hi! (˶ᵔᗜᵔ˶)ﾉﾞ i'm so so sorry if i'm bothering you but i really love your art and i was wondering if you could maybe explain to me how do you draw faces? i think your artstyle is amazing and i would love to draw in a similiar style (if you're okay with that!) but i'm still a beginner and i don't really don't know what i'm doing haha ( 〃．．)
hello hello! sorry this took a minute for me to answer, i received this ask while i was back in the groove of drawing masked spirits so when i tried making visuals for this, i hated each attempt
it's a bit hard for me to give good examples because i'll end up with an owl tutorial step 1 step 2
so instead i'll try to walk u thru my process by layers and ill leave a timelapse of the gw spirits i drew a while back since i have a recording of that
my go-to is drawing a circle for the base of the head, then cross out the face to divide the front face into 4 quarters. i do all this with a larger brush so that i avoid overthinking the details.
the cross has 2 purposes: (1) to divide the face so its easier to know where to draw the facial features, and (2) to set the angle at which your character is facing. are they looking up? down? facing front to the viewer or 3/4s or to the side?
the cross is not meant to be a rigid rule for me, but an estimate for where everything else needs to be
then i proceed to draw the edge of the face, eyes, nose and mouth. i usually edit my construction lines when sketching out the details so that it looks "correct" to my imagined idea and understanding of anatomy
when it comes to deciding on the shapes of facial features, i think about shape language and real life facial features. how do i want this character to come across? also, what facial features i've seen on real people can i use as reference?
for example, i view saluting captain as a straightforward and diligent person. they don't speak much but when they do, it's blunt and can come off insensitive at times. i expressed that neutral aspect to them through boxy shapes like their face and their prominent eyebrows. when deciding on the colors, i made sure to keep the lighter palms (in hindsight, i could've colored it lighter tbh) and the two-toned lips.
in comparison to frightened refugee who has a mix of round and sharp features. i gave them rounder eyes and nose in connection to the round bun they have, while giving them a more oval/kite face shape and breaking the bun outline with a few curls to demonstrate how frazzled they are. i searched real life references for their hair texture and based their nose shape and lips off of some black youtubers' faces
i've gotten comments of how people love seeing the variety in the faces i draw and the easiest way to think of different features from imagination is just diversifying the media you engage in! you always get inspired or think of some aspects of the media/content you consume, so it's good to have variety. naylissah provides really beginner-friendly art tutorials in drawing black features and hairstyles that have helped me out when references were hard for me to study on my own. monica.raviii's make-up color theory series and pippa barnes's make-up looks are my main inspirations for how i translate sky spirit masks into face paint/make-up
and if i haven't said it before, i'll say it again: koyoharu gotouge (demon slayer mangaka) and harukawa95 (bungo stray dogs illustrator) have been my main anime-style inspiration for a very very long time. that's why i love designing different eyes and hair details! i've literally taken inspiration from muichiro's eyes in how i've drawn stewie like ever since lol
i'm really honored you'd like to draw in a style similar to mine >< <3 i don't study the fundamentals very much so i can't tell you to do that, but i will say: keep drawing what you love! i don't improve quickly but my consistency and inspiration have kept me going and i think i've gotten better in drawing faces in comparison to when i first started posting here in 2021. i always smile when i see a reblog note or comment acknowledging my efforts in adding some more variety to the faces i draw
[Interview] "Handmade games may become like the 'Studio Ghibli works' of the future"—Jenova Chen, who leads thatgamecompany on its 20th anniversary, talks about Sky, Van Gogh, AI, and the next new game.
🔸Generative AI deprives people of opportunities for face-to-face communication.
🔸Generative AI is also taking away the time that future audiences would otherwise spend on "carefully handcrafted games and other content."
🔸Jenova's honest sentiment is: "If I find out content was made by AI, I don't want to pay for it."
🔸TGC’s internal policy: Handle tasks requiring "human authenticity" manually, while using LLMs to streamline QA testing and debugging—all while remaining mindful of whether "authentic judgments" are being made by AI.
🔸It might be difficult to place absolute trust in generative AI at its current stage.
4Gamer:
I recall discussing something similar a couple of years ago, but given the current global climate—marked by visible conflict and division—the importance of the "compassion" embodied in this game may be greater than ever.
Jenova:
Thank you. I believe its importance is growing by the day, especially with the rise of AI.I am already concerned that young people aren't talking face-to-face enough. Everything can be handled online, and there are even people now who prefer chatting with AI over real human beings.
4Gamer:
It’s hard to fathom, but yes—there are quite a few such people.
Jenova:
The distance between people is widening.
It reminds me of our last conversation: back then, at least, players from nations at war with each other were sharing the same servers. You had players from Russia and Ukraine, as well as Iran and the United States. I think it’s a good thing that they can share the same space.
"Sky" is like a small theme park—a bit like Disneyland—but since the players are real people living in the real world, they sometimes bring real-world conflicts into the community. That’s why we devote so much effort to "tending the garden" and maintaining those boundaries.
4Gamer:
…Actually, we’re already 30 minutes past our scheduled time—is it still okay to continue? There are a few more things I’d like to ask.
Jenova:
We can spare a little more time. Opportunities for us to speak like this are quite rare, so I’m truly grateful for the time you’ve given us.
4Gamer:
The feeling is mutual; I’m always grateful as well.
It’s been two years since we last met, and I feel the biggest change during that time has been AI. I’d really like to hear your stance on it.
Jenova:
I see—so the topic is AI.
Well… up until about a year and a half—or maybe 16 months—ago, I didn't think AI posed a major threat to our business. We strive to be innovators; we aren't trying to imitate what’s already been done. So, even if AI quickly churns out a rehash of existing material, it doesn't offer much value.
However, after seeing Fable 5 recently, I have to be honest: I’ve started to feel it is a genuine threat.
4Gamer:
What do you perceive as the biggest threat?
Jenova:
I don’t think AI will take away the jobs of filmmakers—in fact, it can't do that yet.
However, what AI has actually done is create a new category of "low-budget, short-form videos" that capture the audience's time. While they don't compete directly with movie theaters, they are definitely taking away time from people who otherwise would have gone to see a movie.
4Gamer:
Ah, that’s a very apt way to put it. It seems like games might face a similar situation.
Jenova:
Nowadays, people are satisfied with short-form videos. With Fable 5, for instance, we saw scenarios where a child could ask AI to "remake a game like Red Dead Redemption 2" or create a Temple Run clone but swap the character for a classmate to tease them. Then, their classmates would take that code and keep modifying it.
This is becoming a new form of entertainment, and it will inevitably eat into the time future players spend on "carefully handcrafted, premium games." That’s why I’m worried—not about my company, myself, or my work—but rather about the world of the future.
4Gamer:
Generative AI has already reached a level where it’s quite capable, and the number of games appearing on Steam has exploded—and is continuing to increase at an accelerating pace. I get the feeling that your concerns might well become reality in the near future…
Jenova:
Of course, I’m confident that AI-mass-produced games still can’t compete with us when it comes to quality. That said, I do worry that I might eventually become something of a "dinosaur."
Take hand-drawn shading, for example: Studio Ghibli remains popular, but there are hardly any creators making that kind of animation these days. Ghibli is able to keep going because their storytelling and art direction are world-class. However, studios that lack that world-class sensibility are all shifting toward 3D animation—and recently, toward AI-generated animation.
I worry that handcrafted games might end up like a future version of "Studio Ghibli works"—relics of the past that barely hang on until the creators themselves grow old and pass away.
4Gamer:
To be honest, it’s hard to flatly deny that possibility at this stage.
Jenova:
I tend to get a bit emotional and pessimistic when this topic comes up, but I really wish this process would move a little more slowly.
4Gamer:
I couldn't agree more. I’m something of a tech junkie and generally an optimist—I love AI itself—but the idea that, in the near future, even the storytelling aspect could be entirely created by generative AI… well, that doesn't strike me as a particularly fun future.
Whether it’s Studio Ghibli or—on a completely different scale—people like us who write for a living, we face a real dilemma: in this era of generative AI, what exactly do we, as the "handcrafted" camp, need to prove to our audience?
Jenova:
Take AI-generated video, for example. Two years ago, everything fell squarely into the "uncanny valley." Even a year ago, there were very few AI videos that actually looked good.
But suddenly, this year, we’re seeing AI videos with excellent "direction." There are so few elements that give away the fact that it’s AI—honestly, you can enjoy them without even caring whether it’s AI or not—and that’s the scary part.
Jenova:
If the director behind an AI-generated video puts the same amount of effort into directing the AI as they would a traditional project, the work resonates with me.
However, if I find out it was made by AI, I wouldn't want to pay for it. That’s the key difference. I can appreciate it as art, but I don't want to spend money on it.
4Gamer:
I see. I understand that, but… I do worry that the times—and society—might be moving faster than we anticipate.
But let's not get too gloomy; let's look at the positive side. Will the advancement of AI technology impact the "form of play" at thatgamecompany moving forward?
Jenova:
Let's talk about our internal policy, then. It took quite a while for us to finalize it.
Many artists were strongly opposed to AI, fearing it would take away their jobs. But after much discussion, we reached a consensus: in areas requiring "human authenticity"—such as designing how a player moves—it’s more of a "craft" than a science. Whether a character moves swiftly or slowly requires a human sense of what feels right, so we handle that manually rather than relying on AI code. On the other hand, for tasks involving tools—like QA testing and debugging, such as running a character into every corner to check if they clip through the floor—we use large language models to make the process highly efficient. Creators don't mind if a tool is AI-generated, but they do care if an "authentic judgment" is made by AI. That’s our approach.
4Gamer:
Well, debugging is certainly an area where AI excels.
Jenova:
Take Van Gogh, for example; there are over a thousand letters exchanged between the brothers (Vincent and Theo). We don't have time to read them all, but if we ask AI to "find letters containing these specific elements," it can instantly locate the ones we want to highlight. In the past, we would have hired interns to read through everything and make the selections, but now AI can do it much faster and more cheaply.
4Gamer:
But doesn't that kind of task still lead to hallucinations?
Jenova:
It certainly does. For instance, when I had the AI quote a letter, 60% of the content was "fabricated"—stuff that wasn't in the original text (laughs).
That’s why you have to be extremely careful when using AI. It might be difficult to place absolute trust in AI at its current stage.
Hmm… to be honest, as someone who advocates for the regulation of generative AI, I cannot get on board with TGC's internal policy regarding it.
I imagine there are people who aren't happy with the status quo and have either left TGC or are considering doing so, right?
I don't think this approach of theirs will work out in the long run. There are so many concerns—from the waste of electricity and water and the environmental destruction caused by genAI data centers, to the cognitive decline and negative impact on training the next generation of talent resulting from a reliance on this technology. The longer they continue to use AI tools, the more expensive it will become.
Also, I wondered, "If they're using LLMs for QA testing and debugging on Sky, shouldn't they disclose the use of genAI on the Steam store page?" So I went to investigate, but it seems the rules for disclosing information about the use of genAI have changed.
While there is an obligation to disclose the use of AI tools in content included in the product and used by users, such as artwork, sound, story, and localization, it seems that the use of AI tools to improve development efficiency is exempt from disclosure requirements.
Interestingly, Steam just rewrote - but did NOT remove - its 'does your game have AI in it?' dev disclosure form.
Valve's making it clearer
Jenova: "Take Van Gogh, for example; there are over a thousand letters exchanged between the brothers (Vincent and Theo). We don't have time to read them all, but if we ask AI to "find letters containing these specific elements," it can instantly locate the ones we want to highlight. In the past, we would have hired interns to read through everything and make the selections, but now AI can do it much faster and more cheaply."
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this is a bit of a long read but this was the most alarming quote for me. it's a slap in the face to dedicate a whole season and loads of paid cosmetics inspired by the artworks of an artist who never saw success when he was alive, only for his letters to be fed to AI to more quickly learn about his life and struggles in those thousands of letters to make a whole questline out of
I saw someone mention it before, but since there are so many letters what they could have done instead was consult and collaborate with historians and researchers that specialized in learning about Vincent Van Gogh... why didn’t they just ask the Vincent Van Gogh museum about this instead of relying on an LLM? He even mentions that it fabricated a letter so just why
Very happy in both receiving attacks and most especially getting to create art attacks for such wonderful people. Really grateful in this being an eventful first artfight (*^^*). May we wait till next year ~
from digging around, the constellation changes happened around april 2022 (ironically, later in *2023, that was also when a very interesting ACE-arbitrary code execution- glitch was accessible where a player could see what used to look like the setup for friend constellations in late beta before launch, basically during the transition to home island)
for reference, here’s our modern constellation stars, unlit, with wax, and lit.
unfortunately, i actually don’t have a lot of my own constellation photos from 2019 because i was focused on funny moments with friends. well, except for one:
[…i was 15.]
this is basically what the base friendship star looked like if you hadn’t really unlocked much (and this is also unlit, the lit star was bigger, those with wax were yellow i think, which is seen in images below)
searching in skycord’s screenshot channel there’s some pictures of higher tier stars that i was able to find, including the highest level (?) one i think, and if you do a search with a date before 2022, you’ll at least find a couple examples for yourself!
Also we used to be able to have only 25 favorite friends maximum with all of them fit into the first page of friendship constellation that was in the shape of a crown. The option for friend code was in the middle of the page. This screenshot was from 2020 (not mine) ...I was 17 🧓
