
祝日 / Permanent Vacation

Andulka
🪼
RMH
YOU ARE THE REASON
Stranger Things
Today's Document
DEAR READER

Origami Around
hello vonnie
$LAYYYTER

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he wasn't even looking at me and he found me
Monterey Bay Aquarium

@theartofmadeline
art blog(derogatory)
One Nice Bug Per Day
styofa doing anything
No title available

#extradirty
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seen from Singapore
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seen from Mexico
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seen from Türkiye
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seen from China

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@deathasalover
First Victim of Death (1894) - Cyril Kutlík
Heather Havrilesky, Ask Polly: Help, I’m The Loneliest Person In The World!
[He] would probably argue in favour of suicide. He’d write that suicide was a terrible, wonderful thing, a gift from the intellect to the body.
Helen Oyeyemi, from ‘White Is for Witching’
Death will kiss me.
Anna Akhmatova, The Complete Poems of Anna Akhmatova: Evening; from ‘One heart isn’t chained to another’, tr. Judith Hemschemeyer
[…] your own death, your special devoted friend, who’s been beside you every moment of your life, who knows you better than yourself [...]
Philip Pullman, from ‘The Amber Spyglass’
Farida Khelfa in The Agony of Marguerite Gautier by Jean-Paul Goude, Paris, 1992
Gustav-Adolf Mossa - Death (Dead) / Les mortes. 1908. Watercolor on paper. Museum of the turn of the century (Fin-de-Siecle Museum), Brussels, Belgium.
the personification of death being portrayed as deeply kind in fiction is something that reduces me to tears every single time
Death is at it again. Illustrations from THE ENGLISH DANCE OF DEATH, VOL. 1 (1815) by Thomas Rowlandson.
Oscar Isaac reads Richard Feynman letter to his wife, Arline. (Letters Live)
Transcript
October 17, 1946 D’Arline, I adore you, sweetheart. I know how much you like to hear that—but I don’t only write it because you like it—I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you—almost two years but I know you’ll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead—but I still want to comfort and take care of you—and I want you to love me and care for me. I want to have problems to discuss with you—I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together—or learn Chinese—or getting a movie projector. Can’t I do something now? No. I am alone without you and you were the “idea-woman” and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true—you can give me nothing now yet I love you so that you stand in my way of loving anyone else—but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish and that you want me to have full happiness and don’t want to be in my way. I’ll bet you are surprised that I don’t even have a girlfriend (except you, sweetheart) after two years. But you can’t help it, darling, nor can I—I don’t understand it, for I have met many girls and very nice ones and I don’t want to remain alone—but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead.
Rich. PS Please excuse my not mailing this—but I don’t know your new address.
Bela Lugosi about his female fans
R. Cooper, Death standing next to a sickly young woman, ca. 1912
Charles Bukowski, Love is a Dog From Hell; a stethoscope case
Laurin, 1989, Robert Sigl
BRAM STOKER’S DRACULA 1992, dir. Francis Ford Coppola
The Face, April 1999.
“Swoon”
Ph. Mario Sorrenti