JEAN-MICHEL BASQUIAT (1960-1988) Untitled, Head (1982) oilstick, ink and acrylic on paper 75.6 x 55.9 cm

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JEAN-MICHEL BASQUIAT (1960-1988) Untitled, Head (1982) oilstick, ink and acrylic on paper 75.6 x 55.9 cm
Kevin Demery I Heard God Laughing, 2018
i feel like most people don’t know how to appreciate glich art, but once i randomly looked at one and i saw something incredible, like an image i had in my mind since childhood, or better, an overlapping of different images i had in my mind, all into one unique picture, giving me those chills down my spine, making me cry for what i have witnessed in that picture, a perfection beyond perfection, a perfect image taken right out of my mind. it was just too personal and made me realize everything we think of actually exists out there, it’s just a matter of right computation.
Randall Davey (American, 1887-1964), Portrait of Paul Robeson, c. 1920-25. Oil on canvas. Museum of Fine Arts, St Petersburg, Florida.
Sigmar Polke, Untitled, 1968, Watercolour on paper, 37 ¾ × 24 ¾ in.
Edvard Munch, Seated Male Nude in the Forest, 1924–25, o/c, 119 × 138 cm
Rae Klein, Paintings.
Dreamy, mysterious and illusory paintings by artist Rae Klein.
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Billy Childish (British, b. 1959), volcano through trees, 2012. Oil and charcoal on linen, 72 x 96 in.
Ian Cheng (American, b. 1984), BOB Thangka, 2019. Digital pigment print on paper, 60 x 45 cm.
Legs, Lauren Rinaldi
Truth or stare, Irini Karayannopoulou
i still dont like who i am but when i look back on who i used to be im my favourite self ive been so far
Things Can Only Get Better (by David Fullarton)