Get Inspired, visit: www.myhouseidea.com

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One Nice Bug Per Day
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@dkatt3
Get Inspired, visit: www.myhouseidea.com
Orlando-based architect and co-founder of design-build firm Interstruct, Inc., Ryan Young transformed a former parking lot in one of the city’s creative, emerging neighborhoods into a warm, modern home for his growing family. The project’s hallmark is its use of industrial-grade materials showcased for their inherent beauty. Photography by Steven Allen
(vía Antoine Grumbach. Arquitectura (Madrid). 214 Sep 1978: 14 | RNDRD)
Eames House Charles and Ray Eames
The Eames House, Case Study House #8, was one of roughly two dozen homes built as part of The Case Study House Program. Begun in the mid-1940s and continuing through the early 1960s, the program was spearheaded by John Entenza, the publisher of Arts and Architecture magazine.In a challenge to the architectural community, the magazine announced that it would be the client for a series of homes designed to express man’s life in the modern world. These homes were to be built and furnished using materials and techniques derived from the experiences of the Second World War. Each home would be for a real or hypothetical client taking into consideration their particular housing needs.
The first plan of the Eameses’ home, known as the Bridge House, was designed in 1945 by Charles Eames and Eero Saarinen. The design used pre-fabricated materials ordered from catalogues, a continuation of the idea of mass-production. Charles and Ray moved into the House on Christmas Eve, 1949, and lived there for the rest of their lives. The interior, its objects and its collections remain very much the way they were in Charles and Ray’s lifetimes. The house they created offered them a space where work, play, life, and nature co-existed.
Images via + via + via
laknám
The Eameses are great but it’s horrible how their chairs, which were meant to be cheap, have become expensive status items
Prospective Architecture: House in the Woods Benoit Patterlini
Contemporary architecture can it still bring solutions to the welfare of humanity? In short, the architect does nowadays the way to cure the ills of society? Can it be a humanitarian role building works for others and not for the sole purpose of satisfying his enormous ego? Taking against the foot of what is done with my confreres European architects, I will try through unsolicited proposals to develop architectural projects fictitious. These proposals will be spontaneous as possible scenarios in their perceptions of the moment, on the basis of an empirical analysis of a given context and situation. This is what I call the prospective Architecture.
Images and text via Benoit Patterlini
Galleria Vittorio Emanuele II, Milan
Built by Luigi Rosselli in , Australia with surface 230.0. Images by Edward Birch. The longest rammed earth wall in Australia and - probably - the southern hemisphere, has been selected as a finalist ...
OLSON KUNDIG
POLE PASS CABIN
Diseñado por la arquitecta chilena Cazú Zegers, el Centro Cultural Alcalde Juan Estay en Puente Alto (Santiago) espera abrir sus puertas en octubre...
The Butterfly House in California | architect: Feldman Architecture
Design sketches
Como cada arquitecto ya sabe a estas alturas, la profesión tiene un serio problema con su cultura de trabajo. Comenza...
7 Formas para ser un Arquitecto más EFICAZ
Expo 64 pics from Schweizerische Polierzeitung
Carl Fingerhuth, Pavillion Wehrhafte Schweiz.
http://www.fingerhuth.com
Nest by UID Architects
from Homeli.co.uk ~ { Facebook | Twitter | Tumblr }
Mateo Arquitectura, EDificio de viviendas en Passatge Marimon, Barcelona.
[HIC Arquitectura]
Tsubo House / Liffey Crescent | Wiredog Architecture
Location: Wellington, New Zealand | HOME Magazine’s 2014: Home of The Year Finalist
ARCTIC FOOD NETWORK: Regional Food-gathering Cabins | Lateral Office
Location: Baffin Island Region, Nunavut, Canada /// 2011-12
“We are an adaptable people. There is no doubt about that. We’ve had to be. That’s how we have always traveled season to season looking in pursuit of animals. We’ve weathered this storm of modernization fairly well - going from dog teams to snowmobiles, and flying jumbo jets and going from igloo huts to permanent homes, and of course, going from our environment - which is our supermarket - to now having supermarket-like stores in communities - all within a few decades.
This has not been without consequences. But through it all, we have always had our land. Our very predictable environment and climate and the wisdom of our hunters and our elders that they have gained through the millennia - and that always helped us to adapt to the situation. Because the hunting culture is not well understood - it is not only about the killing of animals, or the pursuit of animals. In fact, the real process of the hunt is extremely powerful. Eating and hunting personifies what it means for us to be Inuit. These skills and traditions are passed down generation to generation.”