Diana More @diana-more - Tumblr Blog

Hello and welcome to my blog

A little chronicle of what I get up to; art, curating, photographic and activist wise. Use the pop out menu (3 little lines) on the top left to check out specific projects, the archive or search. Then head on over to my other internet homes.

Diana More Photography Diana More Photography website and Diana More Photography Facebook Page Decolonise Menstruation DM website (for participants) and the BGP Blog Part 1: Intro to DM and Part 2: The workshops Love Sex, Hate Sexism Collective LSHS website and LSHS Facebook Page Decolonise Fest DF tumblr website and DF Facebook Page

London Mexico Solidarity LMS website and LMS Facebook Page

Wretched of the Earth WotE website and Wote Facebook page

DSFL Print Collective Where I print and facilitate workshops, Print Collective Facebook Page Why I love printmaking

Podcasts & Panels A-Fem Anarcha-Feminist Conference 2014 (photo) Dissident Island Radio Interview LSHS Decolonise Fest on NTS Reel Rebels Love Sex – vol 1 Reel Rebels Love Sex – vol 2 Reel Rebels Love Sex - vol 3 Feminist Fightback Presents Ovarian Psycos with Panel Discussion How to Organise Inclusive Events: Panel Discussion with Q&A How to organise a DIY feminist festival (Antiuniversity 2018) Ayotzinapa, The Turtle's Pace. Film screening with Q&A FPF -Toxic Masculinity/Male Fragility - Changing Campus Cultures Gold Accents, Short Film Screening with Panel Discussion Feeling Bad/Feeling Fine: Staff and Students Discuss Care and Community The Decolonial Earth

Workshop Facilitating Love Sex, Hate Sexism (consent & pleasure) 2014 - 2021 Refléctere septiembre / Intro to Linocut and Mexican Resistance Art 2017 Prioritising GenderNonConforming&self-identifying Woman's Orgasm 2017 Goldsmiths Against Sexual Violence Campaign, “Active Bystander Training’ 2017- 2019 Día de Muertos: Flower Making & Creating Altars Nov 1 2018 Sexual Violence within LatinX Communities Workshop 2018 DIY Diaspora Punx Community Bystander Intervention 2018 Embroidering Memories and Resistance Sep 22 2019 Decolonise Menstruation 2020 - 2021 Zine editor SAFE, love & robots, cheap liquor & tacos, from the What? Gallery to P*ssypalace and spaces of softness; Stories from BIPOC nightlife Decolonise Fest 2017: What’s it like to be a PUNK OF COLOUR?

Creative outcome created by workshop participants

Participant Testimonials

Write ups Decolonise Menstruation Intro Project Manager at Decolonise Menstruation BGP Blog - DM intro BGP Blog - DM workshops

Dissertation as part of MA Race, Media & Social Justice, Goldsmiths Intersectional Articulations on Race and Gender Constructs: An analysis on the impact of colonisation on Mexican women’s life chances and safety Race and The Cultural Industries, Goldsmiths The commodification of culture in Coco

#bio #intro

Cloud-Making Workshop with Liz & Diana!

DROP-In anytime Saturday July 26th and Sunday 27th from 12pm to 4:30pm at Patchwork Repair Hub, Slocan Hall 2750 East 29th Avenue, Vancouver, BC V5R 1V5

What Is It For?

At this paper mache and textiles workshop, we will be building the practical visual elements for The Cloud Parade! This performance will be part of the Vines Art Festival closing event on August 16, 2025. See https://www.vinesartsociety.com/ for timing and more info about the performance.

What should I Expect?

This will be a drop-in workshop where you will be able to choose what you'd like to work on. There will be a variety of ways to participate, including sharing thoughts and words, cardboard and newspaper cloud construction, paper mache, painting, and sewing together patchwork rain and lighting bolt puppets!

When should I come?

This is a drop-in workshop. We'll be creating together from 12-4:30 pm on both Saturday and Sunday. Feel free to arrive at any point and stay for as long as you wish.

Do I need experience to join?

No experience required! Some familiarity with sewing or paper mache might be useful but is not needed- we will be providing advice and support throughout, and will match you to an activity that aligns with your interests and/or experience. All skill levels, creative curiosities, and ages welcome!

Should I bring anything?

All materials will be provided but please feel free to bring anything you would like to contribute, such as reclaimed textiles or decorative materials. Newspaper and paper bags would be especially helpful.

Do I need to register?

Free registration through our eventbrite page is encouraged but not required.

#workshop #workshops #art #facilitation #community organising

Paper mache and textile workshop, building clouds for the Cloud Parade!

A storm’s a brewing! July 26th and 27th at Patchwork Repair Hub, Slocan Hall

With weather and storm formation as a metaphor, we will be collectively creating upcycled art together, while we explore the question, “what is possible when community comes together and collective energy is built?”

At this paper mache and textiles workshop, we will be building the practical visual elements for The Cloud Parade! This performance will be part of the Vines Art Festival closing event on August 16, 2025. Paper mache clouds will float through the park, eventually gathering together into a puppeteered storm performance, with rain, thunder, and lightning bolts. These storm elements will feature text inspired by community visions for the possibilities within collective energy and connection. See https://www.vinesartsociety.com/ for timing and more info about the performance.

What to expect when attending the event:

No experience necessary! This will be a drop-in workshop where you will be able to choose what you'd like to work on, and can stay for as much or as little time as you like. There will be a variety of ways to participate, including sharing thoughts and words, cardboard cloud construction, paper mache, painting, and sewing together patchwork rain, lighting, and lighting bolt puppets! Everything made at this workshop will be featured in the Cloud Parade performance on August 16 at the Vines Art Festival. Some sewing / paper mache experience or creative writing / community building experience would be helpful but is not required - we will be providing advice and support throughout, and will match you to an activity that aligns with your interests and/or experience. All skill levels, creative curiosities, and ages welcome!

All materials will be provided but please feel free to bring anything you would like to contribute. For example: reclaimed textiles, newspaper or paper bags for paper mache, materials you would like to upcycle, patterns you would like to highlight, proverbs, sayings or phrases.

Artist Bios:

Liz Oakley is an interdisciplinary artist with a background as a puppeteer. Working within an expanded and queered definition of puppetry, their practice orbits around the animation of objects, materials, sites, and situations. They create performances, events, and installations that playfully engage not only visuality but also tactile and kinesthetic senses, offering open-ended propositions that challenge norms and inject the surreal into the mundane. Liz is also an arts educator and facilitates art-making workshops with a variety of ages and communities. Currently, they work with kids in Vancouver public schools through the AIRS program and with people of all ages at the Vancouver Art Gallery. Liz is a queer and nonbinary white settler from New York City/Lenapehoking.

Diana More is a Xicanx Xingonx and cultural activator, who’s creative journey began in the DIY punk scene with printmaking and photography as their main media. They also organised gigs, festivals, exhibitions, facilitating art-based workshops with race and gender equity as a constant underpinning theme, much of it focused on preventing gender-based violence and community building. They have an academic sociology background, which is balanced out with lived-experience and using a Zapatisa, decolonial, intersectional framework. They hope to carve out harm reduction spaces, “A World where many worlds fit:” and QTBIPoC joy.

Liz and Diana have collaborated on art-making workshops for menstrual equity and self-care. One of these workshops involved making giant paper-mache versions of menstrual products at the BC Menstrual Equity Symposium. Another involved making mixed media self-care pouches while discussing stigmas and messages around menstruation, as well as resources for self-care related to participants’ cycles. They both currently reside (aka trespass) in Vancouver on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.

SLOCAN HALL ACCESSIBILITY INFO

We will be working out of the Slocan Hall, which is the room with the big windows.

There is a paved walkway in front of the door

Doorway is 31" wide, with no lip at the bottom

The room is big with smooth surface floors and lots of space to move around

There are no washrooms in the hall, but there is use of the public washrooms which are attached to the hall and are wheelchair accessible (they have an accessible stall)

#workshop #workshops #art #facilitation #facilitating #community organising #community project #cp

Curating: Exhibitions, Festivals, Film Screenings

Podcasts & Panels A-Fem Anarcha-Feminist Conference 2014 (photo) Dissident Island Radio Interview LSHS Decolonise Fest on NTS Reel Rebels Love Sex – vol 1 Reel Rebels Love Sex – vol 2 Reel Rebels Love Sex - vol 3 Feminist Fightback Presents Ovarian Psycos with Panel Discussion How to Organise Inclusive Events: Panel Discussion with Q&A How to organise a DIY feminist festival (Antiuniversity 2018) Ayotzinapa, The Turtle’s Pace. Film screening with Q&A FPF -Toxic Masculinity/Male Fragility - Changing Campus Cultures Gold Accents, Short Film Screening with Panel Discussion Feeling Bad/Feeling Fine: Staff and Students Discuss Care and Community The Decolonial Earth

Workshop Facilitating Love Sex, Hate Sexism (consent & pleasure) 2014 - 2021 Refléctere septiembre / Intro to Linocut and Mexican Resistance Art 2017 Prioritising GenderNonConforming&self-identifying Woman’s Orgasm 2017 Goldsmiths Against Sexual Violence Campaign, “Active Bystander Training’ 2017- 2019 Día de Muertos: Flower Making & Creating Altars Nov 1 2018 Sexual Violence within LatinX Communities Workshop 2018 DIY Diaspora Punx Community Bystander Intervention 2018 Embroidering Memories and Resistance Sep 22 2019 Decolonise Menstruation 2020 - 2021 Zine editor SAFE, love & robots, cheap liquor & tacos, from the What? Gallery to P*ssypalace and spaces of softness; Stories from BIPOC nightlife Decolonise Fest 2017: What’s it like to be a PUNK OF COLOUR?

Creative outcome created by workshop participants

Participant Testimonials

May 17: A symposium of sustainable research, activism and advocacy for menstrual equity in higher education.

I'll be speaking at 📚🩸 Periods on Campus 🩸📚 May 17th, 2024, 9:00 am - 4:30 pm at Concordia University, Montreal and virtual

Panel 2 (3:15 to 4:30pm) - It’s Called a Menstrual Cycle! Towards a sustainable movement and a movement that centres sustainability

Periods on Campus: Sustainable research, activism, and advocacy for menstrual equity in higher-ed Location: Concordia Conference Centre, 9th

#panelsandpodcast

Join us at B.C.’s first-ever Menstrual Equity Symposium Oct. 20 and 21, 9am–4:30pm, at the New Westminster Campus. Hosted by United Way Brit

BC Menstrual Equity Symposium is a Space in CHARMS. Join us to share your tips, tricks and stories with other members.

I organized a symposium on menstrual equity in B.C. In it we explore topics beyond, place-based product solutions (ie tampons and pads in public bathrooms). We look at getting high quality disposable and reusable supplies to menstruators across the province, including reservations, remote areas and prisons. We also explore pain management, menopause, education and healthcare. Check out the links for more information. The inaugural 🩸BC's Menstrual Equity Symposium - Building Inclusive Period Poverty Solutions🩸, on October 20 & 21, 2023, at @DouglasCollege in New Westminster, BC. Over the past year, British Columbia has made significant strides in advancing menstrual equity. We are thrilled to invite you to a unique opportunity to come together, exchange knowledge, and support advocacy strategies for adoption by both government and the private sector. This two-day in-person symposium will delve into period poverty reduction strategies, break menstrual stigma, and explore innovative ways of distributing menstrual supplies and education through creative jam sessions, workshops, presentations, and panel discussions. It's a space where champions of menstrual equity, representing diverse backgrounds, will unite to learn from one another and explore ways to increase access in marginalized communities. The Symposium will also incorporate creative expression, such as artwork, a photovoice photography exhibition and music to destigmatize menstruation. Community members, advocates, activists, municipal workers, business leaders, decision makers, and everyone who menstruates are warmly invited to be part of this inspiring event. @DouglasCollege @FreePeriodsCanada Let's #EndPeriodPoverty together! 🩸 #BCMenstrualEquitySymposium #UnitedWayBC #MenstrualCycleResearchGroup#DouglasCollege

#event organising #community projects

“May 28 is #MHDay2023 globally. Join BC’s Period Poverty Task Force in raising awareness of menstrual health and equity in BC and Canada. #WeAreCommitted”

Made bracelets with the Period Poverty Task Force for Menstrual Health Day #MHDay2023 5/28Bracelets have approximately 5 red beads and 23 white to represent an average menstrual cycle. As every cycle is unique, task force customised their bracelets

#workshops #creative workshop outcome #workshop #facilitation #event organising #MHDay2023

Inspired by the legacy of Xicanx artists and MOA’s feature exhibition, Xicanx: Dreamers + Changemakers / Soñadores + creadores del cambio, Diana More will facilitate...

Creative Workshop with Diana More SATURDAY NOVEMBER 26, 2022 | 1 – 4 PM

Join Vancouver-based Xicanx artist and curator Diana More for a creative workshop exploring notions of boundaries, colonial borders and identities.

Inspired by the legacy of Xicanx artists and MOA’s feature exhibition, Xicanx: Dreamers + Changemakers / Soñadores + creadores del cambio, Diana More will facilitate a three-hour creative workshop that allows participants to delve deep into their own creativity through writing and collaging.

Diana More will guide a group discussion and a creative writing exercise about embodying hybrid identities in multiple cultures, inspired by The Third Space and the work of Gloria Anzaldua. Workshop participants will also make “frontera/boundary boxes” to explore the boundaries between outward expression and internal identity. Boxes are decorated with collaged images and texts.

Materials are provided but participants are also encouraged to bring meaningful images or text to decorate their frontera/boundary box.

Bio

Diana More (she/they) is a Xicanx artist, curator and creative participatory workshop facilitator. Born in Tenochtitlan (CDMX), her family moved to the unceded territory of the hən̓q̓əmin̓əm̓ and Sḵwx̱wú7mesh speaking peoples (Vancouver) when she was 5. Starting a life-long exploration into what it means to be Xicana/x; using photography, printmaking, filmmaking, creative writing in English and Spanglish and community.

MOA • $25 + GST Regular (Museum admission included) | $22 + GST MOA Member, Indigenous people, UBC student/staff/faculty EXHIBITION WORKSHOP

#workshop #workshops

The commodification of culture in Coco

On this día de muertos, here’s a throwback to my essay for Race and the Cultural Industries module, "The commodification of culture in Coco". The first essay I wrote as part of my MA in Race, Media & Social Justice at Goldsmiths, University of London Contains a lot of soilers, but will ruin the film for you if you've seen it or not. Image: Migra Mouse gets a new job (after Lalo Alcaraz) by Diana More 2017

A look at the DECOLONISE MENSTRUATION Project

By Project Manager DIANA MORE

Decolonise Menstruation began as a collaboration between Bloody Good Period, a charity that provides menstrual products to those who can’t afford them, and Decolonising Contraception, a volunteer run collective of BIPOC (Black, Indigenous and People of Colour) health professionals working to address health inequalities in SHR (Sexual & Reproductive Health). The goal was to end period shame within the unique experience of BIPOC communities. The project happened through a series of workshops, using sound medical advice and creative activities to break down taboos and myths around menstruation and our bodies.

Three small groups were created by collaborating with refugee and asylum seeker centres; Xenia, Women for Refugee Women’s Centre and Baobab Women’s Project. Workshops began during lockdown so were held over Zoom. Attendees were mailed out a Welcome Pack (Image 1.) so they could participate in all the creative activities from home and also try out different reusable menstrual options. Internet data vouchers were also supplied, so there was no cost to attend.

Image 1. Welcome Pack

We looked at three main areas that create period shame; physical, emotional and societal pressures. Medical advice was overseen by founder and director of Decolonising Contraception, Dr Annabel Sowemimo.

Topics covered included:

Menstruation language and translations

Menstruation art, activism and media representation

Pre-colonial and non-colonised menstruation practices

Pre-colonial and non-colonised genders and attitudes towards sexuality

Ethical and environmentally friendly menstrual products

Fibroids, endometriosis, menopause, racial disparities in healthcare

Ancestral knowledge, alternative healthcare

Self-care and community care

To explore these topics, workshops were broken up into two parts, an educational and a creative half. Beginning with the information section, we gave medical information and discussed theory. It was filled with lots of questions, mythbusting and lively conversations.

One participant shared her experience of understanding decolonising menstruation. She grew up in India, where she was taught that the indigenous community, close to where she lived, ostracised menstruators. When she was at university she went to work in this community and learnt that rather than being sent away in seclusion, menstruation was seen as a sacred time, when women were encouraged to rest. Their husbands took over the cooking and cleaning duties because women had lower energy levels or often were in pain. The participant said she realised that part of colonisation is making us believe that indigenous practices are “backwards” and oppressive to women. Of course, period shame exists cross-culturally and is created by many different factors, but a decolonial perspective helps us all question the way we think about periods and ask what societal factors might influence this. This is why we have to ask how the sacred became dirty.

The second half of the workshops were filled with creative activities like journaling, drawing, creative writing, and digital collage. One of the best received activities was the collective poem writing about first periods (Image 2). We used the cinquain poem format, starting with one word and increasing one word per line upto 5 then back down again. Participants took turns, each giving the required number of words for their line, about their own lived experience of their first period. Which created a poem that reflected the similarities, differences, fears and relief of getting your period for the first time.

Image 2 - Group poem by Women for Refugee Women

Another popular activity was creating the groups’ self-portraits (Image 3). Each participant designed an avatar to look like themself. Then, as a group, we put them together and decided which period products they’d like to include in the image. This allowed for participants to remain anonymous and also create positive representation, something racialised menstruators / menopausers don’t often see.

Image 3 - Group Selfie

We shared the creative outcomes on Instagram, reaching over 60K Instagram followers. With a comment section actually worth reading! Many followers shared stories about first periods, shame and stigma, menstrual product preferences and the need for more open discussion. It was really rewarding to share the outcome with the wider community and it also gave participants a real sense of accomplishment, helping to end period shame. We still have a long way to go but Decolonise Menstruation has dispelled a lot of misinformation, started many conversations, and helped participants feel more comfortable and confident with their periods.

For more information on the project, a glossary of sexual health terms, a list of support services and related reading and videos visit decolonisemenstruation.tumblr.com

#workshop #workshops #creative workshop outcome #facilitation #facilitating

In early 2017, as a part of @wretched-of-the-earth we hosted Ladio Veron of the Guarani-Kaiowa indigenous community in Brazil at DIY Space for London. We held a small but powerful workshop where we got to learn about the struggle of this community against the expansion of agribusiness.

During the workshop we made this little Zine, retelling the story of the Guarani-Kaiowa and where their struggle is at the moment.

It includes Ladio’s original designs on the front and back cover.

Please share it so their story continues to be heard.

#creative workshop outcome #facilitation #workshop

My passion for printmaking

I fell in love with printmaking as a young child, my mom introduced me to screen printing when I was 8. We used it to make gifts for friends and family, and personalise my toys and accessories. It felt really empowering to be able to use creativity to express myself, even if that was just my love of cats on a tote bag. As a teenager I became enthralled by music and started becoming politically aware. I returned to screen printing t-shirts and patches, to express my devotion to my favourite bands and my disdain for the patriarchy. That is also when I first picked up a camera (35mm film) and my understanding of the power of printmaking really grew. I spent many hours in the darkroom, learning to enhance and manipulate images. I went on to achieve a BA Hons in Photography from London College of Communications and had a very successful career in the UK as a portraiture, music photographer and photo-activist. All the while still experimenting with different print methods like Van Dyke, cyanotypes, paper stencils, linocut, wood block, RISO and of course lots more screen printing! My work covered themes of sexuality, gender, ancestry, identity and belonging, and Xicanidad (what it means to be Mexican in the diaspora). I exhibited my work in the UK and the USA and also curated exhibitions along similar themes with international artists. I also often use printmaking as a part of sexual health workshops, and run workshops specifically to teach print makings' political roots and modern usage in Mexico. And edited many zine, using a RISO and digital printers, to share stories of BIPOC safety and belonging in nightlife spaces. The latest example was with Good Night Out Zine. Printmaking has also been a wonderful way of building community. I felt honoured to represent London Mexico Solidarity in the Make Your Mark tapa organised by MOKU Pacific HQ. Always an inspiration, please check out the facilitators work, Momoe Ink As we've moved to zoom, the creative activities in my workshops have also had to become digital. Handheld prints have become Instagram slide-throughs, I miss the tactility of the prints but they reach a much wider audience. And I have incorporated new techniques like group writing poems, avatar selfies, and menstrual product advice from Decolonise Menstruation workshops. I am passionate about printmaking because it has helped me express myself, especially when I didn't have the words or self confidence to do so. Printmaking has been both a place for artistic expression and quiet contemplation; a meditative stress release. It has allowed me to show love, protest injustice, assert my identity and build community through teaching and sharing my skills. If you have never tried it, I highly recommend it.

#printmaking #writing

Decolonise Menstruation is a series of participant-led workshops aimed at ending period shame within the unique experience of BIPOC communities. We use creative activities to break down taboos and myths around menstruation and our bodies. One way we did this was to write a group poem using the cinquain format, starting with one word and increasing one word per line upto 5 then back down again. Participants took turns, each contributing as many words as necessary for their line, about their own lived experience of their first period. So the poem reflects, as a group, what it was like to get our first period. An experience nearly half the world has gone through, but something we rarely share with anyone. We also created a group illustration, where each participant designed an avatar to look like them and then they decided which period products they’d like to include.

Decolonising Menstruation Project Manager: Diana More @_dianamore_ Decolonise Menstruation is a joint project supported by @BloodyGoodPeriod and @DecolonisingContraception

This poem and illustration was created during workshops with Xenia xenia.org.uk

Period products were created by Sonia Vico exclusively for DM

Originally posted on DC & BGP

#creative workshop outcome

Decolonise Menstruation is a series of participant-led workshops aimed at ending period shame within the unique experience of BIPOC communities. We use creative activities to break down taboos and myths around menstruation and our bodies. One way we did this was to write a group poem using the cinquain format, starting with one word and increasing one word per line upto 5 then back down again. Participants took turns, each contributing as many words as necessary for their line, about their own lived experience of their first period. So the poem reflects, as a group, what it was like to get our first period. An experience nearly half the world has gone through, but something we rarely share with anyone. We also created a group illustration, where each participant designed an avatar to look like them and then they decided which period products they’d like to include.

Decolonising Menstruation Project Manager: Diana More @_dianamore_ Decolonise Menstruation is a joint project supported by @BloodyGoodPeriod and @DecolonisingContraception This poem and illustration was created during workshops with Refugee Women refugeewomen.co.uk

Period products were created by Sonia Vico exclusively for DM

Originally posted on DC & BGP

#creative workshop outcome

Decolonise Menstruation is a series of participant-led workshops aimed at ending period shame within the unique experience of BIPOC communities. We use creative activities to break down taboos and myths around menstruation and our bodies. One way we did this was to write a group poem using the cinquain format, starting with one word and increasing one word per line upto 5 then back down again. Participants took turns, each contributing as many words as necessary for their line, about their own lived experience of their first period. So the poem reflects, as a group, what it was like to get our first period. An experience nearly half the world has gone through, but something we rarely share with anyone. We also created a group illustration, where each participant designed an avatar to look like them and then they decided which period products they’d like to include.

Decolonising Menstruation Project Manager: Diana More @_dianamore_ Decolonise Menstruation is a joint project supported by @BloodyGoodPeriod and @DecolonisingContraception

This poem and illustration was created during workshops with Baobab Women’s Project baobabwomensproject.net

Period products were created by Sonia Vico exclusively for DM

Originally posted on DC & BGP

#creative workshop outcome

Originally shared on @decolonisingcontraception DC insta & @bloodygoodperiod BGP insta Decolonise Menstruation is a series of participant-led workshops aimed at ending period shame within the unique experience of BIPOC communities. To figure out the advantages / disadvantages and find out the truth behind some menstrual myths Decolonise Menstruation participants talked about menstrual product options.

This swipe through is an introduction to a selection of some of the advice DM participants have for menstruators thinking of trying a new product. On this week’s series of Decolonise Menstruation we look at participants thoughts on menstrual cups 🩸 Decolonising Menstruation Project Manager: Diana More @_dianamore_ Decolonise Menstruation is a joint project between @BloodyGoodPeriod and @DecolonisingContraception and the asylum seeker and refugee centres, Xenia xenia.org.uk, Baobab Women’s Project baobabwomensproject.net and Women for Refugee Women refugeewomen.co.uk Illustrations by @gracemoore_illustration

#creative workshop outcome

Originally posted on Instagram by BGP and DC Has shame, fear of looking foolish, societal norms or anything else, ever stopped you from having a conversation about menstrual products. Do you think you’ve ever missed out on having these conversations with friends, family, coworkers, non menstruators because they didn’t feel comfortable? This week we look at the participants thoughts on reusable pads 🩸 Decolonise Menstruation is a series of participant-led workshops aimed at ending period shame within the unique experience of BPOC communities. To figure out the advantages / disadvantages and find out the truth behind some menstrual myths Decolonise Menstruation participants talked about menstrual product options. This swipe through is an introduction to a selection of some of the advice DM participants have for menstruators thinking of trying a new product. Decolonising Menstruation Project Manager: Diana More @_dianamore_ Decolonise Menstruation is a joint project between @BloodyGoodPeriod and @DecolonisingContraception Thank you to following asylum seeker and refugee centres, for putting us together with the participants Xenia xenia.org.uk Baobab Women’s Project baobabwomensproject.net Women for Refugee Women refugeewomen.co.ukIllustrations by @gracemoore_illustration

#creative workshop outcome

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