
祝日 / Permanent Vacation
he wasn't even looking at me and he found me
tumblr dot com
🪼
Monterey Bay Aquarium
YOU ARE THE REASON

@theartofmadeline
ojovivo
Sweet Seals For You, Always
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣

Janaina Medeiros
almost home
Mike Driver
Peter Solarz

if i look back, i am lost

Origami Around

ellievsbear
Game of Thrones Daily
we're not kids anymore.

seen from Netherlands
seen from United States

seen from United Kingdom

seen from Saudi Arabia
seen from United States
seen from Canada

seen from United States

seen from Netherlands
seen from United States

seen from Indonesia
seen from Germany

seen from United States
seen from Bangladesh
seen from United States
seen from United States
seen from United States
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seen from Switzerland

seen from India

seen from Hong Kong SAR China
@devotio-moderna
‘Summer Night’ by Kasamatsu Shiro (ca. 1950).
lee seung wook photographed by jeon so hee for esc studio spring 2016
A NASA tech wears a prototype Gemini G2C spacesuit, 1964. Manufactured by David Clark Company.
Elle Decor Concept Store: The magazine exhibition into the Milanese Palazzo Bovara
Artist of the Day
Bridget Riley
Ra (Inverted) 2009 Screenprint 53 3/8 × 44 ¾ in 135.6 × 113.7 cm
Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings—which created illusions of movement—were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others. In the late ‘60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers’ perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy. Her work is ultimately inspired by nature—“although in completely different terms,” she says, adding, “For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.” courtesy of artsy.net
“A GUIDE TO FACE LANGUAGE”
I would adore having a space like this
SHOOT. We’re getting a loft. I decided.
I would love to live in a loft
The yoga I would do here oh my god
And think about parties man omg