$LAYYYTER
ojovivo

blake kathryn
Xuebing Du
The Bowery Presents
One Nice Bug Per Day
Misplaced Lens Cap
EXPECTATIONS
Keni

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
occasionally subtle
sheepfilms
Cosimo Galluzzi

#extradirty

Origami Around
Stranger Things
Today's Document
TVSTRANGERTHINGS

seen from Singapore

seen from United States

seen from Germany

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from Colombia
seen from Panama
seen from Peru

seen from Indonesia
seen from Bangladesh

seen from Greece
seen from United States

seen from Brazil

seen from Türkiye

seen from Mexico
seen from United States
seen from United States
@daisvbuchanan
Orange - Ryohei Tanaka, 2008
Japanese,b.1933-
Color etching and aquatint, 31/100 ,6 5/8 x 8 1/8 in.
if not, winter: fragments of sappho, trans. anne carson
The portrait of Rochester is drawn in the dark. We feel the influence of fear in it; just as we constantly feel an acidity which is the result of oppression, a buried suffering smouldering beneath her passion, a rancour which contracts those books, splendid as they are, with a spasm of pain.
Virginia Woolf on Charlotte Brontë, A Room of One’s Own
I think one of the worst things about being a girl who likes girls is that men always assume you share their male gaze. When I see a pretty girl I’m imagining what it’d be like to hold her hand and kiss her, not hoping a gust of wind blows her skirt up. I don’t plan my outings based on which place has the hottest girls. I don’t find it appropriate to make lewd comments about women. Just because I like girls doesn’t mean I like to disrespect them or prey on them the way you do.
Koloman Moser. “ Bildnisstudie.” 1898-99.
Liquid Sky (Slava Tsukerman, 1982)
I have been trying to figure out the logistics of owning a body like one/ owns a family heirloom or an old sweater
Ex machina, Ash Davida Jane – full poem available in the new issue of Sweet Mammalian
TO HAVE A FIERCER HOPE by Bob Schofield
@existential-celestial‘s new year’s resolution
Who needs Halloween makeup when you already have the dark eye circles and the half dead look
living with your significant other is sitting crossed legged in your underwear and big tshirt, sharing your hoodies, arguying about who’s turning the light off, taking showers together, giggling during sexy time, laughing with your best friend, consoling the love of your life, hearing about their day, finding annoying habits that you didn’t know about and loving them even more, planning great things together, being comfortable, building a home, collecting cats.
CELESTIAL BODIES POETRY CONTEST! ✨
JUST ONE WEEK LEFT!
# 18–23 years old. No fee. $100 + publication. Deadline: Oct 8.
More info: platypuspress.tumblr.com/post/164372078526
(@elisabethhewer, @darshanasuresh, @adavidajane, @venettaoctavia)
Esther Sarto
The Great Gatsby (2013) production design Designed by Catherine Martin
“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He wanted the New York we created to feel as vibrant, modern, and cutting-edge as it would have felt to Fitzgerald in 1922.”
harry styles / ophelia
Grief Bodies by Darshana Suresh