M as seen on TV x Studio Chiaroscuro, As Seen on TV series
Color Me Curious
untitled
"I'm Dorothy Gale from Kansas"

pixel skylines
almost home
Lint Roller? I Barely Know Her
EXPECTATIONS
cherry valley forever
Noah Kahan

tannertan36
Fieri Frames
occasionally subtle
Not today Justin

Jimmy Eat World

No title available
Claire Keane
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies

#extradirty
YOU ARE THE REASON

seen from Italy

seen from United States

seen from Malaysia
seen from Philippines
seen from United States

seen from Austria

seen from Australia

seen from United States

seen from United States
seen from United States

seen from United States

seen from Philippines
seen from Malaysia

seen from Venezuela

seen from Indonesia
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seen from Bangladesh

seen from Malaysia
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@digitalnecropolis
M as seen on TV x Studio Chiaroscuro, As Seen on TV series
𐙚 ‧₊˚ ⋅
L'oiseau bleu (1908)
Coptic tapestry of Artemis
Egypt, 4th–6th century, resist-dyed linen, h. 194 cm, w. c. 600 cm, Abegg-Stiftung Museum, Riggisberg, Switzerland
The centrepiece of this monumental hanging is Artemis, goddess of hunting. Armed with bow and arrow, she is shown here in her temple striding ahead in resolute haste. To the left of her are some of the great hunters of Greek mythology: Actaeon, Narcissus, Meleager and Adonis, while to the right are scenes of hunters fighting wild beasts. The images were produced by resist dyeing, a method which entailed painting the motifs onto a light linen cloth in a paste made of resin and wax. The cloth was then immersed in a vat of dye so that when the paste was later removed, the figures and ornaments showed up as much paler than the indigo dyed ground.
Pieter Aertsen - Christ in the house of Martha and Mary (1553). Detail.
Requiem pour un vampire (Jean Rollin, 1971)
“Canarina’s Gaze” by René Lalique, 1928.
from march on my flip phone