Dissolve
40x34 inches, oil on linen
David Abed (1967-

titsay
cherry valley forever

oozey mess

Andulka

@theartofmadeline
Lint Roller? I Barely Know Her

Love Begins
Three Goblin Art

⁂
d e v o n
he wasn't even looking at me and he found me

roma★

Origami Around
2025 on Tumblr: Trends That Defined the Year

Kaledo Art

tannertan36
Cosmic Funnies

Product Placement
Claire Keane
Alisa U Zemlji Chuda
seen from Thailand

seen from Malaysia

seen from Germany
seen from T1
seen from United States

seen from United States
seen from Malaysia
seen from United States

seen from Türkiye

seen from United States
seen from United States
seen from Philippines

seen from United States
seen from Belgium

seen from United States

seen from Germany

seen from United States
seen from United States

seen from United States

seen from United States
@davidabedart
Dissolve
40x34 inches, oil on linen
David Abed (1967-
One
74x24 inches, oil on linen
David Abed
"Antonyms" 36x82 inches, oil on linen
David Abed (1967)
The Shipwreck (2025), oil on canvas
Miao, Contemplation, 2018 by Shen Ming Cun (Chinese, b. 1956); Oil on canvas
Darrel Rhea, “Flowers & Mermaids” Art Serie. Seattle, Washington.
Contemplation
today's progress
glory to the abject
(ignore the lines -- it's so that I don't get flagged/banned on other platforms)
"Measure" 12x16 inches, oil on linen
David Abed
The Art Deco peacock doors, Chicago 1925
Hazem Harb, Gauze, 2023. Gauze on cardboard.
The word "gauze" holds a powerful resonance with collective histories, inseparable from the corporeal experience. Historically used in ancient and modern medicine for bodily envelopment, gauze signals the initiation of the act of repair. Serving as a visual announcement, it bears witness to injuries hidden from view. Known as "ــــــــــــــــــاﺷش" (shash) in Arabic, the English name "gauze" finds its etymological roots in the city of Gaza, Palestine, where the material has been historically crafted and from where Harb originates.
X
Inji Efflatoun (1924-1989): Egyptian artist, feminist, and activist. She wrote Thamanun milyun imraa ma'ana (Eighty Million Women with Us) in 1948 and Nahnu al-nisa al-misriyyat (We Egyptian Women) in 1949. These popular political pamphlets linked class and gender oppression, connecting both to imperialist oppression
The Hunters in the Snow by Pieter Bruegel the Elder, 1565.
After the Misdeed (1885-90) by Jean Béraud
Fiona Finnegan Sleep and its Derangements, 2022 Oil on linen on wood.
A Quiet Light by Daniel Gerhartz