyako and Hawkmon
This one seems to be a contrast right off the bat -- Miyako is bubbly, over-the-top, and rather messy and lacking in restraint, whereas Hawkmon is formal, graceful, and polite. But Hawkmon’s most prominent trait is his absolute loyalty and devotion to Miyako -- he’s very often referred to by both official staff and fans as her “knight” -- and is constantly minding her to protect her and make sure she doesn’t go over her head (most prominently, 02 episode 18). And as far as Miyako’s relationship to others goes -- she’s also devotedly loyal to everyone she loves and is constantly going out of her way to help others, and her character arc in itself is about the fact she wants to do her best to reach out to people and help emotionally support them in the best way she can, and Hawkmon managing to channel that to its utmost extent to Miyako in turn (in a very “who watches the watchman?” sense) allows her to regain her bearings and have better control over herself in the aftermath of 02 episode 18.
On top of that, as the series proceeds, it turns out that Hawkmon also shares Miyako’s penchant for dramatic theatrics and being a bit over his head -- even if he seemingly has himself more together than Miyako does, he’s not completely above it all...
Miyako is also the franchise’s first example of a female character with a masculine Digimon partner, and while Miyako herself openly identifies with and indulges in all things hyper-feminine, she also has zero issue engaging in more masculine-associated things as they suit her -- most prominently her Digital World outfit, and the fact she often displays a rather aggressive go-getter and hot-blooded/in-your-face personality that would not be out of place on a male shounen hero in a more conventional show. (Although, as much as these have generally been on the thread of “less visible aspects”, it’s not like this was that less visible of an aspect of her to begin with...)
Iori and Armadimon
Iori and Armadimon hold the honor of being the only pair in the Tokyo Chosen Children to be voiced by the same voice actress (Urawa Megumi), driving the parallel down even further. And while their surface temperaments seem different, with Iori being rather uptight and strict on himself while Armadimon is laid-back, carefree, and even somewhat assertive, they’re not that different -- Armadimon is basically the curious, impressionable, somewhat childish spirit that Iori would be if he weren’t constantly holding himself back. (There’s a lot to be said about Submarimon going out of his way to take Iori for a ride in 02 episode 16 so that Iori can finally properly enjoy himself for once.)
Iori takes a lot of very stubborn, no-compromise positions over the course of 02, but Armadimon asking just the right kinds of questions allows him to “snap out of it” and be a little more receptive to considering alternatives, or at least taking into account more emotionally-oriented issues he’s dealing with. You can say that Armadimon (especially as Upamon) softening Iori up a bit -- since Iori will never be cold or unforgiving towards his partner, no matter what -- serves as a precursor to Iori starting to question the limitations of his black-and-white view of morality, which allows him to successfully break through to Takeru and fill out the rest of his character arc.
Ken and Wormmon
Considering how much of the plot revolved around this one, this one almost goes entirely without saying! During Ken’s stint as the Kaiser, Wormmon represents the heart that Ken’s not entirely willing to leave behind -- and, also, the affection that he’s still craving from his family. The Kaiser going practically out of his way to deny Wormmon yet paradoxically keeping him around is basically his attitude towards his own “weak” and naturally kindhearted self. Notably, recall that the principle of “a Digimon will never deny their partner” applies here -- Wormmon’s “betrayal” of the Kaiser isn’t really any kind of denial, since he was doing it mainly for Ken’s own sake, and, more symbolically, it’s Ken reaching his own limit and coming to realize that this path isn’t what he really wants.
Wormmon is unusually clingy to his own partner over the course of 02, and it’s vital to Ken needing to learn to love himself and also getting important validation that he needs, especially during the critical point in time during 02 episodes 23-30 when he’s still not sure how to approach the rest of the group -- Wormmon gives him someone to talk to honestly and openly, giving him a proper springboard to sort out his complicated feelings about the others and himself. You can say also that as Ken becomes more open and straightforward over the course of the latter half of 02, he, in turn, becomes much more shameless about showing affection and opening his own heart.
Wallace, Gumimon, and Chocomon
Bonus round!
While it’s hard to fully apply Hurricane Touchdown to this theory (by official admission, it wasn’t properly cross-referenced with the original Adventure/02 series lore, and trying to correlate all of the evolutions in this movie to something metaphorical will give you a headache), Wallace’s two partners still fit very neatly into this overall theory of Digimon partners as a part of the self. Wallace is a character with very sharp duality, trying to be a flirt who asserts himself as a vagrant who’s about to “become an adult”, yet still feels an obligation to keep calling his mom and is engaging in increasingly self-destructive behavior.
Most pertinently, Gumimon and Chocomon represent the two stances Wallace is torn between: wanting to “return to the past” (Chocomon) because he’s still hung up on having lost Chocomon and is convinced that he can make everything just like it was before, and “being able to productively move on” (Gumimon). For most of the early parts of the movie, Wallace is stuck on Chocomon’s mentality of fixating on the past, and Gumimon isn’t even remotely subtle when he draws an explicit parallel between the two (saying that Chocomon didn’t like the heat, followed by offering to give Wallace shade as a hat). But once the conflict escalates and Wallace realizes just how deep in denial Chocomon is, to the point of being destructive to himself and others, Wallace comes to embrace Gumimon’s stance of practicality and moving on. In the end, the ultimate conclusion is reached, and Wallace is forced to fully accept that latter stance when Chocomon dies, but the movie’s ending (and Kizuna) provide an extra option: allowing the past to come back, but in a new form and treading new territory instead of trying to make it “the way it was before”.
I’ve mentioned a few times that I maintain an Adventure/02 honorifics chart for the sake of fanfic writing (it’s generally a pretty vital thing to have on hand if you intend to use honorifics in fanwork, or even in fiction at all), and I’ve even mentioned that I’d like to release it someday, but one thing that was always holding me back about it was my constant checks for accuracy – an acquaintance was also keeping one, and when we compared them we found some minor inconsistencies that would require us to rewatch the entire series with a notepad to get the right references.
After a fashion, I realized that I was scrutinizing this way too closely. The important part is not the specific honorifics themselves but rather the pattern in which they’re used – especially because they would often alternate in-series, partially intentionally, and partially because they would flip-flop depending on writer. On top of that, most people who would be interested in this are likely writing post-2002 fanfic, where it could be reasonable for certain honorifics to change based on certain relationships.
As such, I’ve decided to just throw out the minutiae, forget about making an organized “chart”, and simply write a general overview of how the twelve Adventure/02 kids use honorifics for each other. Hopefully this can be an interesting resource/meta for those who are considering writing fanfic with these (or even simply due to general interest).
Despite soccer being a pretty major factor for quite a few characters’ backgrounds, we don’t actually get to see much soccer played over Adventure and 02, but we do have a bit of information about their soccer positions!
How to meet (or reunite with) your Digimon partner, according to 02
Here’s a post dedicated to those of you who are worried or sad about Kizuna’s premise, or how the way it ends is supposed to lead up to the 02 epilogue, and are thinking of that elephant-in-the-room question of “so then how do they get their partners back?” I’m not the Kizuna staff, so I can’t say anything for sure, but I can tell you that 02 gives us some interesting leads here!
You’re probably thinking “weren’t Kizuna and the problem of partnership dissolution made after 02? Isn’t this an Adventure movie? Why are you bringing 02 into this?” Ah, but you see, that might be true if you’re thinking of it on a technical plot level, but 02 as a series isn’t as thematically displaced from Kizuna as you might think, especially when the exact same real-life incident about a kid skipping grades, the one that literally was the foundation for 02′s creation to begin with, was brought back 20 years later for Menoa’s backstory. Certainly, a lot of the plot points introduced in Kizuna are new to it, but the themes and things it wants to say about self-acceptance and how to pursue happiness have very deep parallels to 02 – which means that it’s not much of a stretch to think that some of the answers to the questions presented in Kizuna can be found in 02, too.
