GET TO KNOW ME: (1/??) films BEETLEJUICE (1988) — dir. Tim Burton
No title available
Claire Keane
let's talk about Bridgerton tea, my ask is open

Product Placement
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The Bowery Presents

gracie abrams
★

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Mike Driver
PUT YOUR BEARD IN MY MOUTH
EXPECTATIONS
d e v o n

Jar Jar Binks Fan Club
art blog(derogatory)

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Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear

izzy's playlists!
Cosimo Galluzzi
seen from Netherlands
seen from Afghanistan
seen from United States

seen from Philippines

seen from Venezuela

seen from Singapore
seen from Canada

seen from Colombia
seen from T1
seen from United States

seen from United States

seen from United States
seen from United States
seen from Canada

seen from Brazil
seen from United States
seen from United States
seen from Qatar
seen from United States

seen from United States
@dazeddande
GET TO KNOW ME: (1/??) films BEETLEJUICE (1988) — dir. Tim Burton
Netflix has a lot of nerve crying and screaming and throwing up and having a tantrum about how password sharing is killing their business and making them hemorrhage money and how they're just struggling to stay afloat, then turning around and spending 72 billion dollars trying to become a monopoly by buying fucking Warner Bros
he's exactly where he wants to be (comm for @lostprincessofatlantica!)
★ bsky | ko-fi | ig | prints ★
never shouldve smoked that shit, now i’m on the july 17th 1995 cover of newsweek
Happy 30th birthday bisexuality
Anything That Moves 1996 issue #10 cover
DO REVENGE (2022) dir. Jennifer Kaytin Robinson
Navy Sailors, Manhattan’s West Side piers, 1969–72 - photo by Alvin Baltrop, from the 2012 Huffington Post article “30 LGBT Artists You Should Know (SLIDESHOW)”
At the age of 26, Alvin Baltrop began photographing Manhattan’s West Side piers, an area of refuge for queer teenage runaways as well as a stage for the city’s underground gay scene. The stark reality conveyed in Baltrop’s photographs was not well received by the mainstream art world, and so his work was largely ignored until after his death. But the thousands of images captured by Baltrop between 1975 and 1986 stand as remnants of a New York City community rarely captured before or after.
(***Click image or title link to view in high resolution***)