Lily

[vinstage]

[birdasaurus]

Jamie Beck

[marieahh-deactivated20200503]

Pooja Mor by Marc Pilaro for Models.com

[ssseismes]

[lilies-and-opium]

[1010ll]

by muakatemur http://ift.tt/1LMAIk6

[midnight-charm]

Akiima photographed by Renell Medrano for Wonderland Magazine

Stylist: Shibon Kennedy Hair: Carly Heywood Makeup: Marcelo Gutierrez

[fr33-fr33]

[biasedcuts-deactivated20211012]

Where is this..

[calvinklein]

[iuliolus]

[papermagazine]

#TBT: D’Angelo in Paper December, 1999. Askdfjgak.

[futurewitchdoctor]

yep. needs to be on my blog forever.

[moldavia]

ph. Theo Sion

[womenofthe-90s]

[whitneystrouth]

Mad Max is not actually in the driver’s seat in this movie,” Hardy says. “It’s about time you had better female leads in action movies. This is not a feminist argument, it’s a personhood situation. This is how we ought to reflect the times — not so much strong women, but just people.

Tom Hardy, “Not-so-secret feminism in Mad Max: Got a problem?” Metro. May 15. Web. (via whitneystrouth)

[insight-jd]

[nycartscene]

just opened:

“HYSTERIA: Spatial Conversations with Florine Stettheimer”  Rosson Crow

Sargent’s Daughters Gallery, 179 East Broadway, NYC

In this recent body of work, Crow debuts a new technique of Xerox transfers layered with painting on the canvases. Crow has long been fascinated by history and the psychology of interior spaces, and has addressed subjects as varied as French Revolutionary interiors, New York City graffiti and the films of Alfred Hitchcock. This exhibition represents Crow’s response to the paintings of Florine Stettheimer (1871-1944), a New York artist whose paintings date from the 1910s to the 1940s.  Although considered a very important artist of her time, (Marcel Duchamp organized her retrospective exhibition at MOMA in 1946, and she was included in the first Whitney Biennale in 1932) Stettheimer’s works are relatively unknown today as she steadfastly refused to sell or show them in galleries.  Since her death, they have often been dismissed as overly “feminine” and “eccentric” and today Stettheimer remains known mostly to a growing cult of women artists on both sides of the Atlantic who love and claim her influence. - thru May 17

[kendrickkilledmyvibe]

Kendrick Lamar Covers Mass Appeal Issue #56 (Photo by Chris Buck)