TVSTRANGERTHINGS
hello vonnie

★

⁂
art blog(derogatory)
Alisa U Zemlji Chuda

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祝日 / Permanent Vacation
occasionally subtle
RMH
wallacepolsom

roma★
Not today Justin
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

JBB: An Artblog!

izzy's playlists!

No title available
Peter Solarz
sheepfilms
seen from Malaysia
seen from United States
seen from Brazil
seen from United States
seen from France
seen from Japan

seen from United States

seen from Malaysia
seen from Indonesia
seen from United States

seen from United States
seen from United States
seen from United States

seen from Australia

seen from Türkiye

seen from Poland

seen from Ireland
seen from Brazil

seen from United States

seen from United States
@desarmate
Apple: iMac G3, Snow Colorway (2000)
Portishead, To Kill A Dead Man film stills, 1994
To Kill a Dead Man is a short film made in 1994 by the trip hop group Portishead. The film is a spy movie which revolves around an assassination and what happens afterwards.
The film is featured in the bonus section on the DVD version of Roseland NYC Live released in 2002. The theme can be found on both the 1995 compilation album Glory Times and the 1994 CD single “Sour Times”. The music video for “Sour Times” also uses footage from the film.
A still from the film is featured on the cover of their album Dummy and several other stills appear in the CD booklet. A miniature image of the poster for the film is visible in the upper left corner at the back of this album.
Watch the short film in black and white here.
ahora todo eso que dijiste tenía sentido mientras mirábamos texturas en la pared para no mirarnos a los ojos una mancha de humedad que después se replicó en un cielo lleno de humo que amanecía y mi maquillaje estaba corrido, yo estaba a punto de llorar nueve horas seguidas y aún no lo sabía todo lo que contenía esa grieta mal tapada con cemento la electricidad de tus manos pero ya no me acuerdo la textura de tu piel, sólo quería estar en silencio caminando al costado de la ruta mirándonos, admirándonos, y ahí no hay ruido sólo algunas notas disonantes que no terminan de romper porque todo lo que nos rodea es abismo ya no hay pared, nunca hubo pared. sólo era una masa densa luminosa sin límites.
Laia Arqueros. Gynopia.
Silent love. 1845. Cover.
Internet Archive
Julia Kowalska - Untitled, 2023
Today’s levitation, Christopher Michael Hefner