Ghazi Inaim (Jordanian) - Hymns On Surat Alquds (print, 2022)
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Ghazi Inaim (Jordanian) - Hymns On Surat Alquds (print, 2022)
"Measure" 12x16 inches, oil on linen
David Abed
Hazem Harb, Gauze, 2023. Gauze on cardboard.
The word "gauze" holds a powerful resonance with collective histories, inseparable from the corporeal experience. Historically used in ancient and modern medicine for bodily envelopment, gauze signals the initiation of the act of repair. Serving as a visual announcement, it bears witness to injuries hidden from view. Known as "ــــــــــــــــــاﺷش" (shash) in Arabic, the English name "gauze" finds its etymological roots in the city of Gaza, Palestine, where the material has been historically crafted and from where Harb originates.
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A piece inspired by some old ads for my favorite colonge
ID: A brown skinned man contentedly sitting in a room that's part of a hammam. The hammam is tiled with mother of pearl, dark blue, turquoise, and dusky pink stones. The water has lotus, jasmine, chamomile, morning glory, and roses in it and orange slices. Next to him are a pair of simple bath clogs. The man has long, curly, dark hair with flowers in it, top surgery scars, and a Coptic cross tattoo on his wrist. The man is wearing white wrapped underwear. End ID.
Quick and Dirty doodle for ya’ll, I’m still crying and its not perfect and idc.
Inji Efflatoun (1924-1989): Egyptian artist, feminist, and activist. She wrote Thamanun milyun imraa ma'ana (Eighty Million Women with Us) in 1948 and Nahnu al-nisa al-misriyyat (We Egyptian Women) in 1949. These popular political pamphlets linked class and gender oppression, connecting both to imperialist oppression
Jewad Selim, A couple, Young Man and Wife. 1953
Mohammed Joha (Palestinian) - Fabric of Memory #4 (fabric and paper collage on canvas, 2018)