Tony Zamboni in Glitch Artists Collective
Stranger Things
"I'm Dorothy Gale from Kansas"
he wasn't even looking at me and he found me
TVSTRANGERTHINGS
I'd rather be in outer space 🛸

ellievsbear
we're not kids anymore.

#extradirty
PUT YOUR BEARD IN MY MOUTH
🪼

⁂
will byers stan first human second
One Nice Bug Per Day
Misplaced Lens Cap
Xuebing Du

Andulka
trying on a metaphor
Lint Roller? I Barely Know Her

❣ Chile in a Photography ❣
$LAYYYTER

seen from United States

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seen from United States

seen from Malaysia
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seen from France
seen from United States

seen from France
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seen from Türkiye
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@dees77stuff-blog
Tony Zamboni in Glitch Artists Collective
Målmedveten, akvarell, 17x23 cm
Ett frö kanske inte landar där förutsättningarna är de bästa. Ett träd kan stöta på problem i sin ungdom som kan få det att böja sig eller välta. För att klara sig måste det använda vad det har, sträva upp mot ljuset och hoppas att det finns familj och vänner som stöttar. Mycket som oss.
…
Determined, watercolour, 17x23 cm A seed might not land where there are perfect conditions. A tree might run into difficulties in it’s youth, that can make it bend or fall over. To make it, it’ll have to work with what it’s got, strive upwards to the light and hope that there are friends and family around to support it. A lot like us.
⋆ ˚。⋆୨୧ girly thoughts on the internet ୨୧⋆ ˚。⋆
Discover & share this Falcao Lucas GIF with everyone you know. GIPHY is how you search, share, discover, and create GIFs.
Discover & share this Falcao Lucas GIF with everyone you know. GIPHY is how you search, share, discover, and create GIFs.
‘cracked-light’
Discover & share this Indigenous Goddess Gang GIF with everyone you know. GIPHY is how you search, share, discover, and create GIFs.
A very beautiful image of these smiley blackfoot. It seemed everything was alright…
Photograph by Mary T. S. Schaffer in 1907.
I just love how humanizing this is, it’s the first time I’ve seen us not depicted as the stoic archetype of this period
Pictured here are Sampson, Frances Louise, and Leah Beaver who actually were very close friends with the photographer and were regular subjects of her work. It’s amazing what happens when you view us as people rather than museum objects - you capture us as people, as friends, as lovers, as parents rather than the stoic image of genocide and colonialism in-progress.
If you’re interested in learning more about female photographers and how they aided in representing native peoples through positive representation and ethical photography, I would suggest reading “Trading Gazes.” Mary T.S. Schaffer and other influential female photographers, and friends, of native peoples are given some much-needed recognition in this book while also discussing the white woman’s place in our genocide and colonization.
I’m so glad this child’s face, in particular, is part of visual history.