Andrea Gibson, The Madness Vase
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Andrea Gibson, The Madness Vase
Cormorant fishing in Yangshuo near Guilin, Guangxi, China. Christian Vaisse
Cormorant fishing is an old tradition in which fishermen use trained cormorants to catch fish.
Coined Bluetooth Headphones by Zeina Issa.
koujayn by marta mamon & hair by marília rohr
The speed of jazz music, 50s-60s, by Francine Winham
“How hard must the wind blow to open our hearts?”
— Sonia Sanchez, from Morning Haiku (Beacon Press, 2010)
Txema Yeste, Tropical Water, 2021
[gripping the sink] perfectionism does not help me avoid embarrassment or shame. perfectionism is in itself a form of shame. when i struggle with perfectionism i struggle with shame. when i struggle with perfectionism i struggle with shame. when i struggle with perfectionism i struggle with shame
the type of horny that can only be fixed by someone who is deeply in love with me
propaganda i am not falling for:
always moving on. some goodbyes need to rot a little. some griefs need to be held in the mouth like a stone.
beauty defined by algorithms. beauty exists in crow feet and smile lines
pretending to be chill. i’m not chill. i care deeply and inconveniently. i read into things. i write poems about eye contact
beige apartments with no soul. give me bookshelves and incense and loud art
sneaky links and unclear intentions. i want devotion. and also clarity
treating books as decor. read them. dog-ear them. argue with them in the margins
no connection without willingness to be seen. no connection without curiosity and understanding, without compassion and forgiveness. no connection without tolerance and inconvenience. no connection without the courage to divulge feelings, thoughts and needs. no connection without putting the health of the bond before pride or the comfort of hiding. no connection without embarassing yourself a little. without hard conversations, or the space and will to learn and grow. without accepting and loving imperfection
Jöana
Rosa & Daria, by Jessica Tanzer around 1990.
Owen Gent, Lovers Series: No. 3 & No. 4