You pathetic little fucking waste of air. If you wish to attack me, then do it. But bring my family into this and I will bring you to your knees you sniveling little pup.

Phantom Pulse
Keni
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The Bright Sessions

shark vs the universe
I'd rather be in outer space 🛸
Monterey Bay Aquarium
h

Love Begins

ellievsbear
TMBGareOK. The Official They Might Be Giants tumblr

izzy's playlists!
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@demons-make-angels-blog
You pathetic little fucking waste of air. If you wish to attack me, then do it. But bring my family into this and I will bring you to your knees you sniveling little pup.
this is important because its hard to find media that depicts redhead men as anything other than snobby brats or big dweebs
weather-witch-bitching:
this is important because its hard to find media that depicts redhead men as anything other than snobby brats or big dweebs
If you’re a Non-Muslim and you see a Muslim praying in public, could you please not pass in front of them?
Go behind them, but not in front. 👍
Oh, signal boost! I didn’t know this.
Okay, but also: if you see a Muslim praying in public and they have something in front of them, like a purse or a bag or something like that, you can pass in front of them, but pass in front of that object.
it’s called a sutrah, and it’s meant to act as a physical barrier between the person praying and someone who might happen to pass in front.
Also, if you did this and didn’t know, please don’t beat yourself up over it. Now you know! Muslims aren’t supposed to pass in front of Muslims praying, either, because prayer is communication with God and you don’t want to break that connection.
You can’t keep kissing strangers and pretending that it’s her.
Ten Word Story, Meghan Hale (via
m-e-ghan
(via tatteredghost)
“watch yourself traveler, khajiit does not play these games”
GUYS.
I JUST WALKED INTO THIS SCENARIO IN MY BEDROOM.
QUICK. WHAT SHOULD I DO!?
Shush, the wild Mercer has encountered another of his species
A relationship with no gender roles> We both hustle, we both cook, we both clean, we both pay, we both spoil each other.
This. So much fucking this
We both have hobbies. We both have our own friends. We both understand personal space. We both use communication before an issue can escalate. We both know this is a team effort.
It got better
imagine a vampire going “fuck it” and just taking some antihistamines before going to town on a plate of garlic bread
later on it’s wheeled into the ER with like a puffed up face and it just goes “I have been on this earth 10 thousand years but i have not lived until this day”
#a film with vampires doing all the things they aren’t supposed to do (x)
I would not only watch but fund this
so basically this movie
Oh mY GOD
havin peoples home addresses is surreal bc i could like randomly send them a photo of a clam?? that’s something i could do? i literally have the means to send them a physical image of a bivalve mollusk but i never ddo
“The Tao that can be told is not the eternal Tao. The name that can be named is not the eternal name. The nameless is the beginning of heaven and earth. The named is the mother of ten thousand things. Ever desireless, one can see the mystery. Ever desiring, one can see the manifestations. These two spring from the same source but differ in name; this appears as darkness. Darkness within darkness. The gate to all mystery.”
Lao Tzu (via etherealmeditation)
Being a girl was complicated. It was swallowing rusty nails and clawing our way towards something we didn’t even know we really wanted. When I was thirteen I told Stephanie that drinking orange juice could stop you from fainting because it raises your blood sugar. In sophomore year, she slammed her head, saw stars, and ended up drinking an entire carton in one sitting. She vomited on her kitchen floor, but she couldn’t tell if it was from the concussion or from a pint of orange juice sitting in her stomach. Her doctor told her mother, “All girls try throwing up at some point.” I remember the first time one of my friends came to me with eyes so red I thought she’d inhaled a desert. She said her mother had died from breast cancer the night before. She said her home was an open grave, a holy space. She said she’d rather be in school than dealing with an absence so loud nobody could speak. I still think about her every time someone says “save the ta-tas” instead of “please god save our mothers haven’t enough of us suffered.” On certain Saturday nights we’d all get dressed up like we were going somewhere fancy and then sit in and watch Disney movies. We filled ourselves up with popcorn and gossip. When Patty showed up with a black eye again, we all said nothing about it. We were too young to make fists out of fingers, I think. A girl on the train was reading a book I love. We got to talking. She’s from the Peace Corps, she said, gave me a smile like a thousand volts. She was one of those people who make you feel good about yourself. When she got up to go, she gave me a little wave. I said “Go stop violence,” and she laughed. Hanging off the back of her bag was a little pink can of mace. We learned to be secret defend-each-other types. We were going to hold the world down until it liked us. There is something bold about being defiant. There is something about having soft petal skin and still showing sharp teeth. The box was little and teal and had a bow attached to it. Inside was a pair of brass knuckles in the shape of cat ears. “In case,” my father said, “In case.” I remember my sister, body wrapped in a towel, saying, “It’s not as bad as it looks,” her shinbone a mess of blood where her razor slipped. She said she saw the patch of skin she removed. She wiggled her eyebrows while holding up her pointer finger. “This long,” she said, “And pretty thick.” She had to throw it out rather than let it clog the drain. He was tall and gawky and if you asked him personal questions, his ears turned red. He asked if I wanted to go out to the pond in the woods. I blushed and told him I couldn’t swim, and he gasped as if he’d been stung. He picked me up so easily, like I weighed nothing. He put me in the trunk of his car. We were laughing. Much later, a stranger the same size would say, “Hey mama, wanna come home with me?” I remember I met this one girl passed out on a couch, her dress hiked up around her hips. She was lying in her own vomit. “Let’s keep walking,” someone said, “Don’t get involved.” I was too much empathy in a small body to let her go unprotected. She shivered in the shower we put her in. Her skin was so blue around her eyes, I thought maybe she’d slipped the sky in there. She looked terrified. I asked her how much she drank, she couldn’t say. I asked her how she got here, she bit her lip and shook her head. “My friends… Just left,” she said, “They just left.” Sometimes friends are like that, I guess. In late nights, I heard Kathrine crying about the things her father had said to her. She once told me that if it was a choice between being born with her learning disabilities and being born without a tongue, she’d choose the latter one. I whispered something of an apology that fell as flat as I felt, we don’t talk about it ever again. Skeleton hands never stop shaking me awake. Sometimes I think we’re drowning and sometimes I think we are just painted that way. There’s never an excuse not to be dainty. Someone once told me that beauty is pain. I remember her lips and how they were bright pink, because the words out of them were sick green things. Maggie said she’d swallowed eighty-nine Tylenol two days before. She said they’d filled her with charcoal and had her spit back up the blackness that was swelling like a river inside of her. We were fourteen. We flirted with people we didn’t know, we used other people’s hands to mess up our hair, we got home late. We towered in heels that hurt to look at. We felt fierce, on fire. We painted our lips blood red and kissed the mirror until we got a perfect mark out of it. We’d spend ages just getting ready. It was the fun part of parties, I guess. Her spine cracked while she rested her head on my leg. She said, “Let’s never get old, okay?” and I told her that sounded great. Sometimes in the darkness, she’d sound serious about it. I wanted to ask her if she was fighting bigger demons than the ones I can raise, but before I found out, she moved away. We belonged to a group that was all punchline. Someone says, “teen girls, am I right?” and laughter spreads like ripples through the room. I remember the first time you find out that they hurt one of your friends, because that’s how you find out you’re not safe either. She looked so whole, and that was the problem. Her mascara wasn’t even running. I watched her tell the story five ten twenty times to officers who shuffled papers and sniffed at every other word and sighed often and looked at their watch even though they were the reason she was talking. They asked her what she was wearing, she gestured to her body: jeans, tee-shirt, hoodie. They asked her if she knew him, she said no. They asked her if she provoked him, she said no. They asked her if she told him to stop, she fell silent. After a while, she’d try to explain the fear that had crept up her throat until she had choked. They sighed. Asked for the story again. She had this look on her face that I still dream about. It looked like someone had sucked her soul out. Kelly in the ninth grade with her shining face telling me, “One of us is the better person. Everyone always compares us.” A waiter looking down my shirt and saying, “Just a water for you, huh?” Ballet class with pin-thin shaking hands and bathrooms that smelt like a bad dream. A teacher who said, “Don’t eat unless you faint, darlings.” You get used to cigarettes in the hands of young girls. You get used to the backstage addictions of “only nine hundred more crunches to go.” You get used to seeing this stuff until one day someone asks you why you know all the calories in a grapenut. The television saying, “Lose weight, feel great.” The television saying, “Girls mean nothing.” The television saying, “If you’re not pretty, you’re not worth discussing.” The television saying, “If you’re pretty, your personality is awful.” The television saying, “Spend your money.” My father telling me: there’s nothing wrong with this system.
Memories // r.i.d (via inkskinned)
Susanna and the Elders, Restored (Left)
Susanna and the Elders, Restored with X-ray (Right)
Kathleen Gilje, 1998
Oooh my gosh this is rad. This is so rad.
For those who don’t know about this painting, the artist was the Baroque artist Artemisia Gentileschi.
Gentileschi was a female painter in a time when it was very largely unheard of for a woman to be an artist. She managed to get the opportunity for training and eventual employment because her father, Orazio, was already a well established master painter who was very adamant that she get artistic training. He apparently saw a high degree of skill in some artwork she did as a hobby in childhood. He was very supportive of her and encouraged her to resist the “traditional attitude and psychological submission to brainwashing and the jealousy of her obvious talents.”
Gentileschi became extremely well known in her time for painting female figures from the Bible and their suffering. For example, the one seen above depicts the story from the Book of Daniel. Susanna is bathing in her garden when two elders began to spy on her in the nude. As she finishes they stop her and tell her that they will tell everyone that they saw her have an affair with a young man (she’s married so this is an offense punishable by death) unless she has sex with them. She refuses, they tell their tale, and she is going to be put to death when the protagonist of the book (Daniel) stops them.
So that painting above? That was her first major painting. She was SEVENTEEN-YEARS-OLD. For context, here is a painting of the same story by Alessandro Allori made just four years earlier in 1606:
Wowwwww. That does not look like a woman being threatened with a choice between death or rape. So imagine 17 year old Artemisia trying to approach painting the scene of a woman being assaulted. And she paints what is seen in the x-ray above. A woman in horrifying, grotesque anguish with what appears to be a knife poised in her clenched hand. Damn that shit is real. Who wants to guess that she was advised by, perhaps her father or others, to tone it down. Women can’t look that grotesque. Sexual assault can’t be depicted as that horrifying. And women definitely can’t be seen as having the potential to fight back. Certainly not in artwork. Women need to be soft. They need to wilt from their captors but still look pretty and be a damsel in distress. So she changed it.
What’s interesting to note is that she eventually painted and stuck with some of her own, less traditional depictions of women. However, that is more interesting with some context.
(Warning for reference to rape, torture, and images of paintings which show violence and blood.)
So, Gentileschi’s story continues in the very next year, 1611, when her father hires Agostino Tassi, an artist, to privately tutor her. It was in this time when Tassi raped her. He then proceeded to promise that he would marry her. He pointed out that if it got out that she had lost her virginity to a man she wasn’t going to marry then it would ruin her. Using this, he emotionally manipulated her into continuing a sexual relationship with him. However, he then proceeded to marry someone else. Horrified at this turn of events she went to her father. Orazio was having none of this shit and took Tassi to court. At that time, rape wasn’t technically an offense to warrant a trial, but the fact that he had taken her virginity (and therefore technically “damaged Orazio’s property”. ugh.) meant that the trial went along. It lasted for 7 months. During this time, to prove the truth of her words, Artemisia was given invasive gynecological examinations and was even questioned while being subjected to torture via thumb screws. It was also discovered during the trial that Tassi was planning to kill his current wife, have an affair with her sister, and steal a number of Orazio’s paintings. Tassi was found guilty and was given a prison sentence of…. ONE. YEAR……. Which he never even served because the verdict was annulled.
During this time and a bit after (1611-1612), Artemisia painted her most famous work of Judith Slaying Holofernes. This bible story involved Holofernes, an Assyrian general, leading troops to invade and destroy Bethulia, the home of Judith. Judith decides to deal with this issue by coming to him, flirting with him to get his guard down, and then plying him with food and lots of wine. When he passed out, Judith and her handmaiden took his sword and cut his head off. Issue averted. The subject was a very popular one for art at the time. Here is a version of the scene painted in 1598-99 by Carivaggio, whom was a great stylistic influence on Artemisia:
This depiction is a pretty good example of how this scene was typically depicted. Artists usually went out of their way to show Judith committing the act (or having committed it) while trying to detach her from the actual violence of it. In this way, they could avoid her losing the morality of her character and also avoid showing a woman committing such aggression. So here we see a young, rather delicate looking Judith in a pure white dress. She is daintily holding down this massive man and looks rather disgusted and upset at having to do this. Now, here is Artemisia’s:
Damn. Thats a whole different scene. Here Holofernes looks less like he’s simply surprised by the goings ons and more like a man choking on his own blood and struggling fruitlessly against his captors. The blood here is less of a bright red than in Carrivaggio’s but is somehow more sickening. It feels more real, and gushes in a much less stylized way than Carrivaggio’s. Not to mention, Judith here is far from removed from the violence. She is putting her physical weight into this act. Her hands (much stronger looking than most depictions of women’s hands in early artwork) are working hard. Her face, as well, is completely different. She doesn’t look upset, necessarily, but more determined.
It’s also worth note that the handmaiden is now involved in the action. It’s worth note because, during her rape trial, Artemisia stated that she had cried for help during the initial rape. Specifically she had called for Tassi’s female tenant in the building, Tuzia. Tuzia not only ignored her cries for help, but she also denied the whole happening. Tuzia had been a friend of Artemisia’s and in fact was one of her only female friends. Artemisia felt extremely betrayed, but rather than turning her against her own gender, this event instilled in her the deep importance of female relationships and solidarity among women. This can be seen in some of her artwork, and I believe in the one above, as well, with the inclusion of the handmaiden in the act.
So, I just added a million words worth of information dump on a post when no one asked me, but there we go. I could talk for ages about Artemisia as a person and her depictions of women (even beyond what I wrote above. Don’t get me started on her depictions of female nudes in comparison to how male artists painted nude women at the time.)
To sum up: Artemisia Gentileschi is rad as hell. This x-ray is also rad as hell and makes her even radder.
I love art history.
I’m reblogging this again to add something that I also think is important to know about Artemisia Gentileschi. Back in her time and through even to TODAY, there are people who argue that her artworks were greatly aided by her father…. As in he either helped her paint them or just straight up painted them himself. Hell, there are a number of works only recently (past several years or so) that have been officially attributed to Artemisia because people originally saw the signature with “Gentileschi” in it and automatically attributed it to Orazio. So, not only was Artemisia Gentileschi an amazing artist and amazing historical figure, but I don’t want it to be ignored that there are people over 400 years later who still won’t give her the credit she deserves, just because she’s a woman and obviously women can’t paint like she did.
I can’t believe this is what our president and vice president spend their time on. We’re in 15 trillion dollars of debt, and millions of people are homeless, and abortion is still legal, and instead of signing bills to fix these things our president is doing this. Well I’m glad you’re having fun, you fucking bitch. Fuck the United States. /rant
WAITNDO YOU THINK THISNIS A REAL THING???? THIS IS SATURDAY NIGHT LIVE OH MY GOD
THIS IS THE BEST POST EVER I’M CRYING
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Let's post our worst fears
My greatest fear is that everyone is one day going to say "yeah we have been lying all this time. We don't care about you. We hate you. So... Bye." And I will be left alone in my own void.
I wonder how many stranger’s stories we make it into? You know, maybe someone saw you in passing and told their friends about how pretty the girl in the lavender sweater was. Or maybe they overheard you say a joke and repeated it to their friend, confessing that they heard it from some guy at the store.