have you ever
looked at photos of pizza as you eat pizza and be very grateful for the pizza you’re eating?

Love Begins
sheepfilms
KIROKAZE
almost home
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

ellievsbear
No title available
official daine visual archive
Misplaced Lens Cap
d e v o n
let's talk about Bridgerton tea, my ask is open

Kiana Khansmith

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gracie abrams

if i look back, i am lost

Andulka

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Cosmic Funnies

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@dinosaurtactics
have you ever
looked at photos of pizza as you eat pizza and be very grateful for the pizza you’re eating?
To every love-given child Oldness comes to rile The youth who dream suicide
I don’t know who eats human beings, but you might imagine some kind of party of aristocrats– real rich people– sitting around a dinner table and eating a human being alive. I’m against eating a human being alive– I don’t do it. Somebody might make cannibalism jokes and laugh it off like it’s nothing. I don’t agree with that. I wanted to proclaim a rejection of cannibalism.
Pitchfork’s interview with John Maus is fantastic.
I believe music is part and parcel with the structures of power at any given time. Romanticism was perfectly part and parcel with the bourgeois individualism, and of course, the renaissance and medieval music was perfectly part and parcel with the church as the dominant structure of power. So today the dominant structure of power is global capitalism, so music takes on this commodified quality, it answers to that and to that alone. But if we want to enter in a conversation with those works, we have to do it through our own objective, historical moment, using the vernacular, which is as far as I can tell - pop music. I think there’s something really interesting about our music, our language, relative to these other languages. We’ve completely cast off certain conventions, like thematic development, or polyphony, or major-minor tonality. All this stuff is consistent across these disparate musical moments, and then all of a sudden you come to this moment and it's just four chords repeated over and over again. And I think perhaps that might have to do with power, with The State, with what we’re subject to. Power has sunk its fingers into human being - into art - into thought, in a deeper way than it ever has before - it names so much more. But my wager is that human being continues to exist after the triumph of the spectacle, and it’s our task to share the experience of being here - now, under this cloud, controlled in the ways we are. I mean, we can still speak, I think.
John Maus (via palmsvoice)
mac and peter (and a doggggg)
I'm a deep sea diver with my fins
And underneath your current I do swim
feel
cellphone service is not that expensive
but that takes commitment and you just don’t have it
Woman in the Dunes (1964, Hiroshi Teshigahara)
i wish i had gotten to know you better
who, don't hide behind anon
Look at this angelic being I found in a dog encyclopedia
"yeah"
Oh; it’s incessant
the need
seeing it sail away into darkness
the gloaming, the sinking
My failures, they stare back at me
with pale black eyes
Like a sad etch a sketch
you created a beautiful piece
to dwell upon, melancholy
then, inevitably, it was shaken
for it was just a shell.
a vessel that was meant to
sink.
Sometimes // My Bloody Valentine
NOSTALGIA HARD
Leaving Reading I saw this and had to take a quick picture