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please don't do this to her... join me in hashtag gwomansweep.... together we can combat these false claims
Autobiography of a Wound, Brynne Rebele-Henry / X / Blythe Baird “If My Body Could Speak”
Photographed by Martin Schoeller for The New Yorker in 2002:
"I was hired by the New Yorker in 2002 to photograph Robin Williams, and after doing my research what stood out most for me was that he was a very physical comedian. I came up with this idea to photograph him swinging from a chandelier in a grand hotel room. Most publicists shoot down these kinds of wild ideas, so I didn’t tell anyone what I was up to, but rigged up a chandelier at the Waldorf Astoria hotel for him to swing from. When Robin got there and saw what was happening, he lifted up his shirt and showed me this enormous scar on his shoulder. He’d just had surgery and couldn’t so much as lift his arm. He was so disappointed! He really felt bad about not being able to do it, because he loved the idea and really wanted to help me accomplish my vision.
Unlike most Hollywood stars, he was unfazed by his success and position. He talked to everyone from stylists to the crew, to the hotel staff. We ended up asking a maid at the hotel to swing from the chandelier instead, and I asked him to just sit there and read a newspaper, which I think in the end was an even funnier, more unexpected picture.
[Follies Of God]
[ID: a photo of Robin Williams sitting in a mostly empty room reading a newspaper. He is perched on a coffee table with his legs crossed, wearing a red jacket and bright blue shoes, and is reading with an amused expression on his face. Behind him, a woman in a beige maid uniform is swinging from a chandelier and smiling. /end ID.]
In 2010 I was at a very fancy Hollywood Oscar party and I am no good at parties and had made up my mind to leave. I was introduced to a young woman whose name I hadn’t caught who, when I told her how uncomfortable I was, told me that her dad was there and she and she and he would look after me. She told me that her dad was the Sandman fan and had got her hooked, which was why she was wearing an ankh that night.
I was desperate for someone nice and headed out with her across the lawn to where her dad was holed up. I assumed he was a producer or something. As we got close and I did see him under the tent canopy I realized who her dad was. Zelda Williams and I have stayed friends. Her father did the equivalent of pulling a thorn from my foot, and I spent the evening with them enjoying the party as much as I could, because now I had friends. I remember him with such gratitude.
I’m gonna break into your house and kick u in the BALLS 100 time. Be ready.
smash or pass: barney calhoun
smash
pass
Too holy 😣
I hope Crowley discovers in S3 that Aziraphale has a book of drawings of him, each and every look.
Unlesssssss he found out a long time ago and hence he decided to keep on changing his looks to give Aziraphale new material to draw
Crowley lounged in Aziraphale’s armchair, one leg kicked over the side, stretched his head back to look at his angel sideways, smirked a bit, and said “What, you don’t like this one?”
Aziraphale had been staring at him, contemplatively, and the question seemed to jolt him from his thoughts. “Don’t like… I’m sorry, my dear, which one? One what?”
Crowley watched him, enjoying catching the angel out at things, enjoying springing the trap. “My new look. You don’t like it?”
And ah, there it was, the little look of panic Aziraphale couldn’t hide. The angel was picking up deception from the humans, slowly, but he had a long way to go. “Like it? I have no idea what you’re talking about.” His voice rose in pitch. “Why would you think I don’t?”
“Well.” He turned himself around to face Aziraphale properly… but made sure to still be rather impressively posed. “This is the second time you’ve gotten me drunk enough you think I won’t notice you drawing me, and you still haven’t drawn me.”
Aziraphale’s only response was a few flustered syllables of embarrassment.
Crowley watched him squirm, something old and gentle and playful feeling warm in his chest. “What’s wrong? I sat in your armchair both times. You like drawing me in your armchair.” And before his bookshop, it had been a settee. And before he’d gotten Crowley comfortable coming into his home, it had been a park bench, and before park benches had existed… Well, in any case, he’d liked drawing Crowley in his armchair ever since he’d gotten it for his then-new bookshop. It was 1982, now, over a century later, and Aziraphale had drawn Crowley sprawled over his armchair in every style he’d passed through.
“I… I have no idea what you’re…”
Crowley stared at him, always fascinated by watching his angel try to lie. He raised one eyebrow, encouraging, waiting.
Aziraphale wilted. “Oh, alright. I didn’t think you knew! You’re… You’re just interesting to draw. Your outfits are… Well, your hair…”
“My hair?” Crowley prompted, pleased. He gave his hair a little shake, glad long hair on men was currently acceptable.
“Oh, you know what your hair looks like!”
He did, but he had to admit - only to himself - that he hadn’t been sure Aziraphale had noticed. “Well? What’s the hold up? I drank, I posed. I’m ready for my portrait.”
Aziraphale squirmed.
Hmm. “Hell’s sake.” Crowley murmured, softly, starting to feel embarrassed himself. “Is it that bad? Should I change it?”
“No! No, it’s…” Aziraphale sighed. “I wanted to draw you looking at me, for once. I always draw you looking off somewhere, or with your eyes closed. But I wanted to draw you looking at me.”
Crowley straighten up, abruptly interested. “Yeah? I can do that. How do you want me?” He’d seen humans posing for each other, in art schools, and suddenly the idea seemed intoxicating. Somehow intimate. To be allowed to look at Aziraphale, to watch him draw, to know Aziraphale was looking at him, studying his expression, in every minute detail.
Expression was, at times, the most honest communication they dared.
“Just there. Just… don’t pose. Just… look like yourself.”
Aziraphale disappeared into the next room, presumably getting his supplies, and Crowley attempted the suddenly challenging task of looking like himself. Yes, just how exactly would he sit, to watch Aziraphale draw? How exactly did he sit in chairs? If he were, for instance, himself, how would he appear?
He leaned back in the chair, crossed his legs at the knees, and put his arms on the armrests. No, too prince-of-Hell. He threw one leg over the armrest, but now he was tilting away from Aziraphale’s own seat. He jumped up, turned the chair, and tried again, but now it felt ridiculous, too obviously seductive, too- He moved the chair again, heard Aziraphale’s steps coming back, then flung himself back in the chair and just tried to look like he’d been casually taking his ease there the whole time.
“Do you want me to move or something? I don’t mind.” he drawled, in his most casual, bored drawl.
Aziraphale smiled, sitting down with his drawing pad, and pencils. He spent a few moments fussing about, getting settled, and when he looked up, Crowley realized he was staring.
“Yes.” Aziraphale said swiftly, firmly, before Crowley’s millennia of habit could kick in, before he could catch himself and looked away. “Just like that. Like how you look at me when you think I don’t notice.”
“I don’t… What?”
But the protest was weak, and Aziraphale didn’t even acknowledge it.
Quiet fell. There was just the scratching of pencil on paper. Just Aziraphale’s eyes, flicking up to study him, then back down to his paper, then, again, up to Crowley’s own. Just that beautiful look of concentration, relaxation, the look of creation, on an angel who had learned human ways to do it.
Just Aziraphale’s eyes, so warm and intent, focused on Crowley alone. Crowley wasn’t sure he took a breath the whole time.
Then it was over. It hadn’t taken long at all. “Done.” Aziraphale said.
Crowley leaned forward, eagerly. “Can I see?”
Aziraphale actually blushed. “I suppose it’s only fair. Do you want to see the others?”
“You have them?” Crowley actually felt his heart speed up, at the information. Somehow he’d always imagined the drawings filling an unused page somewhere, just a bit of scrap paper, then absently thrown out in Aziraphale’s next cleaning. “Yes!”
Aziraphale got up, probably intending to get the drawings and bring them back, but Crowley followed on his heel. And when Aziraphale knelt to pull a folder out of a bottom shelf, Crowley knelt with him, perfectly happy to look at the drawings right there.
Aziraphale sighed, an exasperated little breath that held a whole conversation of commentary on his impatience, and then indulgently handed Crowley the folder.
Crowley opened it, and the pages spilled, loose, across his lap, and Crowley shuffled delicately through them. He knew well how to be careful with old paper, but these seemed suspiciously, one might say miraculously, well-preserved. And the drawings showed…
Crowley hadn’t expected soft. He hadn’t expected this. He’d wanted to know, wanted to see what his angel saw when he looked at him; he’d been expecting pretty, maybe dangerous, and hoping for hot. He hadn’t expected… gentle. Or relaxed. Or happy. There were the drawings he’d known about, but there were others. Crowley in Aziraphale’s shop, smiling at an old woman as he helped her carry her books. Crowley in ancient robes, smiling out at a sunset. Crowley sprawled on his settee, asleep, looking vulnerable and yet safe.
And one, at the very bottom of the pile. It must have been drawn ages after the fact, because humans hadn’t yet invented paper back then. Crowley was smiling at Aziraphale, looking right at him, long curls loose down his back, snake eyes bright. It must have been drawn from memory, but Crowley remembered looking at Aziraphale exactly like that, while the angel’s wing had shielded him from the rain.
In every picture, every single one, no matter what time period it was from, Crowley looked happy. And in every stroke of pencil, every glide across the page, there was love. Love.
He looked at the newest one. His smile was softer. Unhurried. But his eyes were just the same as in the first one. Fixed on Aziraphale, as if there could be nothing better to look at in all of creation.
Oh.
He scrambled through the pages, forgetting to be as gentle as he could, needing to search for some, any, other interpretation.
“Oh, angel…” He looked at him, and Aziraphale’s eyes were gentle, shy, but not denying what Crowley saw. Crowley wanted to kiss him. He wanted to put a hand on the back of the angel’s neck, and pull him close, and kiss him until all the lies they had to hide behind fell away, until they were one being, and Heaven and Hell could never part them again, until…
Because his angel loved him. That was what these drawings said. His angel loved him, and had all along. And yet.
“Angel,” His voice came out rough, his throat strangely tight. “Are you sure I go too fast?”
He could hear Aziraphale’s breath catch, they were so close. Aziraphale nodded, the movement tiny but urgent, and he looked away.
Crowley lowered his eyes as well, heart hurting.
Then, so quickly it was over before he knew what was happening, angelic fingers were on his chin, lifting him up, and for the briefest moment, soft lips were at just the corner of his mouth.
Then Aziraphale was up, hurrying away, probably off to make tea and any other distraction he could think of.
Crowley watched him go, and his fingers rose to the ghost of Aziraphale’s lips on his. A smile spread across his face.
He could go slow.
—Neil Gaiman, American Gods.
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whenever i’m talking to anyone else i just wish i was talking to my best friend. i could be talking about anything, even something exciting, and i’d still wish it was my best friend sitting across from me instead of them.
IN THE EARLY UNIVERSE TIME WAS SLOWER??
Blog#312
Saturday, July 8th, 2023
Welcome back,
Time has been observed passing more slowly in quasars in the early universe.
The observed time dilation comes as a consequence of Albert Einstein's theory of general relativity combined with the expansion of space. "At its heart, this is another 'Einstein is right again' story," Geraint Lewis, a cosmologist at the University of Sydney, told Space.com.
Lewis and Brendon Brewer of the University of Auckland are co-authors on a new paper describing the long-sought after confirmation of time dilation effects in the variability of quasars. A quasar is powered by an accreting supermassive black hole at the heart of an extremely active galaxy. Because the accretion disk around the black hole is relatively small, fluctuations in the light emitted by the quasar can take place in just days. This makes them easier to track.
However, in the time since the light, and its fluctuations, was emitted from the 12 billion-year-old quasars, the universe has expanded greatly. This means that we are seeing the quasars as they existed over 12 billion years ago.
"We expected quasars to also exhibit this behavior, but previous searches had failed to find it," said Lewis.
A new sample of 190 high-redshift quasars observed over 20 years by the Sloan Digital Sky Survey (SDSS), Pan-STARRS and the Dark Energy Survey, has provided Lewis and Brewer with the tools to finally detect time dilation in the variability of quasar light. The long period of observations coupled with telescopic sensitivity to the quasar fluctuations reveals the time dilation effect.
Based on how slowly the fluctuations seem to be occurring, time in these quasars appears to run five times slower than it does for us in our frame of reference on Earth.
"We can pin-down the characteristics of their variability and show that quasars truly play ball with the cosmos," said Lewis.
To be clear, time didn't really run slow in those quasars relative to everything around them — in their frame of reference, time ran normally. Einstein's theory of relativity and how he described the passage of time is based on the concept of frames of reference, and that these frames can be distinguished by their velocity relative to each other.
"The motion of distant galaxies is due to expanding space," said Lewis. Consider that the Hubble constant describes how fast a volume of space 3.26 million light-years across is expanding per second. This is an incremental effect, where the expanding volumes of space add up. The farther a galaxy is from us, the more space has expanded between the galaxy and us, and the faster that galaxy seems to be moving away from us.
"Some of these quasars were moving faster than the speed of light, relative to us, when the photons were emitted," said Lewis.
As Einstein showed, strange things happen when you approach the speed of light. One of these strange things is time dilation. A stationary observer on Earth would observe a clock traveling faster than them, whether on a spacecraft or in a quasar, appear to slow down. The faster the clock is moving, the greater the effect. At velocities approaching the speed of light, the effect is dramatically pronounced, resulting in peculiarities such as the twin paradox.
Time dilation is not just theoretical. It has been observed, albeit in tiny amounts, in satellites orbiting the Earth — the Global Positioning System has to take this into account. Cosmologically, time dilation has been observed in supernovae that exploded 6 to 7 billion years ago, but never in objects more distant than that until now.
Besides being another successful test of Einstein's theory of relativity, the time dilation observed in the quasars is also further evidence that we do indeed live in a universe that is expanding as a result of the Big Bang.
If the universe were not expanding, the quasars would not appear to be moving at relativistic speeds relative to us. Lewis described the findings as "putting to bed some of the more extreme ideas that had been proposed, including that cosmologists have it all wrong, due to the previous failure to see quasar time dilation."
Originally published on space.com
COMING UP!!
(Wednesday, July 12th, 2023)
"WHAT IS A QUANTUM COMPUTER ??"