by chasingtheshiftinglight
d e v o n
Monterey Bay Aquarium
almost home

No title available

Janaina Medeiros
Today's Document
Cosimo Galluzzi
Claire Keane

roma★

ellievsbear

if i look back, i am lost
h
he wasn't even looking at me and he found me
AnasAbdin
hello vonnie
Misplaced Lens Cap

No title available
$LAYYYTER
Sade Olutola

No title available

seen from Malaysia

seen from United States
seen from United States

seen from Malaysia

seen from Hungary
seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from United States
seen from Netherlands
seen from United States
seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United Kingdom
seen from United States
@davecarmo
by chasingtheshiftinglight
Traum (1914) by Paul Herrmann
Cage Intimacy
davecarmo.com
everything eats and is eaten, time is fed.
What we’re reading, Paperback Paradise (@paprbckparadise)
by Ian Fisher
Death and the Maiden 1900 (detail)
The Winter (1851) - Alexandre Calame
C.F. William Mielatz.
Lava Fields (c. 2000 - Oil on canvas) - Chris Veeneman
Garden William Fraser - The Gamekeeper at Dusk on a Cold Winters Day
Monty Kaplan aka Javier Kaplan aka Javier Federico Kaplan (Argentinian, b. 1986, Buenos Aires, Argentina, based Miami, FL, USA, and NY, USA), Photography
Antonio Corradini, Modesty 1752
Clams Casino - Leaf (Instrumental)
Le poète sait l’art de feindre. Il feint si complètement Qu’il finit par feindre ce qu’est douleur La douleur qu’il sent vraiment.
Et ceux qui lisent ce qu’il a écrit, Dans la douleur lue sentent bien, Non les deux qu’il a connues, Mais celle qu’ils ne connaissent pas.
Et ainsi, sur ses rails Tourne en rond, à entretenir la raison, Ce petit train mécanique Qui s’appelle cœur. (Autopsychographie -Fernando Pessoa) (Gif : Andrei Rublev, 1966, Andrei Tarkovsky)