I feel like Art or Somethin🍫✨

Janaina Medeiros

JBB: An Artblog!
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almost home

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
Jules of Nature

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@derfnrowb
I feel like Art or Somethin🍫✨
Art is life
Life is Art
Bones & Skulls 💀🦴🩻☠️
Am I fly?
Yes
No
Peter Uka
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SZA
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Dark Garcon
I’m still living , Still Fly , Just Coasting being Me😎
Chapter 2️⃣9️⃣📖: Last Year in my. 20’s , let this be a great year for me for Creation & Art💜🎨🖌️🖼️🔥 HAPPY BIRTHDAY TO ME😎✨‼️ @highlight
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Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1600-1800. Some art historians relate the style above to depictions of the goddess Diana, others relate them to the association of Blackness and wealth that came though trade in the Middle ages and Renaissance.
You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.
Georgius Jehner von Orlamünde
Members of the Theban Legion
Germany (c. 1480)
Tempera on Wood Panel, 76 cm. Moritzkirche; Halle, Germany
photo via: https://twitter.com/SGOKIdehistorie/status/1090588768418050048
info via: The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University