Docotor swag

No title available

@theartofmadeline
Acquired Stardust

oozey mess
No title available
he wasn't even looking at me and he found me
Not today Justin

blake kathryn

JVL

titsay
taylor price
Claire Keane

★

izzy's playlists!
sheepfilms

⁂

祝日 / Permanent Vacation

roma★
Show & Tell
AnasAbdin
seen from Brazil
seen from United States
seen from Australia
seen from Italy
seen from United Kingdom

seen from Russia
seen from United Kingdom
seen from Australia

seen from United States

seen from Australia

seen from United States
seen from Singapore
seen from Malaysia

seen from Germany
seen from United States
seen from Croatia

seen from United States
seen from United Kingdom

seen from Malaysia

seen from United States
@doctorswag
Docotor swag
Hello Everyone
Semi relaunching/trying to use this account more. I’ll be posting: Film reviews, Music reviews, political thoughts, wierd thought tangents, and any other cool niche shit I like. Follow me if that sounds interesting!
This guy is a gnome! Follow him for gnome-type blog posts
Listen up scally wags
Tonight’s album I want to talk about is “The Misfits Box Set” by Misfits. This albums looks like a monster of an LP to tackle but in reality it’s only a handful of songs repeated. The trick is, if a track is repeated, it won’t sound like its first appearance on the LP. This is because it was either recorded live or in a different studio. I love the C.I Recordings of ‘79 because of how refined the bands music sounds and the song selection is great with bangers like Hollywood Babylon and Last Caress. The same could be said for the Fox Studio sessions of ‘83 and Master Sound Productions sessions of ‘80, Fox Studio sessions giving even more bangers like Mommy Can I Go Out And Kill Tonight? and Die, Die My Darling to listeners. As for the Master Sound sessions, it almost feels like the Misfits we’re trying to soundtrack something with their song selection; Skulls and Ghouls Night Out sticking out to me the most. There’s more in the LP like the Mix-O-Lydian sessions of ‘80 and the live performances in New York and San Francisco but those personally turned me off because of how Lo-Fi they sounded compared to the rest of the compilation. Either way I definitely recommend this album to anyone getting into punk rock, it’s like a bag of mixed candy that is sure to have something you enjoy.
CAAANTNR. SELLEEEEPL
Hey grubs
Todays album review is “Powers That B” by Death Grips. This album kicks off with a phenomenal intro, setting its tone with its harsh vocal delivery and depressive subject matters. Then it completely one eighties with the rest of the tracks on NOTM or disc 1, Billy Not Really and Voila sounding like dance music made for people with two left feet and a bubbling rage at something inside of themselves. The grittiness of Up My Sleeves returns in I Break Mirrors With My Face In The United States which also marks the beginning of Jenny Death or disc 2. The harshness, while present in disc 1 is in the forefront for disc 2, the depressive tone following it as well in tracks like Centuries Of Damn and On GP. I highly recommend this album to anyone looking for an album to serve as a soundtrack for their alcoholism.
Doctor swag
I’ll probably make a list of punk albums ya should listen too if you want to get into that genre. I think it would be fun, also it’d give me a chance to share more albums without a long overview.
finished my barbie dvd collection :)
i was missing three as a child and since i have a job now i sought them out and bought them hehe
ive only collected up to the fairy secret era since i dont really like the newer movies the only one i would like get now would be princess charm school i think and maybe a pearl princess idk id have to see which ones i like and think are worth getting hehe
i also have doubles of a few since some came together in a bundle with my new ones
Listen to this grub,
This is Donna Summer’s “Bad Girls” (1979). A disco/pop classic LP that hits with the strength of a thousand cars, each song catchier than the last. I love every song on this LP, I hum their melodies and lyrics here and there, but a track from this masterpiece I could never forget in a hundred years is “Walk Away.” The transition from “Love Will Always Find You” to this track gives me goosebumps and encapsulates (intentional or not) the heartache that comes with opening yourself up to love only to get hurt in the end. This album is rollercoaster of emotions and it will run you over. I would highly recommend this album to anyone into ‘80’s pop and or just looking for something to listen to while either crying or girlbossing.
Listen up grubs,
“Plastic Surgery Disasters/ IN GOD WE TRUST, INC.” (2001) is a reissue of “Plastic Surgery Disasters” (1982) that included “IN GOD WE TRUST, INC.” (1981). Both of these albums shine on their own, each of them packing mountains of Jello Biafra’s sarcasm, comedy, and storytelling. Plastic Surgery introduces itself with a song about how schools program children to be obedient, fearful, miserable, robots and follows up with the track “Government Flu” which I will never forget getting goosebumps over on my first listen. The rest of Plastic Surgery was no joke either with tracks like “Terminal Preppie” and “Buzzbomb” with their ear-worm melodies; I especially loved the small choir of the band members vocals during each stanza on “Buzzbomb” it makes the song feel more manic and mesmerizing. After Plastic Surgery’s finale, “Religious Vomit” picks up where “Moon Over Marin” left off. In God We Trust has some great tracks as well, my favorites being “Nazi Punks Fuck Off” and “Kepone Factory.” I even love the cover they preformed of Rawhide’s main theme. I would recommend this album to anyone looking to get into punk, I believe this is a star example of a great punk album.
I swear I listen to other genres besides punk, just let me crank out these overviews. They’re real fun
Listen up folks,
“Teen Idles” (1996) is a self titled mixtape(?) that showcases the beauty of something being short and sweet. This mixtape(?) contains two remixes(?) of songs from an album they had released in ‘80 titled “Minor Disturbance.” This self titled is a bit of a mixed bag for me, like trail mix, all the good stuff is at the bottom. The last two tracks “Trans Am” and “Fiorucci Nightmare/ getting In My Way” are the best tracks to come out of this project. Both songs tackle minor inconveniences to life, such as jackasses with fast cars and overpriced clothes, but they present these issues with such energy and vigor that it doesn’t sound whinny or lame. I would recommend this album to anyone who likes hardcore punk or garage punk
Okay…listen,
“E.S.B.K.” (1994) is one of the most aggressive grind core albums I’ve listened to in a while. The production quality feels like it was made out of pure spite and I think that feeling really helps with the albums tone. A lot of the songs are considered by many grind core, but I would also recommend this album to any harsh noise enjoyers since there’s a lot of ear ringing moments on this album. If you’re looking for something to listen to when you’re speeding down a highway maybe don’t listen to this because you’ll want to rear end the car closest to you. (I don’t know what the rules for censorship are so excuse the weird edits)
Listen up crubs,
If you’re a big fan of Boston punk and hardcore, you’ll definitely dig “Do We Really Want To Hurt You?” (1984). This entire project is a great example of how great the Boston area punks were in the 80’s and 90’s. A lot of the songs shine in their own light but the track that takes the spotlight for me personally is “Pennies From Heaven.” The energy is at full blast here and the melody is so indescribably catchy it’s easy to miss out on the other aspect of the song that make it bang, I love the fact that the guitar follows the vocals like it’s singing as well. I highly recommend this album if your looking for some good hardcore or Boston punk. I also recommend looking at more bands that are in the TAANG! Records family, they rule!
listen up grubs,
“Play fast or die” (1998) is a solid album by the electro hippies. The production is raw and the songs truly live up to the album’s name, each song is around 1-2 minutes of pure aggression. Every song sounds like a blast of wind from 3 jet engines, except the engines are dishing out hardcore UK punk sounds. I would say the shining star of this project is “Am I Punk Yet?” On my first listen, those 13 seconds of pure chaos that served as the intro to the song are beautiful. I would definitely recommend this album to anyone that’s into hardcore punk or UK punk.
Swagged I’m fucking
Ice d out!