Claire Keane
Sade Olutola

JVL

Andulka

@theartofmadeline
we're not kids anymore.

⁂
Stranger Things

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styofa doing anything
i don't do bad sauce passes

★
wallacepolsom
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open

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Kiana Khansmith

Love Begins
Cosimo Galluzzi

tannertan36
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@darnalila
guardian of the forest
hey neil if I were going to reply to you at any point I would have done it before now because now if I were to re-engage with you, I'd just be encouraging you to continue boundaryless behaviour - you have continued to contact a woman who has ceased engaging with you at all after you found this tumblr and speculated that some of these poems were about you, even though I specifically told you that you're not a romantic interest both directly and indirectly.
If you're reading this then you're still trying to engage in some kind of way where you enjoy intimacy with me and I'm not interested in returning to a habit where I repeat myself. I don't need to. I'm aware these poems are public and anyone can view them but you know what you're doing.
I'll see ya round the centre if we run in to each other and would be down to have a chat, but fr. This has happened to be before, I'm not interested. chill dude.
40 min study
070426
it's not a blessing and it's not a curse; it's something whispered brightly shining hope, defying something worse - between a rock a hard place the pause between each verse pandora's final blessing that searing curse; I will fall
180226
I spoke to my God and she gets it she's a thing different to the self that tells me good from bad: she tells me where the white line the white lie resides that I can take for the definitive "goodness" of things now she and I have been talking she speaks in each ear she tells me to take all I need - that she supplies in abundance as long as I hold my arms out to receive - I spoke to my God; she told me that this would work out and now that it's not she's told me that I am allowed I am allowed I am allowed! to have fun tell me of your anxiety with facilitating my needs for control and safety and the right stimulation and how it comes in waves when I violate those rules I set for my own safety the ones I gently remind you (oh forgetful darling) because I am filled with God's love and I have compassion for you my love, being imperfect tell me how it feels when I push beyond my limits and beyond our agreements and then I know in the step too far that I am already halfway out of the room and you are alone and the tone has changed; let me remind you: that my God says yes to fun! - I spoke to my God she never lies to me even though she led me here to you and I'm planning on leaving I had no intention of telling you until I was stepping through thresholds because of my needs you know? things slow down time slows down because I have all of these needs and you have needs too I see you at night numbing them out and with my loving I hold my judgement I call it discernment I wish you would let my God hold you because she belongs to me but she can belong to you because having that clinging is all that goodness as opposed to that badness of the world and that's what being alive is to be good to be saved after all: who would choose to be lost? - I spoke to God's son today after you told me they're saying there's only 13 years left of clean drinking water in city centres and he told me that he's coming back to save me it's such a shame y'all aren't friends.
081225 gone a little far this time if only it were a something worth the weight inside pulling down my eyes till I'm reduced down once again to nothing - he smiles (like a secret) he knows i'll never keep it far too brash to be bequeathed anything that's meaningful but something worth make-believing - three poems down but I'm not the sentimental one "dangerously fine" she's unforgiving that's the line? "just my type" as though I were something to be repeated - a fantastic mind make-believing all the time all deceiving all repeating a warm body around mine holding down the line until once again there am I dizzy on kitchen tiles; mother - I'm bleeding mother, may I cry?
151025
"You remember me so clearly from back then" (why do memories glow the way real moments don't?) I'm not surprised that you remember me less sweetheart but when you told me how you balanced your Anahata with that little girl after your death-dive with that scene you painted for me: the man of the hour turned on, antagonised prompting your turning in to authenticity from your imagined hurt now turned real and mine made of my memory of the muschiness of knowing you; leaking out of me of that house and the hubris of hurling myself at anything that came at me I could feel all that hoping I had. - You told me you love telling people that story the one where humming with hash we traced our father's histories back to the first edition: our blood meeting decades before as though cause-and-effect (or whatever particular semantic suits you best, sir) could give us a little cheek years ago I would have taken that as evidence of anything at all. - You told me you found peace I told you "me too" (laughing off that Portugal pervert) and how I dissociated under fluorescent lights and weekly specials as your plaything: a story you couldn't remember how you gaslit me to save yourself: a story you couldn't remember the times I covered for you: stories you'll never remember how I wanted you heart out and thought you felt the same; you told me that I didn't imagine anything at all but that you were scared and didn't know any better than to enjoy the affection attention of someone who adored you. - Pretty baby, was so insecure and kept me even after he turned cold now we're old and he talks of a knowing of an owing a recognition that is not-quite; his non-apology sits between us "I was so young, I didn't know any better" his youth marked mine unacknowledged unrepenting only ending in my self-mending. "Of course I wanted to be your friend" as though love were a feeling and not an action; the boys will be boys the girls will be worse (learned on into womanhood) - Home-making me and the misters taking what they want: my affection my attention my adoration discarding what they don't (the girl of it all) do you know how many times they asked me, if I still loved you? if I hated her? Did you know, that you were the first one? that you set the playbook? (Can you imagine how helpful for him?) the original sin breaking down a 'sure thing' into a broken-bet now ticking on for twelve years of tersely undermining myself because one day: they could change like the cold-snap of you. - Lavender under my pillow and in my mind; oracle macedon told me that I would regret you some day (I should have bought that stock)
THE PRINCESS BRIDE 1987, dir. Rob Reiner
Franny Choi, Soft Science
040825
INT ALBION - DAY I to find a man agreeable whom one is determined to hate to pull at the spool irate as each crocheted hitch caught up kissing each other undoes and falls back into place to it's most natural state: smooth with the clinging all from within it - what a pity what a shame to stand out in the rain fighting the self that is selfish in ways that have nothing to do with her natural instinct; all corralled through fear and flighty fearfulness in fables that once fell on fresh ears now tracing those groves those roads of hearing of what one should truly want to be happy a circling inward an exhale from all that resistance a falling a feebleness when once one would strive in the "away-from" with a powerful gait; now a crawling towards
18-290525
Too much talking how about I listen for once? a thought formed in a head led by the tongue as map-maker, (dubiously Daedalusian) eyes as eternal indriyas of elapsing energy etching rivers that whisper around the point; where silence might have once dreamt of being a sea. - I draw coastlines round each wound, scratching around the scabbing naming every inlet after storied sorrows, handing out keys to homes I have never slept in while longing to fall away in any bed Other than my own.
M1
To awake in front of that first mirror that father-shaped phantom, tersely teaching the art of absence: a marshmallow delayed this git right here desiring the fruit without action so, I turned to him in tasting stone dust, and called it nectar. - Love arrived as lecturer and as textbook; Can you receive without performing? Can you desire without disguising? answers written in the margins of my pulse where I learnt to parse all that longing into footnotes, to file desire beneath “future research.” I called that scholarship (that tickety would call it nothing at all); Murti’s mirth would call it a cage built from definitions that fear the thing defined.
M2
And then And then And then-ing The later echo; the anima-twin, a meeting between breaths (my analyist mind noticing only) black cats slinking across our paths. I, held safe by a biography that fit like a borrowed coat; warm but wrong at the shoulders. - I named that warmth on my body in the mouth "metta" but Saule’s glare showed sentimentality, that sweet near-enemy: loving only that glowing of recognition, not the person inside it. - In such a state- where all that looking had done me so much service he held my gaze the way a lake holds a star: intact, inverted, unreachable. I nearly stepped in forgot the surface, forgot I am not made of sky that there is no-one on heaven or earth that can possibly save you.
Between them
To stand between the other’s storms, translating thunder into treatment plans, spinster spinnin' all that gold from grief (because alchemy is easier than feeling the fire) hand painting the blaze, mind graphing the heat; both immersed in, but neither sitting in the dancing flame.
Anyone (ANYONE!) but The Speaker whispers again: The observer is the observed. So I let that falling that I've been resisting happen to me, taste the unworded ache beneath all of my virtues. It is not a metaphor; it hurts exactly where it happens. - It is time on this loop to close both mirrors, let the dark reflect itself. No thesi(u)s, No ship No myth, just pulse and breath— the raw, ragged room that is my own body; where experience begins before the tongue arrives to count it
080424 this time i suppose i'll write it for real you talk of a cutting open of an eating a feasting by me i talk of worn down teeth: a mouth made pretty over aims to please and how each barb i pull and tease asks you; is there too much of me? am I okay without patching you up and sewing you back together? an artisinal mender dying to return to sender; i was gifted a speedy tongue prone to pretty words to run around my fingers pressing into pigment to make a woman that lingered like a ghost on their tongues a heat stuttering down red cheeks (to be loved? yes, please) - you in all your revelations dreams crooned over stations rueful machinations with that lilt and that sway as you move the groove of open arms with months of space to fall into a giggle and a warmth once tentative now pinned to you like an invert-shadow an umbra untrue; you said you tried to avoid your fate and protect yourself you showed up late you missed the train; now you know despite each other you find you are safe open in each place you lay
some of my favorite woven tapestries, by Cecilia Blomberg:
Point Defiance Steps
Mates
Rising Tides
Vashon Steps
WOVEN TAPESTRIES???
WOVEN TAPESTRIES?!?
290425 Upright (no, really) A piercing that is not un-kind an unwinding of mind in and outside of time a bright white light like a beam to be cut into or be the cutter
One calls it a violence I call it an intimacy as though those two polarities exist exclusive to one another a rolling over the lips and tongue like a cuss word like laughter gently trickling out of the babbling brook of unreserved words not unlike the cascade of thoughts from heart to mind to mouth that heat like a molten spitting of a mind not knowingly unkind but afraid to find they are like that other in opposition
All that suffering all that tensing that squeezing from inside to out all kneading all needing a beaming a breathing a beaten desire for righteousness for all the fear I've felt as sharp closing doors with serrated edges and not as an enveloping an opening an unfolding of each soft petal in it's own time in equal parts both away from and towards "mine"
190225
I call to him as the echo of problems long-gone the tip of a syringe stuck red in the flesh like lines the second red scare (then the third and the fourth) I tell him to delete my number if he's dancing on that tip because I don't know if that baby who saved me with wafting smoke signals (Adele, your parents can see you) and limestone walls is still alive - I listen and respond I mirror and I hear all that hurting those demands for her to tell you like I demanded mine tell me from all that space in whatever time and place that loyalty could dictate her comfort in me as a "safe" person to someone like her and I exhale all that harbouring inch by inch