"While his camera lingers tenderly on wildflowers, the film’s verbal narrative is suspended, projecting us for a few long moments into this world without humans."
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❣ Chile in a Photography ❣
will byers stan first human second
official daine visual archive

@theartofmadeline
NASA
occasionally subtle
The Bowery Presents

oozey mess
Cosimo Galluzzi
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Game of Thrones Daily

gracie abrams
One Nice Bug Per Day
he wasn't even looking at me and he found me
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🩵 avery cochrane 🩵
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
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@deamsilvam
"While his camera lingers tenderly on wildflowers, the film’s verbal narrative is suspended, projecting us for a few long moments into this world without humans."
human as haunting; ghost as machine; inanimate as alive; Gothic as Tragedy; past as eternal return
The cultural theorist Mark Fisher noticed the link between neoliberal ideology and the changing face of psychiatry, describing the shift towards individual illness framings during this period as just another form of privatisation: the privatisation of stress. Fisher saw biological psychiatry as politically convenient to neoliberal capitalism, because it pinned distress on our brains in the form of ‘chemical imbalances’, rather than our social or material conditions. If we look at, for example, the framing of the workers’ struggle since the dawn of neoliberalism, we can see evidence of this ‘privatisation’. Over recent decades, strike days have fallen while working days lost to ‘stress-related illness’ have skyrocketed. Biological psychiatry has provided us with a lens of analysis that ignores political disorder in favour of individual disorder.
Micha Frazer-Carroll, Mad World: The Politics of Mental Health
You need a license to fish???????????
Is this really that surprising? Just like you need a hunting licence to hunt.
Givenchy by Alexander McQueen, fall 1999
betsey johnson- fall 1997
art parallels jeremy lipking, federico zandomeneghi, serge marshennikov, allan douglas davidson, svetlana tartakovska
the dubious philosophy of salmon
Aeneas: Hello excuse me where am I
Venus (in disguise): *turns around* I am but an ordinary huntress giving exposition and regional lore I swear
Aeneas: Mother, you could just do this without the disguises you know.
Venus: I’m sure I don’t know what you mean. Now don’t you want to know about…
Aeneas: Mother, you always do this.
Venus: Who is this “mother” you speak of? I am but a humble huntress making a living in this here kingdom by the name of-
Aeneas: Mother, this whole war I had to live through, this whole thing with me being lost at sea, my whole stupid life, is all your fault. I’m really tired. I just want to have like one mother/son moment with you. Without the really bad huntress disguise. You’re still glowing and your hair is done up way too well. Your disguises are bad.
Venus: Look, do you want the necessary exposition to further the plot or no?
Aeneas: *sigh* Okay yeah, fine.
31 Days of Halloween - Day 13
“Now, you’re in the sunken place.”
Get Out dir. by Jordan Peele (2017)
Sometimes I’m happy and I wanna live forever
Phoebe Bridgers// @boykeats //Ocean Vuong//Albert Camus//unknown source// @8-bitfiction //Mary Oliver//Charles Bukowski
sometimes i just see a pretty girl, think of fragment 31 and mentally clutch my heart like a victorian era man dying of heartache
Anselm Feuerbach, The Symposium, ca. 1871-74, oil on canvas, 400 x 750 cm, Alte Nationalgalerie, Berlin.
“I may think of you softly from time to time. But I’ll cut my hand before I ever reach for you again “
- Arthur Miller ,The crucible
loneliness in media
succession / death of a salesman by arthur miller / man in blue I by francis bacon / nobody by mitski / succession / the great gatsby by f scott fitzgerald/ the godfather part II / not allowed by tv girl
Simone de Beauvoir, from The Second Sex
Text ID: In truth, all human existence is transcendence and immanence at the same time; to go beyond itself, it must maintain itself; to thrust itself toward the future, it must integrate the past into itself…
Males and females are never victims of one another but both victims of the species, so man and wife together undergo the oppression of an institution they did not create. If it is asserted that men oppress women, the husband is indignant; he feels that he is the one who is oppressed - and he is; but the fact is that it is the masculine code, it is the society developed by the males and in their interest, that has established woman's situation in a form that is at present a source of torment for both sexes.
Simone de Beauvoir, The Second Sex, 1949