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“The Sorrows of Satan” (1926) film still | dir. by D. W. Griffith | A cinematic image immortalized through Bauhaus’ “Bela Lugosi’s Dead” (1979) cover artwork.

p0laroid-sx-70

cupid missed (Jenny Anderson x Lily Gatins)

diana-andraste

Frank Cheyne Papé illustration for The Well of Saint Clare by Anatole France, 1928

paulcirigliano

microbe

Kaeng Krachan National Park in Petchaburi, Thailand

thewindowofthesummerhouse

Vedran Klemens

banshu-rice

started playing hades and bone hydra has been my favorite boss so far

pmamtraveller

Nick Alm (Swedish, b.1985)

"Nymph & Satyr," 2016

beammeupplease

The Nymphaeum

William-Adolphe Bouguereau

nobrashfestivity

Alexander Calder, Seahorse, 1975

more

dhumonio

“monster” is what they call people who survive transformation.

I didn’t want to draw Medusa as a victim or a villain.

I wanted her to feel ancient. Divine. Dangerous. Beautiful in the way eclipses are beautiful.

MEDUSSA became a ritual more than a project — an illustrated poem about transformation, rage, femininity, horror, and the sacred nature of becoming untouchable.

These pages are meant to feel as something half-new, half-memory. Like something discovered in a temple at the bottom of the ocean.

If this finds the right people, welcome.

Read MEDUSSA here!

sacred-portal

abwwia

Joyce Kozloff (b. Dec 14, 1942) is an American artist known for her paintings, murals, and public art installations.

She was one of the original members of the Pattern and Decoration movement and an early artist in the 1970s feminist art movement, including as a founding member of the Heresies collective. via W